

DUKE 

UNIVERSITY 

LIBRARY 



Professor F. A. G. Cowper 



Digitized by the Internet Archive 
in 2017 with funding from 
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https://archive.org/details/generalcatalogue01arti 



ILLUSTRATED EDITION 


T he art institute of Chicago 

GENERAL CATALOGUE OF PAINT- 
INGS, SCULPTURE AND OTHER OBJECTS 
IN THE MUSEUM 1913 





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MAIN ENTRANCE 

THE ART INSTITUTE OF CHICAGO 



THE ART INSTITUTE OF CHICAGO 
GENERAL CATALOGUE OF PAINTINGS 
SCULPTURE AND OTHER OBJECTS 
IN THE MUSEUM 1913 





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PREFACE 


The General Catalogue is issued in its present abbreviated 
form to fill an immediate need. Its chief object is to provide 
the visitor with a handbook which he may use according to num- 
ber, finding in the catalogue the number attached to the 
object under inspection. A well classified catalogue is made 
impossible by the constant enlargement of the collections and 
of the building and by some other causes. 

The table of contents, page 13, shows the general system 
of arrangement. The numbering in the first section of the 
book, which deals with sculpture, runs from 1 to 100 in the 
division of Egyptian and Oriental sculpture, and again begins 
at 1 in the division of Greek sculpture and is thereafter con- 
secutive. In the next section, devoted to painting and other 
graphic art, the numbering begins at 1 and is consecutive 
through the book. 

Following the painting section there has been included for 
the purpose of reference a series of descriptions of collections 
which are as yet uncatalogued or of which special catalogues 
exist. At the end a list of loans has been added. This list 
does not include all the objects lent to the Museum, but only 
those which are on exhibition for a considerable length of 
time. The index, which includes artists, subjects and donors, 
and which is to some extent analytical, will be of much con- 
venience in ascertaining the position of a particular object. 


THE ART INSTITUTE OF CHICAGO, 1912-1913 


Trustees 


EDWARD E. AYEK 
ADOLPHUS C. BARTLETT 
JOHN C. BLACK 
CHADNCEY J. BLAIR 
CLARENCE BUCKINGHAM 
EDWARD B. BUTLER 
CLYDE M. CARR 
HENRY H. GETTY 
JOHN J. GLESSNER 
FRANK W. GUNSAULUS 

Ex 

CARTER H. HARRISON, 

Mayor 

JOHN E. TRAEGER, 

Comptroller 


CHARLES L. HUTCHINSON 
BRYAN LATHROP 
FRANK G. LOGAN 
R. HALL M'CORMICK 
JOHN J. MITCHELL 
SAMUEL M. NICKERSON 
HONORE PALMER 
MARTIN A. RYERSON 
HOWARD SHAW 
ALBERT A. SPRAGUE 

Offido 

JOHN BARTON PAYNE, 

President South Park Commissioners 
JOSEPH DONNERSBERGER, 

Auditor South Park Commissioners 


CHARLES L. HUTCHINSON, 

President 


Officers 

WILLIAM M. R. FRENCH, 


MARTIN A, RYERSON, 

FRANK G. LOGAN, 

Vice-Presidents 

ERNEST A. HAMILL, 

Treasurer 


Executive 


CHARLES L. HUTCHINSON 
MARTIN A, RYERSON 
FRANK G. LOGAN 

CLYDE 


Director 

WILLIAM A. ANGELL, 

Auditor 

NEWTON H. CARPENTER, 

Secretary 

WILLIAM F. TUTTLE, 

Assistant Sec'y 


Committee 


ALBERT A. SPRAGUE 
HOWARD SHAW 
CLARENCE BUCKINGHAM 
M. CARR 


Art Committee 


CHARLES L. HUTCHINSON BRYAN LATHROP 

MARTIN A. RYERSON FREDERIC C. BARTLETT 

HOWARD SHAW FRANK G. LOGAN 

EDWARD B. BUTLER 



HE ART INSTITUTE OF CHICAGO was incorporated 


May 24, 1879, for the “founding and maintenance of 
schools of art and design, the formation and exhibition of col- 
lections of objects of art, and the cultivation and extension of 
the arts of design by any appropriate means.” The Museum 
building upon the Lake Front, first occupied in 1893, is open to 
the public every week day from 9 to 5:30, Sundays from 12:15 
to 10 P. M. Admission is free to members and their families 
at all times, and free to all upon Wednesdays, Saturdays, Sun- 
days and public holidays. 

The Art School, in the same building, includes departments 
of Drawing, Painting, Sculpture, Illustration, Decorative De- 
signing, Normal Instruction, and Architecture. 

All friends of the Art Institute are invited to become mem- 
bers- Annual Members pay a fee of ten dollars a year. Life 
Members pay one hundred dollars and are thenceforth exempt 
from dues. Governing Members pay one hundred dollars upon 
■election and twenty-five dollars a year thereafter. Upon the 
payment of four hundred dollars Governing Members become 
'Governing Life Members and are thenceforth exempt from 
•dues. Alt receipts from life memberships are invested and thJ 
lincome only expended. 

All members are entitled, with their families and visiting 
friends, to admission to all exhibitions, receptions, public lec- 
tures, and entertainments given by the Art Institute, and to the 
’use of the Ryerson reference library upon art. 

Visitors desiring to see the collections of the Museum under 
■guidance may make appointments with the museum instructors at 
the offi'Ce of the Director. 


DESIGNATION OF GALLERIES 


Main Floor 

SEE PLAN 

Rooms 1, 2, 3, 4, 5, 7, 8, 10, 12, Elbridge G. Hall Collection of 
Casts of Sculpture 

Room 1 Egyptian, Assyrian, Babylonian, etc. 

Room 2 (Corridor) Asia Minor and Early Greek 

Room 3 Greek, V and IV Centuries B. C. 

Room 4 Later Greek Sculpture 

Room 5 Roman Sculpture 

Room 6 (Corridor) Higinbotham Collection of Naples Bronzes 

Room 7 Roman Sculpture 

Room 8 (Hall) Modern Sculpture 

Room 9 Check Room 

Room 10 Renaissance Sculpture 

Room 11 (Corridor) French Sculpture 

Room 12 ]\Iodern Sculpture 

Room 13 (Corridor) ... .Getty Collection of Musical Instruments 

Room 14 Blanxius Collection of Earthenware and Porcelain 

Room 15 Gunsaulus Collection of Old Wedgwood 

Room 15a Classical Antiquities 

Room 16 Egyptian Antiquities 

Room 18 Fullerton Memorial Hall 

Room 20 Blackstone Collection of Architectural Casts 

Room 24 The Rj'erson Library 



MAIN FLOOR PLAN 


DESIGNATION OF GALLERIES 


Second Floor 


.Passing Exhibitions 


S SEE PLAN 

i Room; 25 
, Koom^|26 
Room' 27 
Room 28 
!'■ Room 30 

Room 29 (Corridor) Autotypes and Medals 

Room 31 Loan Collection of Old Masters 

: Room 32 Hutchinson Gallery of Old Masters 

,.Room 33 (Corridor) Arundel Reproductions and Medals 

■ Room 34 Curator’s Room 

Room 35 (Hall) Sculpture and Paintings 

Room 36 Guard Room 

Room 37 (Corridor) Sculpture and Drawings 

Room 38 Henry Field Memorial Collection of Paintings 

Room 39 Elizabeth Hammond Stickney Room of Paintings 

Room 40 ..Albert A. Munger Collection of Paintings 


Room 41 'i 

Room 42 ....Nickerson Collection: Paintings; Oriental Art 
, Room 44 J 
Room 43 -i 

Room 45 I Collection of the Antiquarian Society: Textiles, etc. 
Room 46 J 

Room 47 Collection of Ivories 

Room .47a Store Room 

Room 48 E. B. Butler Collection of Paintings by Inness 

Room 49 Ceramics and Metals 

Room 50 I . 

_ sv, 9 American Paintings 

Room 51 j 

; Room 52 Paintings 

Room 52a Store Room 

:■ Room 53 Paintings 

. Room 54 Ceramics and Drawings 


Room 58 (Third Floor) Etchings by Meryon 

Room 59 (Third Floor) Etchings 



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CONTENTS 


SCULPTURE PAGE 

Egyptian 17 

Chaldean, Babylonian, Assyrian, Hittite, etc 19 

Greek 27 

Roman 47 

Bronzes from Herculaneum and Pompeii S3 

Italian, Renaissance and Modern 62 

French, Modern 68 

German, Scandinavian and British 72 

American 74 

Architectural Sculpture : Greek, Roman, German, 
Italian, French 82 

PAINTINGS 

Old Masters, Dutch and Flemish, etc 107 

Field Memorial Collection 112 

Munger Collection 117 

Nickerson Collection 122 

American 130 

British and Continental Furopean 136 

Nickerson Collection of Water-Colors 141 

Friends of American Art Collection 146 

Butler Collection of Paintings by Inness ISO 

VARIOUS COLLFCTIONS 

Drawings 1S3 

Prints 161 

Metal Work; Medals and Plaquettes .....169 

Nickerson Collection of Oriental Art 17S 

Fgyptian Antiquities 179 

Greek and Roman Antiquities 181 

Ceramics 18S 

Collection of the Antiquarian Soctety 187 

Various 188 

LOANS 191 









SCULPTURE 


THE ELBRIDGE G. HALL COLLECTION 


THE ELBRIDGE G. HALL COLLECTION OF CASTS 
was purchased for the Art Institute with funds provided by 
Mrs. Addie M. Hall Ellis, by whose direction it bears the name 
of Elbridge G. Hall, her former husband, a citizen of Chicago 
from 1849 to 1877. In accordance with the wishes of the donor 
it includes only full-sized facsimiles of original works in sculp- 
ture. These reproductions are briefly described on pages 17-73 
of this catalogue, except when interrupted by the Higinbotham 
collection and a fewi individual gifts, to preserve an order ap- 
proximately chronological. 


CASTS OF EGYPTIAN AND ORIENTAL 
SCULPTURE 

Egyptian 

Room 1. 

1. Three Panels from the Tomb of Hesi at Sakkara. The 
originals, in the Museum of Cairo, are of wood. On 

- each one is carved in low relief a figure of Hesi. Ill 
dynasty (2980-2900 B. C.). 

2. The Sheikh-el-Beled (Chief of the Village). From a 
figure of locust wood in the Museum of Cairo, found in 
a tomb at Sakkara, Egypt, by Arabs, who gave it the 
above title in consequence of its resemblance to their 
chief magistrate. IV dynasty (2900-2750 B. C.). 

3. Reliefs from the Tomb of Ti. From painted limestone 
reliefs in the tomb of Ti, a royal architect, at Sakkara. 
The reliefs represent in great detail various phases of 
life on an Egyptian nobleman’s estate. V dynasty 
(2750-2625 B. C.). 

4. King Khafre (Chephren), builder of the second pyramid 
of Gizeh. The original, of variegated diorite, now in the 
Museum of Cairo, was found in 1853 in a well of the 
temple near the Sphinx at Gizeh. IV dynasty (2900- 
2750 B. C.). 

5. King Ra-en-Woser, or Weser-en-Re, seated. From a red 
granite statuette in the Museum of Cairo. 

6. Sphinx, with the body of a lion couchant, and a human 
head representing an Egyptian king. The original, of 
black granite, in the Museum of Cairo, was discovered at 
Tanis, in the delta of the Nile. XII dynasty (2000-1788 
B. C.). The statue has been inscribed with the cartouches 
of monarchs of the XVII, XIX and XXI dynasties. 

17 


18 


EGYPTIAN AND ORIENTAL SCULPTURE 


7. Portrait of an Egyptian King, broken from a sphinx. 
The original, of dark stone, in the Museum of Cairo, was 
found at Tanis. XII dynasty (2000-1788 B. C.). The 
statue has been inscribed with the cartouches of mon- 
archs of the XIX and XXI dynasties. 

8. King Amenophis III, 1411-1375 B. C. From a black 

granite statue in the British Museum. XIX dynasty 

(1350-1205 B. C.). 

9. Head of an Egyptian Princess, of the family of King 
Harmhab, 1350-1315 B. C. Two copies, from a limestone 
original in the Museum of Cairo, found at Karnak. XIX 
dynasty (1350-1205 B. C.). 

10. King Rameses II, 1292-1225 B. C. From the upper part 
of a colossal granite statue found in the ^lemnonium, 
near Thebes, and now in the British Museum. XIX 
dynasty (1350-1205 B. C.). 

11. Head of the Ethiopian King Shabaka, 712-700 B. C., 
wearing the white crown of Upper Egypt. Original of 
limestone in the Royal Museum, Berlin. XXV dynasty 
(712-663 B. C). 

12. Queen Ameneritis, the sister of Shabaka, of the XXV or 
Ethiopian dynasty (712-663 B. C.). From an alabaster 
statue in the ]\Iuseum of Cairo, Egypt, found at Karnak. 

13. 14, 15. The God Osiris and the Goddesses Isis and Hathor, 
the last in the form of a cow supporting a statue of 
Psamtik under her chin. From statuettes of dark green 
basalt, now in the Museum of Cairo, found at Sakkara 
in the tomb of Psamtik. “Recorder of the Offerings,” 
who lived in the thirteenth djmasty, four centuries before 
Christ. Saitic period (663-525 B. C.). 

16. Thoueris, Goddess of Maternity. Statuette of a pregnant 
hippopotamus standing upright. Original, of dark green 
basalt, in the Museum of Cairo. Found at Thebes. 
Saitic period (663-525 B. C.). 


CHALDEAN AND BABYLONIAN 


19 


Chaldean and Babylonian 

Room 1. 

51. Record Stone. A rude cylinder, with the figure of a 
king- on one side, and on the other a cuneiform inscrip- 
tion recording the sale of a field in the time of King 
Merodach Adan Akhi. From a stone found at Hadji- 
Abad, Turkey, now in British Museum. Chaldean, about 
1200 B. C. 

52. Record Stone. From a fragment of black stone in the 
Royal Museum, Berlin, found in the ruins at Niffer, near 
the site of Babylon. Cuneiform inscription. Chaldean. 

53. 1-8. Ancient Seal Cylinders. From stone originals in 
Royal Museum, Berlin. (Case in Room 1.) 

1. Seal of Gamil Sin, a king of Ur. 

2. Seated god with sceptre. 

3. Seated god. 

4. Man with animal for sacrifice. ^ 

5. Sun. 

6. Eagle and swans. 

7. Goats. From Surgul. 

8. Scorpions. 

54. 1-6. From stone originals in the Royal Museum, Berlin. 
(Case in Room 1.) 

1. Hemispherical seal stone from El Hibba, near Surgul. 

2. Weight, cylindrical, with top handle. 

3. Weight, elongated ovoid. 

4. Arrowhead. Original of flint. From El Hibba. 

5. Amulet. Head of a demon. 

6. Head of a priest. From a marble found in Warka. 

54. 7. Record of the Deluge. Chaldean. From two frag- 
ments in the British Museum. (Case in Room 1.) 

Assyrian 

Room 1. 

61. Obelisk of Shalmaneser II, of Assyria, (859-853 B. C.). 
Original of black marble in the British Museum, found 
by Layard in the centre of the mound at Nimrud. Upon 


20 


EGYPTIAN AND ORIENTAL SCULPTURE 


it is an inscription recording the conquests and other 
acts of the king. Erected 828-825 B. C. 

62. Sardanapalus I (Assurnazirpal of Assyria, 884-860 B. C.). 
From a limestone statue in the British ^Museum, found 
at Nimrud. Erected about 825 B. C. 

63. Winged Lion, with Human Head. From a colossal high 
relief, of white alabaster, a portal guardian found at a 
ruined palace of King Assurnazirpal (884-860 B. C.) at 
Nimrud. Cuneiform inscription. In the British Museum. 
See 64. 

64. Winged Bull, with Human Head. From a colossal high 
relief of white alabaster, a portal guardian found at a 
ruined palace of King Assurnazirpal (884-860 B. C.) at 
Nimrud. Cuneiform inscription. In the British Museum. 

This figure and No. 63 show a curious contrivance for 
making them complete, no matter how viewed. In front 
the forelegs are parallel, as if the animal were at rest. 
On the side a fifth leg is introduced to take the place 
of the hidden foreleg. This extra leg gives the impres- 
sion of walking. 

65. 1-12. Nineveh Reliefs. From alabaster slabs of IX cen- 
tury B. C., in the British Museum, found at Nimrud, 
near the site of Nineveh (except 10, 11 and 12.). 

1. Two genii adoring the tree of life. 

2. Kings and genii adoring the god Assur and the tree 
of life. 

3. Eunuch and winged genius, attendants of a king. 

4. King besieging a city. 

5. Eagle headed and winged deity. Fir cone in one hand 
and bucket or basket in the other. 

6. A winged deity or genius with bucket or basket in one 
hand and fir cone held up in the other. 

7. Man with three pomegranates. 

8. Figure similar to 6, but larger. 

9. Similar figure, without pine cone and with a twig of five 
pomegranates in place of basket. 


ASSYRIAN 


21 


10. Two groups of slabs, from a representation of a royal 
lion hunt, found at Nineveh, Assyria, in the palace of 
King Assurbanipal (667-626 B. C.). 

11. Wounded lioness at bay. From an alabaster slab of 
about 700 B. C., found at Nineveh in King Assurbanipal’s 
palace. 

12. Part of a pavement, with lotos flowers, rosettes, and 
palmette ornaments in low relief, arranged in rectangular 
panels and borders. From an alabaster slab in the 
British Museum, found at Nineveh. Assyrian, 668-626 

B. C. 

66. 1-15. Assyrian Reliefs, from originals of gray alabaster 
in the Royal Museum, Berlin. 

1. Winged genius and eunuch. Cuneiform inscription. 

2. Gods, priests, or genii before a holy tree. Cuneiform in- 
scription. 

3. Eagle headed and winged deity, holding fir cone. Cunei- 
form inscription. 

4. Four warriors in file, marching. 

5. Two archers, marching in file. 

6. War chariot in action, with four warriors. 

7. Warrior with a bull. 

8. Camp before a fortress. 

9. King with two armor bearers on the right. Horse led 
by a eunuch on the left. 

10. Two servants before a table under a palm. 

11. Royal lion hunt. Cuneiform inscription on border. 

12. King slaying a lion. 

13. Flute player standing under a palm tree. 

14. Head of a winged figure with horned cap. 

15. Head of a flute player. From fragment of a granite (?) 
relief. 

67. Standard Weight, in the form of a lion. Original of 
bronze, IX century B. C., in the British Museum. Found 
at Nimrud. 

68. Stele of King Sargon. The original, of dark stone, is in 
the Royal Museum, Berlin. Assyrian, about 710 B. C. 


22 


EGYPTIAN AND ORIENTAL SCULPTURE 


Found near Larnaka, Cyprus. Cuneiform inscription re- 
cords subjection of that island to Assyrian control. 

69. Bell, with clapper and hanger. Original of bronze in 
• the Royal Museum, Berlin. (Case in Room 1.) 

70. Seal Cylinder. Design: a god with bird legs, winged sun. 
Original of stone in Royal iMuseum, Berlin. (Case in 
Room 1.) 

Persian 

Room 1. 

81. 1-5. Persepolis Low Reliefs. From gray limestone slabs 
in the British Museum, found in the ruins of Persepolis. 
V century B. C. 

1. Four men with staves and two with whips. 

2. Man with staff. Fragment. 

3. Man and horse. Man driving a chariot. Fragments. 

4. Upper part of a man. 

5. Chamberlain and soldier of the guard. 

81, 6. Seal Cylinder. King on a sphinx. Original, of stone, 
in Royal Museum, Berlin. (Case in Room 1.) 

81, 7. Cuneiform Inscription. Fragment. Lines horizontal. 

Hittite (Asia Minor and North Syria) 

Rooms 1 and 2. 

91. Rock Sculpture. From a figure of a warrior carved on a 
mountain side about twenty-five miles from Smyrna on 
the road to ‘Sardis. Herodotus described this figure 2400 
years ago.- The style of the relief, the costume, the 
figure and the hieroglyphic characters are not Egyptian, 
but of the Hittite type. (Room 2.) 

92, 1-13. Rock Sculpture of Boghaz-Koi. Work of the 
Hittites, about 1350 B. C. The original reliefs are caired 
on the rock walls of a long and narrow rectangular 


HITTITE 


23 


court cut in the side of a mountain. They represent 
two processions, one coming down each side from the 
front and meeting the other on the end wall. (Room 2.) 

1. The heads of the processions, meeting. On the left is 
the leader of the victors standing on the bowed heads 
of two figures. On the right are three female figures 
and one male, representing the vanquished, all standing 
on animals. 

2. Head of a figure from the left wall. 

3. Symbol from above this head: 'A winged sun resting on 
two pillars between which stands a figure with some- 
thing like a gigantic lotos bud on each side and a small 
lotos flower at each foot. 

4. Two female figures from the right wall. 

5. Figure under winged sun. (Attached to cast 4.) 

6. Hieroglyphic inscription. (Case in Room 1.) 

7. King with lituus, a sort of shepherd’s crook, walking 
with a much taller figure. From the left wall. 

8. Praying figure. (Room 1.) 

9. Three warriors (and part of a fourth). From the left 
wall. 

10. Two goat-footed figures holding above their heads a 
half-moon shaped object. From left wall. 

11. Winged figure with conical cap. From left wall. 

12. Incomplete figure (in three parts) with a lion face and 
the body of a lion upright forming each side. 

13. Miniature temple, with hieroglyphic characters. (Room 1.) 

93. 1-16. Sculptures in Senjirli, Asia Minor. Casts from 
dolerite originals in the Royal Museum, Berlin. Hittite 
low reliefs except the first two. (Room 1.) 

1. Fragment of a colossal statue — feet and lower part of 
robe. On the latter is an Old-Aramaic inscription, a 
dedication to Panammu. 

2. The god Hadad. Colossal statue with inscription on 
robe in Old-Aramaic, one of the oldest examples of 
phonetic writing. Erected 800 B. C. at Gertschin, near 
Senjirli, by Panammu. 


24 


EGYPTIAN AND ORIENTAL SCULPTURE 


3. Lion. 

4. Man with battle axe. Corner block to 3. 

5. Lion-headed god of hunting, holding up a hare. 

6. Bull. 

7. God with trident and hammer. 

8. Griffin headed god with wings. 

9. Two goats rampant against a tree. 

10. Group in three pieces. Man playing guitar, another 
clapping hands; birds above. 

11. Winged griffin. 

12. Human headed sphinx, walking. 

13. Sphinx with two heads (lion and human), walking. 

14. King with sceptre and spear. Corner block to 13. 

15. Warrior with shield and spear. 

16. Woman with mirror. Corner block to 15. 

94, 1-8. Hittite Sculptures of Mar’asch. Casts from granite 
and other stone low reliefs in Mar’asch, North Syria. 
(Room 1.) 

1. Stele with two figures seated. Hieroglyphic inscription. 

2. Team of horses. Fragment. 

3. Praying figure, standing by table. 

4. Stele. Two figures, each holding up a bird. 

5. Torso of a statuette with inscription. Original of dolerite 
in Royal Museum, Berlin, found in Mar’asch. (Case in 
Room 1.) 

6. Lion. Relief with hieroglyphic inscription. Original of 
granite (?) in Constantinople, found in Mar’asch. 

7. Fragment of tomb sculpture. Intaglio-rilievo. 

8. Seated female figure with child on knee. Intaglio-rilievo. 

95, A Lion Hunt. Low relief. Original of granite in Royal 
Aluseum, Berlin, found near Saktschegoezu, North Syria. 
(Room 1.) 

96, 1-3. From Sculptures at Nimrud Dagh, Asia Minor. 
(Room 1.) 

1. Antiochus and Helios. From a low relief on the tomb 
of Antiochus of Kommagene, who died soon after 34 B. 
C. Original of sandstone. 


SYRIAN 


25 


2. An ancestor of Antiochus. From the above tomb. 

3. The zodiacal sign of the lion. Greek inscription. Origi- 
nal of granite. 


Syrian 

97, 1. The Moabite Stone. From a slab of black basalt in 
the Louvre, the stele of King Mesha of Moab, recording 
his battles with the Israelites, IX century B. C. He- 
brew-Phoenican inscription. From Dibhan, in the land 
of Moab. It was broken and the fragments were scat- 
tered. Twenty-eight of them (about two-thirds) were 
brought to the Louvre, where the restoration was made 
in accordance with a paper impression taken before the 
breaking. (Room 1.) 

97, 2. Temple Sign. From an inscribed stone of variegated 
marble — one of a number placed on a balustrade within 
the portico of the temple in Jerusalem. In the Imperial 
Museum, Constantinople. The inscription, in Greek, may 
be freely translated thus: “Let no alien pass within 
the balustrade surrounding this sanctuary, for the trans- 
gressor will be guilty of bringing about his own death.” 
Said to be the only authentic relic of the Temple at 
Jerusalem. (Room 1.) 

97, 3. Helios. Bust of the sun god seen over two eagles, 
with a small lion’s head between them. From a high 
relief in limestone in the Royal Museum, Berlin. Found 
in Baalbek (Heliopolis). (Room 2.) 

Phoenician, Arabian, Cypriote 

Room 1. 

98, 1. Woman’s Head. From a marble sarcophagus lid, 
Phoenician, in the Royal Museum, Berlin. 

98, 2. Scale of a Phoenician Balance, in form of a bowl 

with four suspension rings in bulls’ mouths. Original 


26 


EGYPTIAN AND ORIENTAL SCULPTURE 


of marble in Royal Museum, Berlin. Brought from 
Sidon. Of questionable authenticity. (Case in Room 
1.) 

98, 3. Phoenician Goddess, seated with bowl. High relief. 
Original of limestone in Royal Museum, Berlin. Found 
in Tyre. (Case in Room 1.) 

99. Sabaic Inscription with ornamented head piece. Orig- 
inal on limestone slab in Royal Museum, Berlin. Found 
at Hadakan, Arabia. 

100. Fragment of a Vessel from Cyprus. Cypriote inscrip- 
tion on shoulder. Original of alabaster in Royal Mu- 
seum, Berlin. 


CASTS OF GREEK AND ROMAN SCULPTURE 
Prehistoric Greek 

Room 2. 

1. Heraldic Lions of Mycenae. From the limestone relief, 
still in place, above the principal gate of the citadel of 
Mycenae, Argolis. About 1250 B. C. 

Archaic Greek 

Room 2. 

2. Perseus Slaying Medusa. From a metope of the old 
Doric temple of Apollo at Selinus, Sicily, now in the 
jMuseum of Palermo. The hero is accompanied by the 
goddess Athena. Medusa holds the horse Pegasus, 
which according to legend sprang from her throat when 
her head was cut off.. VII century B. C. 

3. The Apollo of Actium. From a marble torso in the 
Louvre. Found at Actium. Late VII century B. C. 

4. The Apollo of Tenea. From a marble in the Glyptothek, 
Munich, found at Tenea, near Corinth. Found on top 
of a grave and probably a sepulchral statue. About 
600 B. C. 

5. Seated Figures of a Wedded Pair, receiving after death 
the homage of surviving kindred. From a marble se- 
pulchral slab in Royal Museum, Berlin, found at Chrysa- 
pha, near Sparta, Laconia. About 600 B. C. 

6. Small Head of Zeus. From a bronze in the National 
Museum at Athens, found at Olympia. VI century B. 

C. 

7. Combat of Gods and Giants. From fragments of a 
limestone pedimental group of the treasury of Megara, 

27 


28 


GREEK AND ROMAN SCULPTURE 


at Olympia. Twenty pieces; originals in the museum 
at Olympia. VI century B. C. (Room 1.) 


B. Head and arm of a warrior. From fragments of a mar- 
ble statue found at Olympia, now in the museum at 
Olympia. About 500 B. C. 


11-25. Aigina Sculptures. From marbles in the Glyptothek, 
Munich, found among the ruins of the temple of Athena 
in the Island of Aigina. They had originally been 
grouped in the pediments of this temple apparently 
representing struggles between Greeks and Trojans at 
the siege of Troy. Dorian, about 490 B. C. Restored 
by Thorvaldsen and Wagner. (Rooms 1 and 2.) 




West Pediment. A combat in the presence of Athena. 

11. Wounded Greek. 

12. Greek spearman, advancing. 

13. Greek archer, kneeling and drawing his bow. 

14. A Greek champion, perhaps Ajax. 

15. Wounded and fallen Greek, perhaps Achilles. 

16. Athena, presiding over the battle. 

17. A Trojan champion, perhaps ^neas. 

18. Trojan archer, kneeling, possibly Paris. 

19. Advancing Trojan spearman. 

20. Dying Trojan. 


East Pediment. Combat — perhaps the contest of Hera- 
kles and Telamon against Laomedon of Troy. 


21. Wounded Trojan warrior. 

22. A Trojan champion, probably Laomedon. 

23. Fallen Trojan warrior. 

25. Herakles as an archer. 

24. Nude Greek snatching a fallen man’s sword. 


26. Archaic Winged Goddess. Nike or Artemis. From a 
marble in the National Museum, Athens, found in 
Delos, 1879. Perhaps by Mikkiades and Archermos of 
Chios. VI century B. C. 


ARCHAIC GREEK 


29 


27. Archaic Male Head. From a marble in the British 
Museum, broken from a statue. VI century B. C. 

28. Head of a Young Athlete. From a fragment of a 
marble grave stele in the National Museum, Athens, 
found built into the ancient city wall. VI century B. C. 

29. Grave Stele of Aristion, an Attic warrior. From a mar- 
ble relief found at Belanidetsa in Attica, and now in 
the National Museum, Athens. By Aristokles, VI cen- 
tury B. C. 

30. Head of Dionysos, called Jupiter Talleyrand. From a 
marble in the Louvre, formerly owned by Prince Tal- 
leyrand. Early V century. 

31. Reliefs of the Temple of Assos. Eighteen pieces. The 
originals, of dark grey andesite, are in the Louvre, 
Paris. Found in the ruins of a Doric temple on the 
site of the ancient city of Assos, Asia Minor — some 
carved on metopes and some on solid blocks of the 
architrave of the peripteros of the temple. This tem- 
ple is the only known example of a Doric building with 
a sculptured architrave. VI century B. C. 

From architrave blocks: 

a. Galloping centaurs. 

b. Centaurs pursued by Herakles. 

c. Conflict between Herakles and Triton. 

d. A lion devouring a bull. 

e. Lions devouring a deer. 

/. One of a pair of facing sphinxes. 

g. Banqueters reclining at table. 

From the cella frieze: 

h, i. Two bulls butting each other. 

From metopes: 

k. Centaur. 

/. Two sphinxes facing each other. 
m. Wild boar. 


30 


GREEK AND ROMAN SCULPTURE 


32 . Ephesos Sculptures. From marble fragments in the 
British Museum found in the ruins of an earl3" temple 
of Artemis at Ephesos, columns of which were pre- 
sented by Croesus, King of Lydia, whose reign lasted 
from 560 to 596 B. C. About 550 B. C. See 180. 

The following pieces, a-d, in high relief, are sup- 
posed to have been decorations on the drum of a col- 
umn or columns. 

a. Upper part of a male figure, standing, facing right. 

b. Lower part of a male figure, standing, facing right. 

c. Head of a woman, facing right. 

d. Middle part of a draped female figure, facing right. 

e. Middle part of a draped figure, facing left. From 

the rectangular base of a column. 

/. Head of a lion, fragment of cornice. 

33 . Archaic Male Head, with long tresses. Broken from a 
statue. Original of marble from Branchidse, now in 
the British Museum. End of VI Century B. C. 

34 . Female Figure, Seated. From a marble in the British 
Museum, one of a series of ten seated figures which 
were once ranged along the approach to the Temple 
of Apollo at Branchidze, near Miletos, Asia Minor. VI 
Century B. C. 

35 . Reliefs of the Harpy Monument at Xanthos. Four 
slabs, representing the frieze of the four faces of the 
grave monument from marbles in the British Museum 
found at Xanthos, Lycia. About 550 B. C. 

a. South Side — Woman offers dove to seated divinity. 

b. West side — Three women present offerings to two 

goddesses. 

c. East side — Boy offers cock to seated god. 

d. North side — Young warrior presents helmet to seated 

god. 


V CENTURY GREEK 


31 


V Century Greek 

Room 3. 

36. Grave Stele, by Alxenor of Naxos. Bearded man, giv- 
ing dog a grasshopper. From the original marble in 
the National Museum, Athens. Found near Orcho- 
menos, Boeotia. Early V century B. C. (Room 2.) 

37. Apollo and Hermes with Nymphs and Graces. From 
three marble reliefs, once parts of the same frieze. 
From Thasos, now in the Louvre. An inscription 
shows that these blocks were taken from their original 
place and used in the tomb of [Ar]istokrates, son of 
Eros. First half of V century B. C. 

38. Tombstone of Philis, daughter of Kleomedes. From a 
marble relief in the Louvre found on the island of 
Thasos. V century B. C. 

39. Lo Spinario (Thorn extractor). From a bronze statue 
in the Palazzo dei Conservator!, Rome. V century B. 

C. 

40. The Charioteer of Delphi. Terra-cotta fac-simile of a 
bronze statue in the Delphi Museum, found buried at 
Delphi, 1896. Standing male figure wearing the long- 
sleeved robe of a charioteer. Part 'of a chariot group, 
possibly one by Amphion of Knossos, erected by King 
Arcesilaus IV of Cyrene, Greek Africa, to commem- 
orate a victory in a Pythian chariot race. First’ half of V 
century B. C. (Room 2.) 

41. Head of Young Athelete. From a marble in the Brit- 
ish Museum. Copy of a V century Greek bronze. 
(Room 2.) 

42. Herakles and Atlas, with the apples of the Hesperides. 
Herakles, assisted by Athena, supports the firmament 
while Atlas brings him the golden apples. From a 
marble metope slab of the temple of Zeus at Olympia, 
now in the museum of Olympia. About 456 B. C. 
(Room 2.) 


32 


GREEK AND ROMAN SCULPTURE 


44. West Pediment of Temple of Zeus at Olympia. Re- 
duced polychrome restoration. About 456 B. C. (Room 
2.) 

45. Victory of Paionios. From a marble statue by Paionios 
of Mende in the museum of Olympia. Found at Olym- 
pia. It stood originally near the temple of Zeus, on 
a triangular pedestal about nineteen feet high. About 
420 B. C. 

46a. Combat of Greeks and Amazons. From six marble 
slabs of the broad frieze of the Nereid Monument, in 
the British Museum. Found near Xanthos, Asia Minor. 
This frieze probably surrounded the lower part of the 
base. V century B. C. (Room 4.) 

46&. Infantry Battle and surrender of a town to a Persian 
satrap. From six marble slabs of the narrow frieze of 
the Nereid Monument, in the British Museum. This 
frieze probably surrounded the upper part of the base. 
V century B. C. (Room 4.) 

47. Aphrodite in Koan Raiment. From a marble statue in 
the Louvre, commonly called the Venus Genetrix. 
Found near Naples. V century B. C. (Room 4.) 

48. The Apollo Choiseul-Gouffier. From a marble statue 
in the British Museum, acquired from the Choiseul- 
Gouffier collection, the maker of which purchased it in 
Constantinople in the XVII century. Copy of an 
Athenian work of the V century B. C. 

49. Diskobolos (discus thrower) in action. From a marble 
copy of a bronze statue by Myron in the Vatican, found 
at Tivoli. The head is a modern copy of a non-perti- 
nent head of a replica in the British Museum. Athenian, 
early V century B. C. 

50. Diskobolos, poised to pitch the disk. From a marble 
statue in the Vatican, found on the Appian \\ ay near 
Rome. Copy of a Greek work of the end of the V 
century B. C. 


V CENTURY GREEK 


33 


51. The God Ares. From a marble statue commonly known 
as the Achilles Borghese, now in the Louvre. Copy of 
a Greek work, late V century B. C. 

52. Lemnian Athenia. Cast taken from a marble statue in 
the Dresden Albertinum after the head had been re- 
stored by a cast from a marble head in the Museo 
Civico, Bologna. These two marbles are believed to be 
copies of a bronze statue of the Pheidian period. The 
proof for this is due to Professor Furtwangler, who also 
argues that the lost original was a masterwork of 
Pheidias himself — the Lemnian Athena. About 448 B. C. 

53. Athena Parthenos. From a marble statuette found in 
Athens, and recognized as a late copy of the colossal 
statue by Pheidias (see 101). Now in the National 
Museum, Athens. V century B. C. (See 55.) 

54. Fragment of the Shield of Athena Parthenos. From 
the Strangford shield in the British Museum. Head of 
the Gorgon Medusa occupies the center, a combat of 
Greeks and Amazons the rest of the shield. 

55. Athena Parthenos. The Lenormant statuette, found in 
Athens, by Lenormant, and now in the National Mu- 
seum there. A marble copy of the colossal gold and 
ivory statue by Pheidias, reduced to a height of about 
18 inches. See 53. 

56. The Farnese Diadumenos, a Greek athlete binding his 
hair with a fillet. From a marble in the British Mu- 
seum, a copy of a celebrated statue by Polykleitos of 
Argos. Second half of V century B. C. 

57. Doryphoros (Spearman). From a marble in the Naples 
museum, found in the palaestra of Pompeii and recog- 
nized as a copy of the celebrated statue by Polykleitos. 
Second half of the V century B. C. 

58. Greek Boxer. From a marble in the museum of Dres- 
den, after a lost statue of the time of Polykleitos. 
Second half of V century B. C. 


34 


GREEK AND ROMAN SCULPTURE 


59. The God Pan. From a marble in the British Museum. 
Found near Civita Lavinia, near Rome. An inscription 
in Greek ascribes the work to Marcus Cossutius Cerdo. 
Roman, I century A. D., after a late V century Greek 
original. 

60. Head of an Amazon. From a marble head in the Brit- 
ish Museum. Supposed to have been broken from a 
statue of a wounded amazon of which there were sev- 
eral copies. After an original of the last half of the 
V century B. C. 

100. The Acropolis. Plaster model of the Acropolis at Ath- 
ens, showing remains of the Parthenon, the Erechthe- 
um, the Temple of Wingless Victory, the Dionysiac 
theatre, etc. Base 28^4x44 inches. 

101-120. Sculptures of the Parthenon, on the Acropolis at 
Athens. From the collection in the British ^luseum 
called “The Elgin Marbles,” which was brought from 
Greece to England by Lord Elgin, 1801-1803, and was 
soon afterward purchased for the British Aluseum. 

The Parthenon or Temple of Athena, on the Acropo- 
lis at Athens, was probably begun about 447 B. C., and 
finished 438 B. C. The temple, of the Doric order of 
architecture, was built of Pentelic marble, and its ex- 
terior was richly adorned with sculptures designed and 
executed under the superintendence of Pheidias. In 
the cella (that portion of the temple enclosed by the 
solid walls) was one of the most celebrated works of 
Pheidias, the colossal statue of Athena (39 feet high), 
overlaid with gold and ivory. (See 53.) The walls of 
the cella were decorated externally by a frieze in low 
relief representing the Panathenaic procession or one 
of kindred character. The subjects of the fifteen me- 
topes preserved in the British Museum, and the one in 
the Louvre, are taken from the contest between the 
Centaurs and Lapiths, at the marriage feast of Peiri- 
thoos. The figures on the pediments were sculptured 


V CENTURY GREEK 


35 


in the round. The subject represented on the eastern 
pediment was the birth of Athena from the brain of 
Zeus, on the western the victory of Athena over Posei- 
don for dominion over Attica. For model of the Par 
thenon and its surroundings see 100. 

102. Reclining Male Figure, called Theseus. From a marble 
at the south end of the eastern pediment of the Par- 
thenon. 

103, 104. Two Seated Female Figures, called Demeter and 
Persephone. From a marble group originally on the 
left side of the eastern pediment of the Parthenon. 

107, 108. Group of Two Female Figures, one reclining in the 
other’s lap. Part of the group of three figures com- 
monly called the Three Fates. From a marble group 
originally on the right side of the eastern pediment of 
the Parthenon. 

109. Seated Female Figure, one of the group of three figures 
called the Three Fates. (See 107, 108.) From a mar- 
ble originally on the right side of the eastern pediment 
of the Parthenon. 

110. Head of the Horse of Selene. From a marble originally 
at the north end of the eastern pediment of the Par- 
thenon. 

113. Kephisos, or Ilissus, an Attic river god. From a marble 
originally at the north end of the western pediment of 
the Parthenon. 

114. Torso of Iris (?). From a marble which belonged orig- 
inally perhaps to the western pediment of the Parthe- 
non. 

115. Colossal Female Head. From a marble in the posses- 
sion of the Laborde family in Paris. Thought to be a 
Nike (Victory) from the western pediment of the Par- 
thenon. 


36 


GREEK AND ROMAN SCULPTURE 


116a. Centaur in combat with a Greek. From a marble me- 
tope of the Parthenon. 

116b. Centaur carrying off a woman. From a marble me- 
tope of the Parthenon. 

117. Frieze of the Parthenon. On the east front is seated a 
group of deities, spectators of the procession which 
advances from either side. 

118. Head of Cow. Fragment of the Parthenon frieze. 

119. Figure of Eros. Fragment of the Parthenon frieze. 

121. Assembly of Deities. From three marble slabs of the 
east frieze of the temple of Athena Nike, called Nike 
Apteros (Wingless Victory), on the Acropolis, Athens. 

V century B. C. 

122a. Figure of Nike. From a high relief in marble, orig- 
inally on the balustrade of the temple of Athena Nike 
on the Acropolis of Athens. V century B. C. 

122b. Two Winged Victories, taking a cow to be sacrificed. 
From a portion of the balustrade of temple of Nike Ap- 
teros, now in the Acropolis museum, Athens. V cen- 
tury B. C. 

122c. Winged Victory Decorating a Trophy. From a marble 
relief of the balustrade of temple of Nike Apteros, now 
in the Acropolis Museum, Athens. V century B. C. 

123. Caryatid. From a marble in the British Museum, taken 
from the south porch of the Erechtheum on the Acropo- 
lis of Athens by Lord Elgin. About 409 B. C. 

124. Caryatid. From a marble in the British Museum, found 
on the Appian Way, Rome, 1585-1590, on the site of a 
temple erected by the Athenian orator, Herodes Atticus. 
Two companion figures and the signed head of a third 
were found in the same place in 1776. Executed by Kri- 
ton and Nikolaos of Athens, 161-171 B. C., after a late 

V century work. (Room 4.) 


V CENTURY GREEK 


37 


125. Combat between Centaurs and Lapiths, at the wedding 
of Peirithoos. From four marble slabs, still in their 
original positions, of the western frieze of the supposed 
temple of Theseus. V century B. C. 

126. Battle of Greeks and Amazons. From four marble re- 
liefs in the British Museum, discovered near Phigaleia 
in the Peloponnesos, forming part of the cella frieze of 
the temple of Apollo Epikourios at Basste in Arcadia. 

V century B. C. 

127. Sculpture from Temple of Hera at Argos. From mar- 
bles discovered in the unearthing of that temple in 1892 
by the American School of Classical Studies in Athens. 

V century B. C. 

a. Life size head of Hera. 

b. Female head in helmet, about half life size. 

c. Female head in helmet, somewhat larger. 

d. Lion head fragment. 

e. Lion head fragment. 

/. Male torso, less than life size. 

g. Shoulder with drapery. 

h. Fragments of moulding with relief ornament. 

129. Head of Hera (?), said to have been found at Girgenti. 
From a marble in the British Museum known as the 
Juno Castellani. Copy of a Greek work of second half 
of the V century B. C. 

132. Athena. From a marble head with bronze restorations 
in the British Aluseum. Found in the Villa Casali, at 
Rome. A late adaptation of the style of the V century 
B. C. The bronze restorations (helmet, chiton, aegis, 
etc.,) were made on the insufficient ground of resem- 
blance to a bust in the Vatican so finished. 

149. Grave Relief of a Young Man Reading a Scroll. From 
a marble relief in the Greek monastery of Grotta Fer- 
rata, near Rome. V century B C. 

150. Grave Relief of Hegeso, daughter of Proxenos. From 
a marble relief in the cemetery outside the Dipylon gate 
of Athens. V century B. C. 


38 


GREEK AND ROMAN SCULPTURE 


IV Century Greek Sculpture 

Room 3. 

151. Grave Relief of Damasistrate, daughter of Polykleides. 
From a marble relief in Athens. IV century B. C. 

152. Grave Relief of Polyxene. From a marble relief in 
Athens. IV century B. C. (Room 4.) 

153. Athena, in helmet and aegis. From the marble statue 
in the Vatican known as the Giustiniani Minerva, found 
in the ruins of a temple in Rome under the church of 
Santa Maria sopra Minerva. Copy of an Athenian work 
of the IV century B. C. (On front Loggia.) 

154. Votive Relief, dedicated to the nymphs and all the gods 
by Athenian laundrymen. From a marble in the Royal 
Museum, Berlin, found in the Stadium at Athens in 
1759. Above — Hermes, Nymphs and Pan in a grotto. 
Below — a horseman at the altar of Demeter and Perse- 
phone. Greek inscription. IV century B. C. (Room 
4.) 

155. Votive Relief, dedicated to Pan and the nymphs. From 
a marble relief found on Mt. Parnes in Attica and now 
in the National Aluseum, Athens. Hermes leads three 
nymphs in a grotto. On a rock without sits Pan. 
(Room 4.) 

161. Eirene and Ploutos (Peace and Plentj-)- From a marble 
group in the Glyptothek, IMunich, probably copied from 
a bronze by Kephisodotos of Athens. IV centurj^ B. C. 

162. Hermes, with the infant Dionysos. From a marble by 
Praxiteles in the museum of Olympia, found at Olj^m- 
pia, 1877. IV century B. C. 

163. Hermes. From a marble in the British IMuseum. Copy 
of a Greek work of the IV century B. C. (Another cast 
on front Loggia.) 


IV CENTURY GREEK 


39 


166. Young Satyr at Rest. From a statue in the Capitoline 
Museum, Rome. The “Marble Faun” of Hawthorne. 
Found near Civita Lavinia. Copy of a work by Praxi- 
teles, IV century B. C. 

167. Young Satyr Playing Flute. From a marble in the 
Louvre. Copy of a Greek work, IV century B. C. 

168. Ganymedes and the Eagle of Zeus. From a marble 
group in the Vatican, found in the Tenuta del Quadraro, 
before the Porta S. Giovanni, Rome. Copy of a Greek 
work of the IV century B. C. 

169. Apollo Sauroktonos (the lizard killer). From a marble 
statue in the Vatican, found in Rome. Copied probably 
from a bronze statue by Praxiteles, IV century B. C. 

170. Apollo at Rest. From a marble statue in the Uffizi Gal- 
lery, Florence, known as the Apollino. Copied from a 
bronze statue by Praxiteles, IV century B. C. 

171. Eros, commonly called the Genius of the Vatican. From 
a marble in the Vatican, Rome, discovered at Cento- 
celle, near Rome. Probably derived from a Greek type 
of the IV century. 

174. Aphrodite. From a marble statue (the Towneley Ve- 
nus) in the British Museum. Found at Ostia in 1775. 
Copy of a Greek original of the IV century B. C. 
(Room 5.) 

175. Demeter. From a marble in the British Museum, found 
in Knidos. Greek, IV century B. C. 

176. The Diana of Gabii. From a marble in the Louvre, 
found near Gabii, Latium, 1792. Perhaps a copy of a 
work by Praxiteles, IV century B. C. (A marble copy, 
presented by Charles W. Fullerton, is in Room 24.) 

179. Combat Between Greeks and Amazons. Five slabs from 
the rnarble frieze of the Mausoleum of Halikarnassos. 
The sculptures of this tomb were .executed by Scopas 


40 


GREEK AND ROMAN SCULPTURE 


of Paros, Leochares and Bryaxis, of Athens, and Timo- 
theos, about 350 B. C. Now in the British Museum. 
Found at Halikarnassos, Asia Minor. 

180. Sculptured Drum of a Temple Column. The subject is 
variously interpreted, sometimes as Alcestis returning 
or going to Hades. Hermes can be identified by his 
caduceus or herald’s staff. From a marble in the British 
Museum, discovered on the site of the later temple of 
Artemis at Ephesos which was begun after the destruc- 
tion of the old one, 356 B. C. IV century B. C. (Room 
4.) See 32 _ 

181. Portrait Statue of Sophocles, the Athenian tragic poet. 
From a marble in the Lateran Museum, Rome, found at 
Terracina, about 1839. Greek, IV century B. C. (Room 
3.) 

183. Socrates, Athenian philosopher. From a marble bust 
in the Palazzo dei Conservator!, Rome. Copy of a 
Greek work of IV century B. C. (Room 4.) 

185. Head of a Young Woman. From a marble in the Glyp- 
tothek, Munich, discovered in Corfu. Copy of a Greek 
work of the IV century B. C. (Room 4.) 

185. Head of a Victorious Boxer. From a bronze in the 
National Museum, Athens, found at Olympia. IV or III 
century B. C. (Room 4.) 

187. Alexander the Great. From a marble bust in the 
Louvre, found in Tivoli. Copy of a portrait executed 
probably during his reign (336-323 B. C.). (Room 4.) 

190. Alexander the Great. From a marble statuette in the 
Louvre, found at Gabii, and commonly called the “Mars 
of Gabii.” Probably copied from a work of the end 
of the IV century B. C. (Room 5.) 

191. Head of Asklepios or Zeus. From a marble in the 
British Museum found in a sanctuary of Asklepios on 
the island of Melos. IV century B. C. 


IV CENTURY GREEK 


41 


192. Mask of Zeus. From a marble head in the Vatican, 
found at Otricoli. IV century B. C. (Room 4.) 

193. Apollo of the Belvedere. From a marble found near 
the end of the ISth century at Grotta Ferrata, near 
Rome. The statue probably represents Apollo as hav- 
ing just discharged an arrow. Copy of a Greek work 
of the end of the IV century. (Room 5.) 

194. Artemis of Versailles. From a marble in the Louvre. 
Copy of a Greek work of the beginning of the III cen- 
tury B. C. (Room 5.) 

195. Youth, commonly miscalled Ilioneus, son of Niobe. 
From a marble in the Glyptothek, Munich, found in 
Rome. IV century B. C. 

197. Athlete Using Strigil. From a marble in the Vatican 
known as the Apoxyomenos. Found in Rome. Sup- 
posed copy of a Greek bronze, of the IV century B. C., 
by Lysippos. 

198. Ares seated, with a cupid at his feet. From a marble 
group in the Boncompagni Museum, Rome, commonly 
known as the Mars Ludovisi, found in Rome. Copy of 
a Greek statue, second half the IV century B. C., be- 
longing probably to the school of Lysippos. 

199. Nike of Samothrace (Victory). From a marble in the 
Louvre, reconstructed there from fragments found in 
the island of Samothrace in 1863. The torso alone is 
made up of 118 pieces. The statue stood on a pedestal, 
having the form of the prow of a ship, the principal 
parts of which were found in 1875. The figure com- 
memorated the naval victory of Demetrios, King of 
Macedonia, over Ptolemy I of Egypt, in a battle fought 
off Salamis, Cyprus, in 306 B. C. (Room 50a.) 

200. Royal Sarcophagus, found in Sidon. The original marble 
in the Constantinople Museum is Greek work of the 
end of the IV century B. C. Supposed to be unfinished. 
Presented by Charles A. Coolidge, 1903. 


42 


GREEK AND ROMAN SCULPTURE 


Late Greek Sculpture 

Room 4. 

251. Aischines. From a marble in the National ^Museum, 
Naples. Copy of a Greek work, late IV century B. C. 

252. Demosthenes. From a marble in the Vatican, probably 
copied from a bronze by Polyeuktos of Athens, which 
was erected 280 B. C. 

253. Praying Youth. From a bronze in the Royal Museum, 
Berlin, formerly in Venice. Probably a Greek original. 
Early III century B. C. (Room 5.) 

254. Dancing Bacchante. From a headless Parian marble 
statue in the Royal Museum, Berlin. Brought from 
Rome in 1874. Greek, III century B. C. 

255. Herakles with the apples of the Hesperides. From a 

marble in the National jMuseum. Naple.s, commonly 
known as the Farnese Hercules. The torso was found 
in the baths of Caracalla, Rome, 1540, and the head in 
a well in the Trastevere. In 1560 the legs were found 
in the farm of Les Frattocchie, ten miles from Rome. 
The completed statue was taken to Naples in 1786. B3^ 

Glykon of Athens after a Greek original of the III cen- 
tury B. C. (Room 5.) 

256. Seilenos Carrying the Infant Dionysos. From a marble 

formerly in the Villa Borghese, now in the Louvre. 
Found near the gardens of Sallust, Rome, during the 
XVI century. Copy of a Greek statue of the III cen- 
tury B. C. (Room 3.) , 

257-260. Pergamene Sculptures. Figures probablj' after 
originals from the battle groups which King Attalos I 
of Pergamon (241-197 B. C.) dedicated on the Acropolis 
at Athens, at the close of the III centurj- B. C., to 
commemorate his victories over the Gauls. 


LATE GREEK 


43 


257. Dead Amazon. From a marble statuette in the Na- 
tional Museum, Naples, after a Pergamene original of 
the end of the III century B. C. 

258. Dead Persian. From a marble statuette in the National 
Museum, Naples, after a Pergamene original of the 
end of the III century B. C. 

259. Crouching Persian. From a marble statuette in the 
Vatican, after a Pergamene original of the end of the 
III century B. C. 

260. Gaul at Bay. From a marble statuette in the museum 
of Venice, after a Pergamene original of the end of the 
III century B. C. 

261. Dying Gaul (Byron’s “Dying Gladiator”). From a 
marble in the Capitoline Museum, Rome. Probably a 
copy of a bronze statue dedicated by King Attalos I 
of Pergamon (241-197 B. C.) in commemoration of his 
victories over the Gauls. See 257-260. 

262. Paniskos (Little Pan), drawing a thorn from the foot 
of a satyr. From a Parian marble statuette in the 
Louvre, formerly in the Villa Borghese. Probably after 
a Pergamene original of the III century B. C. 

263. L’Arrotino (The Knife Grinder). From a marble found 
in Rome and now in the Uffizi Gallery, Florence. Once 
part of a group representing the flaying of Marsyas. 
(See 264.) Late III century B. C. 

264. The Satyr Marsyas, suspended by the arms from a tree 
to be flayed. (See 263.) From a marble in the Louvre. 
Copy of a statue of the late III century B. C. 

255. Dionysos Received by Ikarios, so called. From a mar- 
ble relief now in the British Museum. Ill century B. C. 

256. Votive Relief to Dionysos, representing part of a Dio- 
nysiac procession. From a marble relief in the Uffizi 
gallery, Florence. Late Greek. (Room 5.) 


44 


GREEK AND ROMAN SCULPTURE 


281. Zeus in Combat with Three Giants. From marble relief 
in the Royal Museum, Berlin, found at Pergamon, Asia 
Minor. Part of the frieze of the great altar on the 
acropolis of Pergamon, built to commemorate victories 
of King Eumenes II (197-159 B. C.), over the Gauls 
and dedicated to Zeus and Athena. 

282. Reduced Restoration of the above relief, by Alexander 
Tondeur of Berlin, colored after the antique manner by 
Mrs. Alice Helm French. 

283. Eos, Goddess of Dawn, formerly called Selene. From a 
marble relief in the Royal Museum, Berlin. From altar 
at Pergamon. (See 281.) 

285. Torso of the Giant Klytios. From a marble relief in 
the Royal Museum, Berlin. From altar at Pergamon. 
(See 281.) 

288. Head of a Sleeping Fury. From a marble head in the 
National Museum, Rome, formerly in the Villa Ludovisi, 
and known as the Ludovisi Medusa or the Dying IMe- 
dusa. Probably belonged to a group. The relief ground 
is a modern addition. Greek, II century B. C. (Room 5.) 

289. Female Head (Aphrodite?). From a marble in the 
Royal Museum, Berlin, found at Pergamon. Greek, II 
century B. C. 

290. Head of a Goddess (Aphrodite?). Formerly called 
Dione, mother of Aphrodite. From a marble in the 
British Museum. The draped bust is a modern addi- 
tion and has been removed since the present cast was 
taken. 

291. Bust of Niobe. From a marble in the collection of 
Lord Yarborough, England. Copy of a Greek work. III 
century B. C. (Room 3.) 

292. Niobe and Her Youngest Daughter. From part of a 
marble group in the Uffizi gallery, Florence, found in 


LATE GREEK 


45 


Rome, representing the slaying of the children of Niobe 
by Apollo and Artemis. Copy of a Greek work, III 
century B. C. (Room 3.) 

293. A Daughter of Niobe (the “Chiaramonti Niobid”). From 
a marble statue in the Vatican, found in Rome. Greek, 
III century B. C. (Roorn 3.) 

294. The Wrestlers. From a marble group in the Uffizi 
Gallery, Florence, found in 1583 with the Niobe group, 
in Rome. Greek, III century B. C. 

295. Aphrodite, crouching in the bath. From a marble statue 
in the Vatican found at Prato Bagnato. Probably cop- 
ied from a work of Doidalsos of Bithynia, a sculptor 
of the III century B. C. 

296. A Goddess (Aphrodite?). From a marble head in the 
British Museum. Formerly in the Pourtales collection. 
Late Greek. 

301. Aphrodite of Melos. From a marble statue in the 
Louvre, found on the island of Melos. Derived from 
a type of statue belonging to the IV century B. C. 

302. Athlete Tying His Sandal. Commonly called Jason. 
From a marble in the Louvre, brought from Rome. 
Copy of a late Greek work. (Room 3.) 

303. A Greek Warrior in Action, commonly known as the 
Fighting Gladiator, or the Borghese Gladiator. From 
a marble in the Louvre, by Agasias of Ephesos, found at 
Capo d’Anzio. Greek, late II century B. C. (Room 3.) 

304. Helios, the Sun. From a colossal marble mask of the 
same type as that on the Rhodian coins, in an elliptical 
medallion, now in the Louvre. Probably a Roman adap- 
tation of a Rhodian prototype. (Room 5.) 

305. Polyhymnia, the Muse of the Hymn, and patroness of 
pantomime. From a marble in the Louvre. Copy of a 
Greek work of perhaps the II century B. C. The upper 
part is by Agostino Penna, a modern Roman sculptor. 


46- 


GREEK AND ROMAN SCULPTURE 


306. Thaleia, the Muse of Comedy. From a marble in the 
Vatican, found in Tivoli. Copy of a late Greek original. 

307. Pourtales or Giustiniani Apollo. From a marble head in 
the British Museum. Copy of a Greek w^ork of the II 
century B. C. 

308. Apotheosis of Homer. From a marble relief in the Brit- 
ish Museum by Archelaos of Priene. Found at Bovillse, 
near Rome. In the lowest row Homer, enthroned, re- 
ceives the honors of an apotheosis. In the second row 
is Apollo with the Muses, and in the top row, Zeus. 
About 100 B. C. (Room 5.) 

309. Homer. From a marble bust in the Naples ^Museum. 
Copy of a Greek ideal portrait, probably of the II cen- 
tury B. C. (Room 24.) 

310. Homer. From a marble bust in the British Museum, 
found at Baise. Copy of a Greek ideal portrait, probably 
of the II century B. C. 

312. Antiochus III, the Great, King of Syria, 222-187 B. C. 
From a marble bust in the Louvre, formerly in the Ely- 
see Palace. Long miscalled Julius Caesar. 

321. A Young Goddess, perhaps Aphrodite or Hebe, but 
popularly called the Flora Farnese. From a colossal 
marble in the National Museum, Naples, found in the 
baths of Caracalla, Rome. Copy of a Greek work, 
probably II century B. C. Presented by C. F. McKim. 
(Room 5.) 

324. Head of a Girl. From a statuette of a girl playing 
knuckle bones. Original in the Berlin ^Museum. II 
Century B. C. 

325. Boy Strangling a Goose. From a marble statue in the 
Louvre. Copy of a Greek original of the III century 
B. C. 

326. Eros, stringing his bow. From a marble statuette in 
the British Museum, found near Rome. Greek, about II 
century B. C. Regarded as a copy of an earlier work. 


THE ROMAN PERIOD 


47 


327. Venus de’ Medici. From a marble statue formerly in 
the Villa Medici, now in the Uffizi Gallery, Florence. 
II century B. C. 

328. Torso of a Venus Pudica. From a marble torso in the 
Vatican. II century B. C. 

339. Ariadne, with panther. From a marble in the British 
Museum. Found at Roma Vecchia, near Rome. Late 
Greek adaptation of an earlier type. (Room 5.) 

340. Female Figure, standing. Copy of the same type as 
339 without the attributes and with different pose of 
arms. From a marble in the Louvre. (Room 24.) 

351. Head of Athena. From a marble in the National Mu- 
seum, Athens. Found in the inner Kerameikos, Athens. 
Probably from a colossal statue by Euboulides (110-83 
B. C.). The type, however, goes back to an original 
of the V century B. C. 

352. Laokoon of Troy and his sons attacked by serpents. 
From a marble group in the Vatican, by Agesandros, 
Athanodoros and Polydoros, of Rhodes. Found on the 
Esquiline, Rome, 1506. First half of I century B. C. 

356. Torso of Herakles. From a marble torso in the Bel- 
vedere of the Vatican, by Apollonios of Athens. Found 
in theatre of Pompey, Rome. The type may possibly 
go back to the IV century. I century B. C. 

The Roman Period 

Room S. 

371. Hera Ludovisi. Mask from the colossal marble head 
known as the Ludovisi Juno, but probably a Roman por- 
trait. Formerly in the Ludovisi collection, and now in 
the Museo delle Terme, Rome. Probably of the Au- 
gustan age, 31 B. C. to 14 A. D. 


48 


GREEK AND ROMAN SCULPTURE 


372. Apollo of Centocelle. From a marble in the Vatican, 
commonly called Adonis, found at Centocelle, 1780. II 
century A. D. 

380. Terminal Pan, playing the flute. From a marble statu- 
ette in the British Museum, found near Civita Lavinia, 
in a villa of Emperor Antoninus Pius. Roman imita- 
tion of Greek archaic style. Probably II century A. D. 
(Room 4.) 

381. Vase of Sosibios. From a sculptured marble amphora 
in the Louvre. Relief represents an altar approached 
on the right by Hermes and on the left by Artemis. 
Inscribed: “Sosibios, the Athenian, made this.” Prob- 
ably I century B. C. 

382. Votive Relief. From a marble slab in the Villa .\lbani, 
Rome. Late imitation of archaic Greek sculpture. Xike 
pours a libation to Apollo in the presence of Artemis 
and Leto. Perhaps a conventional type of votive relief 
dedicated by victors in musical contests at Athens. 

383. Bacchic Revel. From a re-cut and restored marble re- 
lief in the British Museum. Found at Roma Vecchia. 
(Room 4.) 

384. The Portland Vase, in the British Aluseum. Found 
about 1585 in the Monte del Grano, near Rome. The 
figures of the relief are cut in cameo fashion from a thin 
layer of white glass laid over the dark blue glass of 
the vase itself. The subject has often been called the 
wooing of Thetis by Peleus, father of Achilles. I cen- 

. tury A. D. 

385. Leg of a Tripod Table (2 copies). From a marble in 
the British Museum. Roman, II centurj' A. D. The 
pilaster to which it is attached is modern. (Room 4.) 


ROMAN PERIOD 


49 


Roman Portraits 

404. Portrait Head, called Julius Caesar. From the non- 
pertinent head of a statue in the Louvre. The face is 
mainly modern. Roman, I century B. C. 

405-410. Augustus, the first Roman emperor, 31 B. C.-14 A. D. 

405. Young Augustus. From a marble head in the British 
Museum. Roman, about 48 B. C. 

406. Augustus, wearing the civic crown. From a marble 
bust in the Glyptothek, Munich. Roman, about 27 B. C. 

407. Augustus. From a marble bust in the British Museum. 

408. Augustus, in the toga, addressing the Senate. From a 
marble statue in the Louvre. Roman, about 25 B. C. 

409. Augustus in Armor, addressing his troops. From a col- 
ored marble statue in the Royal Museum, Berlin. Ro- 
man, about 31 B. C. 

410. Augustus in Armor, addressing his troops. From a 
marble statue in the Vatican, Rome. Found in the ruins 
of the villa of Livia at Prima Porta, near Rome. The 
central group on the breast plate represents a Parthian 
giving up to a Roman soldier one of the standards cap- 
tured from Crassus, symbolizing the subjugation of the 
Parthians which took place 20 B. C. 

411. 412. Tiberius. Claudius Nero, Roman emperor, 14-37 
A. D. 

411. Tiberius, with civic crown. From a marble head in the 
Louvre. 

412. Tiberius. From a marble bust in the Villa Albani, 
Rome. 

414. Portrait Bust of a Roman lady, commonly called Klytie, 
because the flower which forms the base was thought 
to represent the sunflower into which Klytie was 


50 


GREEK AND ROMAN SCULPTURE 


changed. From a marble in the British Museum. Ro- 
man, early I century A. D. 

417, 418. Nero, Roman emperor 54 to 68 A. D. 

417. Nero. From a marble head in the British Museum. 

418. Nero, with military cloak. From a marble bust in the 
Louvre. 

421. Aulus Vitellius, Roman emperor 69 A. D., in military 
cloak. From a marble bust now removed to the Renais- 
sance Rooms in the Louvre. 

426,427. Trajan, Roman emperor 98-117 A. D. 

426. Trajan. From a marble bust in the British IMuseum. 
Found in the Campagna of Rome. 

427. Trajan. From a marble bust in the Louvre. 

428. Tv/o Griffons, facing a candelabrum. Relief from a 
slab in the Capitoline Museum, Rome. Roman deco- 
rative composition, II century A. D. 

429. Head in relief. 

430a. Part of an Arabesque Frieze. From a marble found 
in the forum of Trajan, Rome. Designed by Trajan’s 
architect, Apollodoros of Damaskos, about 114 A. D. 

430fc. Acanthus Decoration, in high relief. From a marble 
slab found in the forum of Trajan, Rome. Roman, 
about 100 A. D. 

431-445. Reliefs from the Triumphal Arch of Trajan, which 
still stands at Benevento. Erected in honor of the Em- 
peror Trajan, in the year 115 A. D., at the beginning of 
the Via Trajana, which led from Beneventum to Brun- 
disium. 


431. Victories sacrificing bulls in honor of the Emperor Tra- 
jan. 


ROMAN PERIOD 


51 


432. Trajan receiving military candidates. 

433. Four figures of priests’ assistants. 

434. Victory crowning the Emperor Trajan. 

435. Bacchus, Ceres, Diana, and Silvanus. 

436. Mesopotamia commends herself to the mercy of Trajan. 

437. Trajan receiving three men behind whom are Apollo, 
Hercules, and a sea-god. 

438-9. Fragments of frieze representing Trajan’s triumphal 
procession upon his return from the Dacian war. 

440. Trajan’s reception at Rome, by citizens and by Roma, 
upon his return from the Dacian war. 

441. Seven deities welcoming Trajan: Juno, Jupiter and Mi- 
nerva in foreground; Mercury, Ceres, Bacchus and Her- 
cules in background. 

442. Oath of alliance with Trajan. 

443. River goddess and season. Autumn. 

444. Keystone of the arch, with draped female figure. 

445. River god and season. Winter. 

446. Cupids with Garland. From a terra-cotta bas-relief in 
the Louvre. Roman, about I century A. D. 

447. Sculptured Cinerary Urn. Tablet on front inscribed: 
To the sainted spirit of Tiberius Claudius Heracles; 
placed by his devoted wife in grateful remembrance. 
From a marble original. Roman, I century A. D. 

448. Sculptured Cinerary Urn. Tablet on one side inscribed: 
To the sainted spirits of Quintus Cornelius and Quintus 
Lucius Saturninus Latro in token of good desert. From 
a marble in the Louvre. Roman, II century A. D. 


52 


GREEK AND ROMAN SCULPTURE 


449. Sculptured Cinerary Urn, in the form of amphora with 
lid. From a marble in the South Kensington Museum. 
Roman, II century A. D. 

451,452. Hadrian, Roman emperor, 117-138 A. D. 

451. Hadrian. From a bronze head in the British Museum, 
found in the river Thames. 

452. Hadrian. From a marble bust in the British Museum, 
formerly in the Villa Montalto. 

453. Antinous, the favorite of Hadrian. From a fragment 
of a marble high relief in the Villa Albani, Rome, found 
in Hadrian’s Villa, Tivoli. Roman, II century A. D. 

454. Hermes, commonly called Antinous of the Capitol. From 
a marble statue in the Capitoline Museum, Rome. 
Found in the Villa of Hadrian at Tivoli. Roman, after 
131 A. D. 

455. The “Genii of Sleep and Death,” also called Hadrian 
and Antinous, or Castor and Pollux. From marbles in 
the Museo del Prado, Madrid, known as Ildefonso 
Group, brought from Rome to the royal chateau at San 
Ildefonso, Spain, by the wife of Philip V. The youth 
with the shell is supposed to represent Hypnos, genius 
of sleep; the youth with the torches, Thanatos, genius of 
death; the statuette, Persephone or Venus. The Hypnos 
is a Roman reproduction of a Greek work of the school 
of Praxiteles; the Thanatos, of the school of Poly- 
kleitos. 

456. Youth holding a Horse, followed by a dog. From a 
marble relief in the British Museum found in Hadrian’s 
Villa, Tivoli. Probably executed in the time of Ha- 
drian in imitation of a relief of the V centurj^ B. C. 
(Room 4.) 

457. Marcus Aurelius Antoninus, Roman emperor, 161 to 
180 A. D. From a marble bust in the Louvre. 


HERCULANEUM AND POMPEII 


53 


458. Lucius Verus, Roman emperor with Marcus Aurelius, 
161-169 A. D. From a colossal marble bust in the 
Louvre. 

459. Commodus, Roman emperor, 180 to 191 A. D. From a 
marble head in the British Museum. 

460. Lucius Septimius Severus, Roman emperor, 193-211 A. 

D., in tunic and military cloak. From a marble bust in 
the British Museum. ' ,, 

461. Portrait head, called Didius Julianus, Roman emperor, 
211 A. D. From the non-pertinent head of a statue in 
the Cassel Museum. 

471. Bust of a Bearded Man, wearing a crown or turban. 
From a bronze in the Louvre, Paris. Roman, III cen- 
tury A. D. 

Bronzes from Herculaneum and Pompeii 

Room 6. 

THE HIGINBOTHAM COLLECTION of bronzes 
from Herculaneum and Pompeii was presented to the Art 
Institute by Harlow N. Higinbotham in 1893. All the ob- 
jects in the collection are reproductions in fac-simile of the 
statues, busts and examples of ornament found in the XVIII 
century on the sites of the ancient cities of Herculaneum 
and Pompeii, and preserved in the Naples Museum. These 
cities were destroyed by the eruption of Mt. Vesuvius, A. D. 
79. Herculaneum was buried in volcanic mud and Pompeii 
in ashes and pumice stone, and the bronzes from the latter 
may be distinguished by their green color, while those from 
Herculaneum are nearly black. The following bronzes, un- 
less they are marked Pompeii, were found at Herculaneum, 
1750-1759. Nearly all of them were probably executed dur- 
ing the Roman period; but when they are plainly copies of 
earlier Greek work, the date of the Greek prototype only is 
given. 

501. Archaic Apollo or Athlete. Bust severed from a statue. 

Probably an original Greek work, late VI century B. C. 


54 


GREEK AND ROMAN SCULPTURE 


502. Bearded Dionysos, formerly called Plato. Bust. Copy 
of a Greek work, early IV century B. C. (Room 35.) 

503. Doryphoros (Spearman). Bust. Signed by Apollonios 
of Athens, son of Archias, in characters of the I century 
B. C. Copy of the head of the Doryphoros of Poly- 
kleitos (V century B. C.). See 57. 

504. Amazon. Bust copy of a Polykleitan work of the V 
century B. C. 

505. Hermes, or a young athlete. Bust. Greek, IV cen- 
tury B. C. 

506. Young Athlete with disfigured ears of a boxer. Bust. 
Greek, IV century B. C. 

507. Head of a Goddess, with curling hair. Greek, IV cen- 
tury B. C. 

508. Head with Turban, miscalled Archytas. Late Greek. 

509. Portrait Bust, miscalled Herakleitos. Late Greek. 

510. Portrait Bust, miscalled Demokritos. Late Greek. 

511. Youth with clasped chlamys (cloak). Bust. Late Greek. 

512. Seleukos I, Nikator, King of Syria, 306-281 B. C. Bust. 

513. Portrait Bust, called Ptolemy II, Philadelphos, King of 
Egypt, 285-247 B. C. 

514. Portrait Bust, called Ptolemy VIII, Lathyros, King of 
Egypt, 117-107 and 89-81- B. C. 

515. Portrait Bust, called Ptolemy IX, Alexander, King of 
Egypt, 107-89 B. C. 

516. A Priest of Isis. Bust. Roman. 

517. Portrait Bust, called Sulla. Roman. 

518. Head of a Roman Flamen. The neck and shoulders are 
restorations. Roman. 


HERCULANEUM AND POMPEII 


55 


519. Portrait Bust, called Aulus Gabinius. Late Greek. 

520. Portrait Bust. Erroneously called Seneca and Piso. 
Late Greek. 

521. Demosthenes. Small bust (in case). Greek, I century 

B. C. 


522. Demosthenes. Small bust (in case). Greek, I century 
B. C. The inscribed name on this bust served to iden- 
tify all other antique portraits of Demosthenes. 

523. Epikouros. Small bust (in case). Late Greek 

524. Epikouros. Small bust (in case). Late Greek. 

525. Hermachos. Small bust (in case). Late Greek. 

526. Metrodorus. Small bust (in case). Late Greek. 

527. Zeno. Small bust (in case). Late Greek. 

528. A Roman Lady, called Agrippina. Small bust (in case). 

529. Portrait Bust, called Agrippina. From Pompeii. 

530. Statue of a Woman. Copy of Greek work, V century 

B. C. 

531. Statue of a Woman. Copy of Greek work, V century 

B. C. 

532. Statue of a Woman. Copy of Greek work, V century 

B. C. 

533. Statue of a Woman. Copy of Greek work, V century 

B. C. 

534. Statue of a Woman. Copy of Greek work, V century 

B. C. 


535. Statute of a Woman. Copy of Greek work, V century 
B. C. (Less than life size.) 

536. Athlete. Statue. Greek. Copy of a Greek work. III 
century B. C. 


56 


GREEK AND ROMAN SCULPTURE 


537. Athlete. Antique copy, with some variation, of the orig- 
inal of preceding statue. 

538. Seated Hermes. Statue. Greek, end of the IV century 
B. C. See 254. 

539. Sleeping Faun. Statue. Late Greek. 

540. Drunken Faun. Statue. Late Greek. 

541. Gazelle or Fawn. Statue. 

542. Gazelle or Fawn. Statue. 

543. Apollo, with a plectrum. Statue. Found at Pompeii, 
1817. Probably a copy of a Greek work of the V cen- 
tury B. C. 

544. Apollo, having shot an arrow. Statue. Pompeii. Prob- 
ably copy of a Greek work of the end of the IV century 
B. C. 

545. Boy Faun with wineskin. Statuette. Served as water 
spout of a fountain. Found at Pompeii, 1880. 

546. Drunken Seilenos. Statuette. Apparently designed for 
an ornamental stand. Pompeii. 

547. An Angler. Statuette. A fountain ornament probably 
copied from a Greek work of II century. Pompeii. 

548. Alexander the Great, equestrian statuette. Perhaps cop- 
ied from a battle group by Lysippos, a contemporary of 
Alexander, 

549. Cupid with a Dolphin on left shoulder. Statuette. A 
fountain ornament. Pompeii, 1880. 

550. Cupid with a Goose. Statuette. Centre piece of a foun- 
tain. Pompeii, 1880. 

551. Venus at her toilet. Statuette. The left hand held a 
mirror. From Nocera, near Pompeii. 

552. Apollo. Small statuette. From Pompeii. (In case.) 


HERCULANEUM AND POMPEII 


57 


553. Satyr playing the flute. Statuette. The flute is lost. 
Under the right foot is a scabellum on which the player 
beats time. Copy of Greek work of about 300 B. C. 
(In case.) 

554. Dancing Faun with thyrsus. Small statuette. (In case.) 

555. Fortuna or Dancer. Statuette, with inlaid silver orna- 
ments. (In case.) 

556. Fortuna or Isis. Called also Abundance. Statuette. 
Egyptian crown, silver plated. Inlaid silver and copper 
ornamentation on pedestal. (In case.) 

557. Venus Detaching Her Sandal. Small statuette. Brace- 
lets and anklets of gold. (In case.) 

558. Seilenos astride of a wineskin. Statuette. The center 
piece of a fountain. Greek, II century B. C. 

559-562. Four Statuettes From a Fountain Basin. (In case.) 

559. Seilenos with a panther. 

560. Same subject. Left hand modified, showing palm. 

561. Seilenos with a wineskin. 

562. Same subject, with right hand raised. 

563-572. Ten Statuettes From a Fountain Basin. Greek, II 
century B. C. 

563. Young Faun, with wineskin on right shoulder and drink- 
ing horn. 

564. Same subject, reversed. 

565. Boy. Right hand resting on mask. 

566. Same subject, reversed. 

567 Boy. Right hand resting on vase. 

568. Same subject, reversed. 


58 


GREEK AND ROMAN SCULPTURE 


569. Boy, with vase on right shoulder. 

570. Same subject, reversed. 

571. Boy, with dolphin under right arm. 

572. Same subject, reversed. 

576. Gladiator’s Helmet. The reliefs represent scenes of the 
siege of Troy. 

577, 578. Gladiator’s Greaves. The decorations are Bacchic 
masks, etc. 

579. Steelyard, with female head for weight. Pompeii. (In 
case.) 

580. Steelyard, with female head for weight. Pompeii. (In 
case.) 

581. Bacchic Tripod, composed of three satyrs supporting 
bowl with openwork top. 

582. Tripod. Sphinxes perched on leopards’ legs. The clum- 
sily executed pan is a non-pertinent addition. Often 
erroneously said to be from Temple of Isis in Pompeii. 

583. Bronze Bedstead, misrestored as a bisellium (double 
seat). Found in fragments at Pompeii. The original 
has more recently been correctly put together as a 
bedstead. 

584. Hanging Lamp, with three burners on ends of long 
tubes radiating from bowl. Busts, and festoons on bowl 
between tubes. 

585. Lamp Stand. 

586. Lamp Stand. 

587. Lamp Stand. 

588. Extension Lamp Stand. 

589. Lamp, with bat handle. Two burners. 


HERCULANEUM AND POMPEII 


59 


590. Lamp, with dancing faun on !id. Two burners. From 
Pompeii. (In case.) 

591. Lamp, with figure standing on lid of central opening. 
Two burners. Floral handle. From Pompeii. (In 
case.) 

592. Lamp, small. Boy with goose on lid. Two burners. 
From Pompeii. (In case.) 

593. Candlestick, with stem formed of a cupid on a dolphin, 
diving. From Pompeii. (In case.) 

594. Handle of a bronze vessel, springing from a mask. 
From Pompeii. (In case.) 

595. Handle of a bronze vessel. From Pompeii. (In case.) 

596. Handle of a bronze vessel. (In case.) 

597. Handle of a bucket. Winged hermaphrodite standing 
on the head of a cupid holding an eagle. From Pom- 
peii. (In case.) 

598. Cup, with figures in floral arabesque representing the 
Iliad and the Odyssey. Original of silver. (In case.) 

599. Cup, with one handle, bell mouth, no stem. Ivy design. 
Original of silver. From Pompeii. (In case.) 

600. Cup, similar to 599. Grapevine design. From Pom- 
peii. (In case.) 

601. Cup, v/ith ivy design. From Pompeii. (In case.) 

602. Cup, mate to 601. (In case.) 

603. Kantharos. From silver cup with high relief decora- 
tion of cupids on centaurs, trees. (In case.) 

604. Cup, mate to 603. (In case.) 

605. Rhyton. Cup in form of staghead. (In case.) 

606. Rhyton. Cup in form of doghead. (In case.) 


60 


GREEK AND ROMAN SCULPTURE 


607. Ewer. Decorated with half figures of bacchante and 
siren. From Pompeii. (In case.) 

608. Ewer, decorated with an eagle. (In case.) 

609. Ewer, decorated with horse head and mask. (In case.) 

610. Ewer, with handle in the form of a nude satyr peeping 
down the orifice. (In case.) 

611. Ewer, with coral handle, figure of infant below and two 
goats at top. (In case.) 

612. Ewer, with handle in form of a boy in a lion skin. 
(In case.) 

613. Ewer. Handle decorated above with mask, below with 
lion’s paw. Pompeii patina. (In case.) 

614. Ewer. Body gadrooned. Handle, a long-tailed dragon 
or wyvern. (In case.) 

615. Narcissus, so-called. Statuette. Found at Pompeii, 1862. 

616. Dancing Faun. Statuette. Found in Casa del Fauno, 
Pompeii, 1831. 

617. Bust of a Woman, formerly called Sappho. Severed 
from a statue. Greek, IV century B. C. 

618. Bust of a Woman, formerly called Berenice. Late 
Greek. (Room 35.) 

619. Lucius Cascilius Jucundus, a Pompeiian banker and 
usurer. Head. Roman. Found at Pompeii. 1875. 

620. Nike (Victory). Springing from a globe, with extend- 
ed wings. Pompeii, 1823. 

Note. — For other reproductions of Greek and Roman 
Sculpture, mostly plaster or terra cotta copies of architec- 
tural, decorative or monumental work, see 1001 ci seq., in 
the Blackstone Collection. There are also the following 
reproductions in bronze and marble: 


GREEK AND ROMAN SCULPTURE 


61 


625. The Borghese Faun. Bronze reproduction of a marble 
statue formerly in the Villa Borghese, and now in the 
Museo delle Terme, Rome. Found near Monte Calvo, 
near Rome. Copy or adaptation of a Greek bronze, 
end of IV century B. C. Presented by H. N. Higin- 
botham, 1893. (Room 35.) 

626. Nike untying her sandal. Marble copy of a relief 
from the parapet of the temple of Nike Apteros on the 
Acropolis at Athens. Now in the Acropolis Museum. 
Athenian, V century B. C. Presented by William E. 
Daggett. (Room 56.) 

627. The Young Augustus. Marble copy by Larkin Gold- 
smith Meade of a marble head in the Vatican, Rome. 
Presented by S. M. Nickerson, 1900. (Room 37.) 


CASTS OF ITALIAN SCULPTURE. 

Renaissance and Modern 

Room 10 


Unknown Sculptors. 

631. Head of Dante. Original bronze in Naples Museum 
made from a death mask of Dante Alighieri (1265-1321). 

632. Head of Woman called Lucrezia Borgia. 

633. Madonna and Child. Relief. From a marble altar 
front in Westminster Abbey, London. 

XV Century 

Nanni d’ Antonio di Banco — Florentine, 1374P-1421. 

636. Head of Angel, in high relief. From a figure in a 
composition representing the assumption of the Virgin, 
on the tympanum of a door of the cathedral in Florence, 
popularly known as the Mandorla, from the almond- 
shaped shield on which the Virgin is seated. 1407-1409. 

Lorenzo di Cione Ghiberti — Florentine, 1378-1455. 

637. A Sibyl. ) Small border figures in niches, from the 

[ second gate of the Baptister}- of San Gio- 

638. Joshua. J Florence. 1424-1452. 

Donatello (Donato di Niccolo di Betto Bardi) — Florentine, 
1386-1466. 

641. St. George. From a marble statue in the National 
Museum, Florence. It stood former!}- in a niche on the 
exterior of the church of Or San ^Michele, Florence, 
where it has recently been replaced by a copy in bronze. 
1416. 


62 


XV CENTURY 


63 


642. David, with head of Goliath. Bronzed terra-cotta 
fac-simile of a bronze statue in the National Museum, 
Florence. 

646. Twelve Small Panels of Cherubs singing and play- 
ing on musical instruments. From bronze reliefs on the 
high altar of the basilica of San Antonio (II Santo) at 
Padua. Executed by Donatello and various pupils under 
his direction in II Santo, 1444-1453. 

647. Young St. John the Baptist. From a low relief on . 
black stone in the National Museum, Florence. Exe- 
cuted about 1440. 

See also 1043. 

Desiderio da Settignano — Elorentine, 1428-1464. 

648. Head of a Laughing Child. From a marble in the 
Miller collection in Vienna. 

653. Madonna and Child. From a marble relief in the 
National Museum, Florence. 

654. Head of the Infant Jesus, so called. From a mar- 
ble in the collection of Gustave Dreyfus, Paris. 

655. Bust of a Girl. From a marble bust in the National 
Museum, Florence. 

Francesco di Simone Ferrucci — Florentine, 1438P-1493. 

656. Barbara Manfredi. Mask from the recumbent mar- 
ble statue on her tomb in the church of San Biagio, 
Forli. About 1446. 

Unknown Sculptors. 

657. St. Cecilia, so called. From a low relief in gray 
stone in the collection of the Earl of Wemyss (Lord 
Elcho), London. Eormerly attributed to Donatello. 

658. A Saint. (Cecilia?) From a marble in the South 
Kensington Museum, London. 


64 


ITALIAN SCULPTURE 


659. Head of Julius Caesar, crowned with bays. From 
a marble bas-relief in the Louvre. School of Donatello. 

660. Bust of Marcus Aurelius Julianus, called Julian the 
Apostate (died 363 B. C.). From a marble high relief in 
Florence. 

661. Portrait of a Young Woman. Original of marble 
in the Louvre, known as “La femme inconnue.” At- 
tributed to Desiderio (see 648) and to Francesco Lau- 
rana (died about 1501). 

662. Portrait of Marietta Strozzi, so called. Poly- 
chromed and gilded terra-cotta fac-simile of a marble 
bust in the Royal Museum, Berlin, formerly in the Pal- 
azzo Strozzi, Florence. Attributed to Desiderio (see 
648). 

663. Portrait of a Florentine Lady. Polychromed and 
gilded terra-cotta fac-simile of a bust of wood in the 
Louvre. Attributed to Desiderio (see 648). 

664. Head of a Man. 

Lorenzo di Pietro, called II Vecchietta — Siennese, 1412-1480. 

665. Head of an Old Nun, perhaps Annalene Malatesta. 
From a bronze in the National Museum, Florence. 

Antonio Pollaiuollo — Florentine, 1429-1498. 

672. A Young Soldier. From terra-cotta bust in the 
National Museum, Florence. 

Andrea del Verrocchio — Florentine, 1435-1488. 

675. David with the head of Goliath. Bronzed terra- 
cotta fac-simile of a bronze statue in the National Mu- 
seum, Florence. Purchased in 1476 by the conservators 
of the Palazzo Vecchio della Signora from Lorenzo and 
Giuliano de’ Medici. 

676. A Young Man. From terra-cotta bust in the Na- 
tional Museum, Florence. 

See also 1040. 


XVI CENTURY 


65 


Benedetto da Majano — Florentine, 1442-1497. 

681. Pietro Mellini. From a marble portrait bust in the 
National Museum, Florence. 1474. 

682. Young St. John the Baptist. From a marble statue 
in the National Museum, Florence. 1475-1481. 


XVI Century 

Michelangelo Buonarroti — Florentine, 1475-1564. 

687. David. Head of a colossal marble statue in the 
Academy of Fine Arts, Florence. 1501-1503. 

688. Madonna and Child. From a marble bas-relief in 
the Royal Academy, London. Circular medallion. Be- 
tween 1500 and 1510. 

689. 690. Bound Captives. From marble statues in the 
Louvre executed soon after 1512 for the tomb of Pope 
Julius II, which was never erected. 

691. Moses. From a colossal statue of marble in the 
church of San Pietro in Vincoli, Rome, which was de- 
signed for the tomb of Julius II, which was never erect- 
ed. 

692. Apollino. From an unfinished marble statue in the 
National Museum, Florence. Made for a present to Bac- 
cio Valori, Papal Commissioner during the siege of Flor- 
ence, 1529-30. About 1512. 

693. Cupid, without wings. From a marble statue in the 
South Kensington Museum, London. About 1497. 

694. Tomb of Lorenzo de’ Medici, Duke of Urbino. The 
original, of marble, is in the church of San Lorenzo, Flor- 
ence. The statue of the duke, seated in a niche, is called 
“11 Penseroso,” the thinker. The two reclining figures 
below represent Dawn and Twilight. 1521-1535. 


66 


ITALIAN SCULPTURE 


695. Tomb of Giuliano de’ Medici, Duke of Nemours. 
The original, of marble, in the church of San Lorenzo, 
Florence, is a companion to No. 694. The statue of the 
duke is seated in a niche. The two reclining figures be- 
low represent Day and Night. 1521-1535. 

696. Head of Lorenzo de’ Medici. 'I From figures on the 

697. Head of Giuliano de’ Medici. J above tombs. 

School of Michelangelo. 

701. Jason with the fleece. From marble statue in the 
Victoria and Albert Museum, London. 

Benvenuto Cellini — Florentine, 1500-1570. 

702. Perseus with the head of Medusa. Colored cast 
from the original wax model in the National ^luseum, 
Florence, 1545. 

Vincenzo Danti — 1530-1576. 

703. Door of Cupboard, with figures in relief. From 
bronze original in the National Museum, Florence. 

Jacopo Tatti, called Sansovino — Florentine, 1486-1570. 

704. Bacchus. Terra-cotta fac-simile of a marble statue 
in the National Museum, Florence. About 1513. 

Giovanni da Bologna (John of Bologna) — Florentine of 
Flemish birth, 1529-1608. 

706. Mercury. From a bronze statue in the National 
Museum, Florence, formerly on the fountain of the Villa 
Medici, Rome. 1564. 

Unknown Artist. 

708. Head of a Girl. From a colored wax bust in the 
Wicar Museum, Lille, France. About 1600. 


MODERN 


67 


Modern 

Canova, Antonio — Venetian, 1757-1822. 

711. Bust of Calliope. Original in the house of Prof. 
Rosini of Pisa, to whom it was presented by the sculp- 
tor. (Room 12.) 

712. Venus. Copy in marble of a marble statue of 
Venus coming from the bath. Original in the Pitti Pal- 
ace, Florence. Presented by Mrs. Perry H. Smith, 1891. 
(Room 37.) 

Bastianini, Giovanni — Florentine, 1830-1868. 

721, Giuseppe Bonaiuti. Original of terra-cotta in the 
Louvre. 

Benzoni, G M. 

724. Flight from Pompeii. Group of three figures in 
marble. Gift of S. M. Nickerson, 1900. (Room 37.) 

Note — For other reproductions of Italian sculpture see 
No. 1031 et seq. in the Blackstone Collection. 


CASTS OF MODERN FRENCH SCULPTURE 

Room 12. 

FRENCH RENAISSANCE SCULPTURE, with some ex- 
amples of earlier and later work, is catalogued in the col- 
lection of French Historic Sculpture, included in the Black- 
stone collection. See numbers 1051-1200. 

Houdon, Jean-Antoine — French, 1741-1828. 

731. Diana. From a bronze statue in the Louvre. 

732 Voltaire. From a marble statue in the Comedie 
Fran^aise, Paris. 

733. Moliere. From a marble bust in the Comedie 
Frangaise, Paris. (Room 11.) 

Unknown Sculptors. 

738. Return from the Chase. Low relief. From a mar- 
ble in the Louvre. 

739. A Marriage. From a bas-relief in the Louvre. 

Giraud, Jean-Baptiste — French, 1752-1830. 

741. Phalanthus and Ethra. From a wax bas-relief in the 
Bcole des Beaux-Arts, Paris. Antique style. 

Bosio, Francois Joseph (Baron) — French, 1768-1815. 

744. Henry IV of France as a child. Electrotype copj', 
silvered, from a silver statue in the Versailles Museum, 
cast by Odiot and chased by Soyer — itself a reproduc- 
tion of a marble statue by Bosio in the Chateau de Pau. 
(Room 56.) 

Antommarchi, Dr. Francesco. 

745. Mask of Napoleon I. From a cast taken from his 
face after death by Dr. Antommarchi, 1821. 

68 


MODERN FRENCH 


69 


Barye, Antoine-Louis- — French, 1796-1875. 

746. Jaguar and Hare. From a bronze group in the 

Louvre. , 

747. Lion Strangling a Boa. From a bronze group in 
the garden of the Tuileries, Paris. Cast in 1885 by “Hon- 
ore Gonon and his two sons.” The model from which the 
bronze cast was taken was signed Barye, 1832. 

748. Dog and Tortoise. Small bronze. Presented by 
Jules Berchem, 1907. 

Cain, Auguste — French, 1822-1894. 

761. Rhinoceros Attacked by Tigers. From a bronze 
group in the garden of the Tuileries, Paris. Signed A. 
Cain, 1882. (Ground floor.) 

762. Lion Strangling a Crocodile. From a bronze group 
in the garden of the Tuileries, Paris. Signed A. Cain, 
1888. Presented by the artist, 1893. (Ground floor.) 

G6r6nie, Jean-Leon — French, 1824-1904. 

766. Anacreon, with infants Bacchus and Cupid in arms. 
Bronze statuette group. Signed J. L. Gerome [and] F. 
Barbedienne Fondeur, Paris. Presented by G. Le B. Bar- 
bedienne, Paris, 1893. (Room 35.) 

Chapu, Henri-Michel-Antoine — French, 1833-1891. 

767. Joan of Arc. From a marble statue in the Luxem- 
bourg Museum, Paris. 1868. 

Fremiet, Emmanuel — Paris. French, 1824-1910. 

769. A Man of the Stone Age. From a figure executed 
for the Jardin des Plantes, Paris, 1872. Signed Fremiet, 
with title, “Age de la Pierre,’” and the words “Le crane 
et les armes sont copies sur des objets de I’epoque.” 
(Room 8.) 

770. The Wounded Dog. From a bronze in the court 
of the Luxembourg Museum, Paris. Signed E. Fremiet. 


70 


MODERN FRENCH SCULPTURE 


Dubois, Paul — Paris. French, 1829 — . 

772-775. Lamoriciere Tomb Figures, from bronze origi- 
nals on the tomb of General Lamoriciere in the Cathe- 
dral of Nantes, France. 

772. Charity. (Room 56.) 

773. Meditation. (Room 57.) 

774. Military Courage. (Room 56.) 

775. Faith (Room 57.) 

Cros, Henri — Paris. French contemporary. 

777. George Washington. Bronze colossal bust. Signed 
H. Cros, Sc., Paris, 1875. Presented by the Field Colum- 
bian Museum, 1905. 

Falguiere, Jean Alexander-Joseph — French, 1831-1900. 

778. Diana. From the original model of a marble statue, 
first exhibited in Paris, 1891. 

Delaplanche, Eugene — French, 1836-1890. 

779. Security. From a bronze group in the Hotel de 
Ville, Paris. Signed E. Delaplanche, 1883. 

Barries, Louis-Ernest — French, 1841-1905. 

781. The First Burial. From a marble group formerly 
in the Hotel de Ville, Paris, and now in the municipal 
Palais des Beaux-Arts, Paris. Dated 1883. 

782. Mozart as a child. Bronze statuette. Fac-simile 
of a bronze in the Luxembourg, Paris. Signed E. Bar- 
rias, 1883. (Room 57.) 

Idrac, Jean-Antoine-Marie — French, 1849-1885. 

783. Salammbo, the title character of a novel by Gustave 
Flaubert. From a marble statue in the Luxembourg 
Museum, Paris. Signed A. Idrac, 1881. 


MODERN FRENCH 


71 


Massoulle, Andre-Arthur-Paul — French. Died 1901. 

784. An Ancestor. From a bronze statue owned by the 
city of Paris. A Gaul with foot on a Roman standard, 
examining a sword. Signed A. Mausoulle. (Room 8.) 

Rodin, Auguste — Paris. French, 1840 — . 

785. A Citizen of Calais surrendering the keys of the 
city. From one of six bronze figures of a monument 
erected at Calais, France, in 1895, representing a scene 
at the surrender of the town to Edward III of England 
in 1347. 

Mercie, Antonin — Paris. French, 1845 — . 

790. Quand Meme (Even if , i. e., Even in the most 

desperate condition conceivable there will be no yield- 
ing.) From the model for a proposed bronze monu- 
ment to commemorate the heroic defense of Belfort dur- 
ing the Franco-Prussian war (1870-71). The group was 
erected in the garden of the Tuileries, Paris. Signed 
Mercie. 

791. David, Victor. From a bronze statue in the Lux- 
embourg, Paris. 1876. 

Saint-Marceaux, Rene de— Paris. French, 1845 — . 

792. Spirit Guarding the Secret of the Tomb. From a 
marble statue in the Luxembourg Museum, Paris. Signed 
St. Marceaux, 1879. 


CASTS OF GERMAN, SCANDINAVIAN AND 
BRITISH SCULPTURE 

German 

Room 10. 

Vischer, Peter — German, 1460-1530. 

831. Arthur, King of England. From one of the bronze 
statues of the tomb of Maximilian I in the Franciscan 
Church at Innsbruck. 

Stoss, Veit — German, 1450-1533. 

832. The Nuremberg Madonna. From a wooden statue 
formerly in the Frauenkirche (Church of the Virgin), 
Nuremberg, now in the Germanic National Museum, 
Nuremberg. 

Rauch, Christian Daniel — German, 1777-1857. 

841. Monument of Frederick the Great. A reduced copy 
in bronze on the scale of one-eighth. The original in 
Berlin (bronze figure and panels on granite pedestal) is 
forty-four feet high. It was designed and executed be- 
tween 1834 and 1854. This copy was presented to the 
Art Institute in 1894 hy Thies J. Lefens, William C. Seipp. 
Edward G. Uihlein, Leo Ernst, John A. Orb, Rudolph 
Brand, George Bartholomce, and Charles H. Wacker. 
(Room 35.) 

842. Monument of Frederick the Great. A reduced copy 
in bronze of the equestrian statue on the monument of 
Frederick the Great in Berlin. Scale of one-fourth. (See 
841.) Presented hy M. A. Ryerson and C. L. Hutchinson, 
1890. (Room 35.) 

Stuck, Franz von — German, 1863 — . 

845. Amazon. Bronze statuette. Presented by Frits 
von Franisius, 1912. (Room 35.) 


Note — For other reproductions of German sculpture see 
Nos. 1024-1025 in the Blackstone Collection. 


72 


SCANDINAVIAN AND BRITISH 


73 


Scandinavian 

Room 12. 

Thorvaldsen, Bertel — Danish, 1770-1844. 

854. Venus Victrix. Probably from a marble statue, 
completed in 1816, a cast of which is in the Thorvaldsens 
Museum, Copenhagen. 

Eriksson, Christian — Stockholm. Swedish contemporary. 

861. Portrait of Carl von Linne (Linnaus). From a 
marble high relief in the National Museum, Stockholm. 
Signed Chr. Eriksson, Paris, 1890. Presented by P. S. 
Peterson, 1893. (Central Hall.) 

Hasselberg, Per — Swedish. Died 1895. 

862. The Snowdrop. Nude female figure. Plaster. Pre- 
sented by S. E. Gross, 1893. (Central Hall.) 

British 

Room 12. 

Gibson, John — English, 1790-1866. 

877. Venus. From a marble statue in possession of Jo- 
seph Neeld, England. 

Bruce- Joy, Albert — English, 1842 — . 

881. Bust of Edward White Benson (1829-1896), 93d 
Archbishop of Canterbury. Wax composition. Signed 
Albert Bruce Joy, Sculp., 1885. Presented by the artist, 
1893. 

Thornycroft, Walter Hamo — London. English, 1850 — . 

882. Teucer, a hero of the Trojan war. Bronze statue, 
duplicate of statue purchased by the Royal Academy, 
1882. Signed Hamo Thornycroft, Rome, 1884. Presented, 
by George A. Armour, 1891. (Room 35.) 


AMERICAN SCULPTURE 
Works in Marble and Bronze and Reproductions in Plaster. 
Central Hall. 

Greenough, Horatio— American, 1805-1852. 

911. Abdiel, the Faithful Angel. Marble bust. Pre- 
sented by Elisabeth H. Bartol, Boston, 1894. (Room 37.) 

Rogers, Randolph— American, 1825-1858. 

912. The Lost Pleiad. Marble statue. Signed Randolph 
Rogers, Rome. Presented by Mrs. E. S. Stickney, 1889. 

913. Nydia. Marble statue. Signed Randolph Rogers, 
Rome, 1858. Bequest of Mrs. Uri Balconi, 1896. 

914. Young Psyche. Marble head. Executed in Flor- 
ence. Gift of S. M. Nickerson, 1900. (Room 37.) 

Volk, Leonard W. — American, 1828-1895. 

916. Bust of Abraham Lincoln. Bronze. Inscribed “L. 
W. Volk, Sculptor, 1860.” Bronze. Presented by Jules 
Bercheni from a plaster cast presented by Robert T. 
Lincoln. 

918. Face and Hands of Abraham Lincoln in bronze. 
From plaster casts from life. The cast for the mask was 
made in Chicago in April, 1860; those of the hands some- 
what later. Presented by the sculptor, 1891. (In small 
case. Room 56.) 

Ward, John Quincy Adams — American, 1830-1910. 

920. The Pilgrim. From a bronze statue of heroic size 
■ in Central Park, New York. 

921. A Student. From heroic size bronze statue, detail 
of Garfield monument, in Washington. Presented by the 
artist. 


74 


AMERICAN 


75 


Kemeys, Edward — American, 1843 — . 

922. The Still Hunt. Mountain lion. Plaster. Pre- 
sented by the Field Museum of Natural History. (Room 
20 .) 

923-953. Animals. Small figures in bronze, signed and 
copyrighted. Presented by Margaret S. Watson, Anita 
McCormick Blaine, Thomas D. Jones, Cyrus H. Mc- 
Cormick, Stanley McCormick. (Room 13.) 

923. The Still Hunt. A jaguar, crouching. 

924. Playing Possum. An opossum, apparently asleep, 
watched by a wild cat. 

925. A Grizzly Grave Digger. Bear with carcass of 
Rocky Mountain sheep. 

926. Battle of the Bulls. Buffalo. 

927. Deer and Panther fighting. 

928. A Mountaineer. Rocky Mountain sheep. 

929. Locked in Death. Deer and jaguar. 

930. Fast in the Coils. Jaguar and serpent. 

931. The Soul of Contentment. Bear licking his paws. 

932. While the Mother Sleeps, Female jaguar with cubs. 

933. Raccoon. Frog under foot. 

934. Opossum. 

935. Wolf. 

936. Deer, two, lying down. 

937. Buffalo. Buffalo mask remarque. 

938. Mountain Lion. 

939. Mountain Lion and Lizard. 


76 


AMERICAN SCULPTURE 


940. Bear, standing upright. 

941. Deer with large antlers, standing. 

942. Bear sitting. 

943. Bear standing, with right forepaw upraised. Dead 
deer remarque. 

944. Two Tigers, lying down. 

945. A Tiger. A nude boy is drawing the animal down 
by a cord twisted around its upper jaw. 

946. Peacock and Sleeping Rabbit. 

947. Lion sitting. 

948. The Rogue Elephant. 

949. A Wolf at bay. 

950. Panther on rock. Ink-well. 

951. Fox and Rabbit. 

.952. Mad Panther. 

953. Watching the Beaters. 

Two Colossal Lions, flanking the main entrance at the 
Art Institute. Bronze. Signed Kemej’s, 1893, with fox 
head and circle remarque. Presented by Mrs. Henry Field, 
1893. 

Bringhurst, Robert P. — American contemporary. 

954. Awakening Spring. Young female figure, standing. 
Plaster. Presented by the artist. 

Saint-Gaudens, Augustus — American, 1848-1907. 

955. Bastien LePage. Portrait in low relief. Bronze. 
Presented by Sara Hallowell, 1908. (Room 35. ) 


AMERICAN 


77 


956. Amor Caritas. Angel in high relief holding a tablet 
overhead bearing the words “Amor Caritas.” Signed with 
full name and date, 1887. Copy in plaster of cast ex- 
hibited in the Exhibition Universelle of 1900. The same 
figure in bronze is in the Luxembourg Gallery, Paris. It 
is a modification of a figure of the Maria Smith tomb at 
Newport, R. I. (Room 35.) 

957. The Puritan. An ideal statue commemorative of 
Deacon Samuel Chapin, a magistrate of Springfield, Mass., 
about 1652. From a bronze erected in Springfield in 
1887. (Room 35.) 

Sullivan, Louis H. — American, 1856 — . 

959. Design for Bronze Door of Tomb. Plaster. Pre- 
sented by Yale and Towne Manufacturing Co., 1892. 
(Room 20.) 

Duveneck, Frank — American, 1848 — . 

960. Memorial Statue of Elizabeth Boott Duveneck, 
wife of the artist. From the original bronze in Florence. 
(Room 35.) 

French, Daniel Chester — American, 1850 — . 

961. Bust of A. Bronson Alcott. Plaster. Presented by 
the artist. 

962. Death and the Sculptor. Designed as a memorial 
•> of Martin Millmore, sculptor. From a bronze group in 

Forest Home Cemetery, Boston. Presented by the artist, 
1894. (Room 50.) 

963. Girl with Bowl. Statue in plaster. In the Chap- 
man Memorial, Forest Home Cemetery, Milwaukee, this 
figure is represented with wings. (Room 24.) 

964. Mary Harris Thompson, M. D. (1829-1895.) Marble 
portrait bust with pedestal inscribed, “To the Art Insti- 
tute from the trends of Mary Harris Thompson.” Bust 
signed D. C. French, 1902. (Room 37.) 


78 


AMERICAN SCULPTURE 


965. Alma Mater. Plaster cast of a heroic seated figure 
erected in bronze, 1903, on the steps of the Columbia 
University Library, New York. Presented by the artist, 
1905. (Room 8.) 

966. Bronze Doors. Bronzed plaster casts of three 
double bronze doors of the Boston Public Library Build- 
ing, cast in 1903. Each door is decorated with a pair of 
figures in low relief — one on each leaf. These figures 
symbolize 

(a) Truth and Romance. 

(b) Music and Poetry. 

(c) Knowledge and Wisdom. 

Presented by the artist. (Room 56.) 

967. Francis Parkman Memorial. Detail of a granite 
monument erected in 1906 at Jamaica Plains, Mass. Fig- 
ure of an Indian chief, draped in his blanket and hold- 
ing a pipe of peace. Presented by the artist. 

968. Detail of Model for Columbus Quadriga, World’s 
Columbian Exposition, 1893. Plaster. By Daniel Chester 
French and Edward Clark Potter. Presented by the Field 
Museum of Natural History, 1909. (Room 20.) 

Gelert, Johannes Sophus — American, 1852 — . 

969. John W. Root, architect. Bronze bust dated 1891. 
Gift of friends, 1892. 

970. James H. Dole, Vice-President of the Art Institute 
1891-1902. Bronze bust. Presented by Mrs. James H. Dole, 
1904. (Room 56.) 

Donoghue, John — American, 1853-1903. 

971. The Young Sophocles leading the chorus of victory 
after the battle of Salamis. Bronze. Presented by Robert 
Allerton, 1911, from a plaster presented by the World’s 
Columbian Exposition, 1894. (Room 35.) 


AMERICAN 


79 


Tilden, Douglas — American, 1860 — . 

974. The Tired Boxer. Plaster statue. Signed Tilden, 
1890. Presented by the artist, 1894. 

Partridge, William Ordway — American, 1861 — . 

975. Bust of John Greenleaf Whittier, American poet. 
Presented by the artist, 1894. 

Barnard, George Grey — American, 1863 — . 

976. “Je sens deux hommes en moi.” (Victor Hugo.) 
Group of two figures of heroic size. Original of marble 
in Metropolitan Museum, New York. Presented by Arthur 
M. Barnhart, 1899. (Room 12.) 

Bartlett, Paul Wayland — American, 186S — . 

978. Michelangelo. From the bronze statue in the Li- 
brary of Congress, Washington, D. C. (Room 35.) 

Loeher, Aloys — American contemporary. 

981. Prof. David Swing (1830-1894). Bronze bust, 
signed A. Loeher, 1894. Presented by members of the Cen- 
tral Church, 1894. 

Potter, Edward Clark — American, 1857 — . , 

982. Sleeping Infant Faun visited by an inquisitive 
, rabbit. Marble. Presented by Charles H. Wacker, 1891. 

(Room 37.) 

See also 968 for work in collaboration with Daniel C. 
French. 

MacNeil, Hermon Atkins — American, 1866 — . 

983. The Moqui Prayer for Rain. The returning of the 
snakes. Bronze statuette. Signed H. A. MacNeil, sc. 
(with title as above), and “Fond. Nelli, Roma.” 
(Room 35.) 


80 


AMERICAN SCULPTURE 


Potter, Bessie Onahotema (Mrs. R. W. Vonnoh — American, 
1872—. 

984. Statuettes in plaster. Presented by the Arche Club, 
1895. (Room 13, in case.) 

1. Chrysanthemum Girl. Tinted. 

2. Girl Reading. 

3. The Dancing Girl. 

4. Portrait of Lady, sitting with fan. 

5. An American Girl. 

6. Girl Standing. Venetian costume. 

7. The Young Mother. 

Heber, Carl Augustus — American, 1874 — . 

986. Pastoral. Youth playing double pipe. Plaster. 
Presented by the artist, 1905. 

Longman, Evelyn Beatrice — American, 1874 — . 

987. Study for Statue of Victory surmounting dome of 
Festival Hall at the Louisiana Purchase Exposition, St. 
Louis, 1904. Presented by the artist, 1905. 

Powers, Hiram T. — American, 1805-1873. 

988. America. Marble bust. (Room 37.) 

Korbel, Josef — American contemporary. 

• 989. Portrait of Miss V/. G. Marble bust. Presented by 
Mrs. Josef Korbel, 1910. 

Martiny, Philip — American, 1858 — . 

990-992. Models in plaster for groups on the Agricul- 
tural building. World’s Columbian Exposition, Chicago, 
1893. Presented by the Field Museum of Natural History. 

990. Agriculture. Female figure with cattle. 

991. Allegorical Group. Standing male figure with 
plow. On either side youth taming a horse. 

992. The Seasons. Four seated female figures with 
garlands. (Room 20.) 


AMERICAN 


81 


993. Model for Fountain, designed for square in front 
of Union Depot, Washington, D. C. Plaster. (Room 20.) 
Presented by Daniel H. Burnham. 

Mulligan, Charles J. — American, 1866—. 

995. Mineral Treasures of Illinois. Model in plaster 
for group on the exterior of a building, Louisiana Pur- 
chase Exposition, 1904. 

Crunelle, Leonard — American contemporary. 

996. Sakakawea, Shoshone Indian, heroine of the Lewis 
and Clark Expedition for the exploration of the West, 
1803-1806. Plaster. (Room 57.) Presented by the artist. 
1911. 


Scudder, Janet — American, 1873 — . 

997. Fighting Boys. Bronze fountain. Presented by the 
Friends of American Art, 1912. 


THE T. B. BLACKSTONE COLLECTION OF 
ARCHITECTURAL CASTS 


BLACKSTONE HALL— Room 20. 

With the proceeds of iMr. Blackstone's bequest of S25,- 
000, used in the erection of Blackstone Hall, and an addi- 
tional $50,000 provided by Mrs. Blackstone in March, 1903, 
a fund has been established for the purchase of architectural 
casts and their installation in the new sculpture hall. 

Greek and Roman 

1001. Temple of Neptune at Paestum, southern Italy. 
Cork model, by Wellington J. Reynolds. The original 
temple measured 189x84 feet. Greek probably VI cen- 
tury B. C. 

1002. The Medici Vase. Terra-cotta fac-simile of a 
marble krater in the Uffizi Gallery, Florence, formerly 
in the Villa Medici. Found at Tivoli. Reliefs surround- 
ing bowl thought to represent sacrifice of Iphigenia at 
Aulis. Foot of vase, statue of goddess and many other 
patches are restorations. Imperial age. 

1005. Fountain Basin. Terra-cotta fac-simile of a mar- 
ble original in the Vatican. Roman. 

1008. Sculptured Well Curb. Terra-cotta fac-simile of 
a marble in the Vatican. Cylinder surrounded with fig- 
ures in high relief representing Hermes giving the infant 
Dionysos to his nurse, Nysa. Restored by Gatti in 1850. 
Imperial age. 

82 


BYZANTINE, SARACENIC AND GERMAN 


83 


1011. Pyramid of Cestius. Cork model. The original 
pyramid, in Rome, is of brick, faced with marble, 98 
feet square and 116 feet high. Built for the tomb of 
Caius Cestius, Praetor, Tribune, etc., who died 12 B. C. 
Executed and presented by Wellington J. Reynolds, Chicago. 

1015. Candelabrum. Terra-cotta fac-simile of a marble 
in the Naples museum, found in the Temple of Piety, 
Rome. Roman. (Gallery of Room 20.) 

Byzantine 

1021. Altar Screen. Cast by Prospero Mantani from 
original in Church of S. Apollinare Nuovo, Ravenna. 
Presented by Prospero Mantani, Ravenna, 1905. 

Saracenic 

1023. Wood Balcony (mushribiyeh) with corbels, grat- 
ings and oriel niches for water jars. Antique Moslem 
original from Cairo, Egypt. 

German 

1024, 1025. Allegorical Figures from south portal of 
Strassburg Cathedral. Originals of red sandstone. Ger- 
man, probably XIII century. South transept, erected 
1176 to 1252. 

1024. The New Law or The Church. Draped female 
figure, with cross and chalice. Inscription above; “By 
the blood of Jesus Christ I am thy conqueror.” 

1025. The Old Law or The Synagogue. Draped female 
figure, blindfold, with tablet and broken lance. In- 
scription above: “It is that blood which blinds me.” 


84 


ARCHITECTURAL SCULPTURE 


Italian 

1031. II Marzocco, the lion of Florence. Terra-cotta 
fac-simile of the original, of pietra serena, in the Na- 
tional Museum, Florence. Originally in the Piazza della 
Signoria, where its place is now filled by a copy. 

Donatello — Florentine, 1386-1466. 

1032. Escutcheon. Rampant lion in low relief. Terra- 
cotta fac-simile of a marble relief in the Palazzo Mar- 
telli, Florence. 

1033. Gattamelata, Venetian general, 1438-1441. From 
a bronze equestrian statue in Padua, completed in 1453. 
See 641-647. 

Leopardi, Alessandro — Venetian, born before 1447, died after 
1522. 

1039. Base of Flag-staff. From bronze original in front 
of St. Mark’s Cathedral, Venice. 

Andrea del Verrocchio — Florentine, 1432-1488. 

1040. Bartolommeo Colleoni, Venetian general. Plas- 
ter cast, full size, from the Royal Museum in Berlin. 
The original bronze stands in the square of the Scuola 
di San Marco, adjoining the church of SS. Giovanni e 
Paolo, Venice. See 675. The work was finished, after 
the death of Verrocchio, by Alessandro Leopardi. See 
1039. 

Solari, Tullio (called Lombardi). 

1041. Memorial Statue of Guidarello Guidarelli, a cav- 
alier of Ravenna in the XV century. From a marble 
in the Academie di Belli Arti, Ravenna, formerly in the 
chapel of the Braccioforte. The attribution (by Corrado 
Ricci) of this statue to Tullio Solari is disputed. 

Doorways and Ceilings. 

1042. Doorway. Fac-simile in terra-cotta. 


FRENCH 


85 


1043. Interior Doorway, in gold and color. Terra-cotta 
fac-simile of wooden original in possession of Signor 
Biondi. Venetian, XVI century. 

1044. Coffered Ceiling, six panels, squares in rectangle. 
Terra-cotta finished in gold and blue on terra-cotta. Fac- 
simile of a wooden original of the Italian Renaissance 
period, owned by the Manifatturi di Signa, near Flor- 
ence. 

1045. Coffered Ceiling, four panels, octagons in square, 
otherwise similar to 1044. 

From Perugia. 

1046. Sculptured Mantel, of pietra serena, from Perugia, 
Italy. Original. About 1600. Presented by Howard Shaw, 
1911. 

French Historic Sculpture 

This collection includes casts of sculpture, mostly archi- 
tectural, from the eleventh to the nineteenth century. It was 
formed under the direction of the French National Com- 
mittee on Historic Monuments, from the Museum of Com- 
parative Sculpture (Palace of the Trocadero, Paris), the 
Museum of the Louvre and the Museum of Decorative Arts, 
Paris. 


XI Century French 

From Church of Notre Dame du Pont, at Clermont-Ferrand. 
1051. Portal of the South Front. Late XI century. 
Original of stone. At sides of opening, figures of Isaiah 
and St. John the Baptist; on lintel, adoration of the 
Magi, presentation in the temple and baptism of Christ. 
In middle of tympanum, Christ between two angels; 
below, symbols of the evangelists. At the sides of the 
arch, the annunciation and birth of Christ. 


86 


ARCHITECTURAL SCULPTURE 


XII Century French 

From Church of St. Martin, at Brive (Correze). 

1052. Capital of an engaged column, from angle of north 
transept. Original of stone. Early XII century. 

From Cloister of St. Trophime, at Arles. 

1053. Capitals of a double colonnette, united by a plinth. 
Original of stone. XII century. 

From the Cathedral of Bourges. 

1054. Acanthus Frieze, from stone lintel of north portal. 
XII century. (Main stairway.) 

From Church of Sainte-Croix, at La Charite (Xievre). 

1055. Tympanum from door of south tower of front. 
Original of stone, now in south arm of transept. XII 
century. 

From Cloister of Church of St. Pierre, at iMoissac. 

1056. Five Plinths from capitals of double colonnettes. 
Originals of stone. XII century. 

From Church of St. Eutrope, at Saintes. XII centurj-. 

1057. Two Capitals of pilasters in nave. Originals of 
stone. 

From the Abbey Church of Saint Gilles (Card). 

1058. Central Portal and part of west front. XII cen- 
tury. Original of stone. On frieze below cornice, be- 
ginning at the left, are seen the money-lenders driven 
from the temple, the resurrection of Lazarus, Christ 
prophesying Peter’s denial, the Last Supper, Peter and 
Malchus, the kiss of Judas, Christ before Pilate, and the 
flagellation. On the base, on the left, the sacrifice of 
Cain and Abel; on the right, an archer killing a stag, 
and a lion hunt. 


FRENCH 


87 


1058a. Doors of the Cathedral of Saint Gilles. Full size 
casts installed in the doorway of the church (1058). Pre- 
sented by the Carnegie Institute of Pittsburg, 1908. 

From the Abbey of Charlieu (Loire). 

1059. Part of West Front. XII century. Original of 
stone. On lintel of doorway, Christ seated between two 
angels, with six apostles on each side. In tympanum, 
figure of Christ pronouncing blessing, within nimbus, 
supported by two angels. Around nimbus, symbols of 
the four evangelists. Figure of David on middle pilaster 
on right side; St. John the Baptist on left. In tym- 
panum of window, on the arch, Christ and apostles. 

From the Cathedral of Chartres. 

1050. Two Figures with nimbuses and scrolls, from pier 
of central portal on west side. Original of stone. XII 
century. For later Chartres sculpture see No. 1099. 

XIII Century French 

From the Cathedral of Amiens. 

1061. Basement of the St. Firmin Portal, west front at 
the left. Medallions containing the signs of the zodiac 
with the works of the month corresponding to each sign. 
The four extra medallions represent the temple ruined, 
the temple rebuilt, the Lord appearing to Haggai and the 
drought. Original of stone. XIII century. 

1052. Middle Pier and Lintel of Saint Honore Portal, 
west front. Statue of Virgin with infant Christ. In the 
pedestal niches, figures of Saint Honore and his disci- 
ples. Above the lintel, statues of the twelve apostles. 
Original in stone. The statue called the “Gilded Virgin,” 
executed at the end of the XIV century, occupies the 
place probably intended for Saint Honore. The other 
figures may belong to the XII century. 


88 


ARCHITECTURAL SCULPTURE 


1063. Pier of Central Portal, west front, with the statue 
of Christ, known as “le beau Dieu d’Amiens,” and a 
crowned king in a niche below. Original of stone, 
early XIII century. 

1064. Tomb of Evrard de Fouilloy, 45th bishop of 
Amiens, who laid the first stone of the Cathedral of 
Amiens in 1220. Bronze original in the Cathedral of 
Amiens, XIII century. 

From the Cathedral of Notre Dame, at Paris. 

1065. Tympanum of Left Portal, West Front (the “Por- 
tal of the Holy Virgin”). Early XIII century. Origi- 
nal of stone. This tympanum is divided into three parts. 
The first, the lintel, represents on one side three proph- 
ets; on the other, three kings. Between the two groups 
is a statue of the Virgin under a reliquary. The second 
part, above the lintel, shows the entombment of the 
Virgin. The third, or uppermost part, represents the 
crowning of the Virgin. (Only the entombment, and 
two prophets and two kings are at present shown). 

1056-1070. Fragments of Foliage bordering archivolt of 
portal in west front. Originals of stone. 

1071. Hinge of a Door of west front. Original of 
wrought iron. 

From Cathedral of Reims. 

1072. Tympanum of an interior door of left arm of 
transept, formerly opening into cloister. Virgin and 
child enthroned in centre. Original of stone. Early 
XIII century. 

1073. A Prophet. Relief in niche, interior decoration 
of west wall. Original of stone. Late XIII centur}-. 


FRENCH 


89 


1074. Base and Capital of pillar. Original of stone on 
south side of nave. Late XIII century. 

1075. Decoration of the inner face of the west front. 
Original of stone. Late XIII century. 

1076. Model of Two Bays, showing the whole interior 
and exterior of the building within those limits. Model 
made at School of Architecture of Harvard University, 
1906. 

From Cathedral of Laon. XIII century. 

1077. Capitals of Triple Column of the Triforium. Orig- 
inals of stone. 

1078. Capital of Column of the Triforium. Original 
of stone. 

1079-1082. Other Capitals of Columns of the Triforium, 
of different design. 

From Cathedral of Rouen. XIII century. 

1083. Foliage. Original in stone on pier of west door- 
way. See also No. 1113. 

From Chapel of St. Germer, Oise. 

1084. Reredos of Main Altar. Christ on the cross be- 
tween the Virgin and St. John. The figures were for- 
merly painted and gilded. Original of stone in the Cluny 
Museum, Paris. Late XIII century. (Room 11.) 


90 


ARCHITECTURAL SCULPTURE 


XIV Century French 

From Cathedral of Bordeaux. 

1085. Portal of the North Transept. First quarter of 
XIV century. Original in stone. The subject of the 
statue against the mullion is Bertrand de Goth, Arch- 
bishop of Bordeaux, afterwards Pope Clement V. On 
the imposts, statues of bishops. In the first archivolt, 
statuettes of angels; in the other two, the twelve apos- 
tles and fourteen prophets and patriarchs. In the tym- 
panum, the Last Supper and Ascension. 

From the Cathedral of Lyons. 

1086. Canopy of a Niche in a door pier, on the west 
front. Original of stone. XIV century. 

Tomb Statues. 

1087. Guillaume de Chanac, Bishop of Paris. Died 1348. 
Original of marble in the Louvre, formerly in the chapel 
of the Abbey of St. Victor, Paris. I^Iiddle of XIV cen- 
tury. 

1088. Philip VI of France. Original of marble in the 
Louvre, formerly in the Church of the Jacobins, Paris. 
Attributed to Andre Beauneveu, sculptor and painter 
who worked during the latter half of the XIV century. 

From the Church of St. Urbain, Troj’es. 

1089. Finial of the outer gallerj- of the choir. Original 
of stone. XIV century. 

From the Chateau de la Ferte-Milon, Aisne. 

1090. Coronation of the Virgin. From high relief in 
stone over entrance. Executed between 1392 and 1407. 
The Virgin, in middle of tympanum, receives blessing 
of Christ. 


FRENCH 


91 


XV Century French 

Barbet, Jehan, of Lyons. 

1091. Angel Weather-Cock of the Chateau du Lude, 
Sarthe. Original of copper repousse made in 1475. 
(Room 13.) 

Tomb Statues, of XV and early XVI centuries. 

1092. Philippe- de Morvillier, first president of the Par- 
liament of Paris. Died 1438. In the original the head 
and hands are of marble and the body of other stone. 
The robe -was painted red. No-w in the Louvre. For- 
merly in the St. Nicholas chapel of the monastery of 
Saint-Martin-des-Champs, Paris. XV century. 

1093. Children of Charles VIII, of France. Marble 
original in the Cathedral of Tours, formerly in the 
Church of St. Martin. Finished in 1506, by Jean Juste, 
■who died about 1535. 

1094. Francis II, last Duke of Brittany, and Marguerite 
de Foix, his second wife. The original, of black, white 
and green marble, is in the Cathedral of Nantes, whither 
it was brought, in 1817, from the Carmelite Church. 
Executed 1502 to 1507, by Michel Colombe (see 1095) ■ 
from designs by Jehan Perreal (died 1529). 

XVI Century French 

Colombe, Michel. Born about 1430. Was working in 1512. 
See 1094. 

1095. St. George and the Dragon. From a marble bas- 
relief in the Louvre, formerly in the Chateau de Gaillon. 
Early XVI century. 

Artists of Rouen. Early XVI century. 

1096. Stall of a Choir, Chapel of Chateau de Gaillon, 

Eure. Original, of wood, now in Church of St. Denis, 


92 


ARCHITECTURAL SCULPTURE 


Paris. Made in 1509. Upper part of the back has relief 
representing the birth of John the Baptist. The subject 
of the lower panel, Justice, is represented in marquetry, 
and is, therefore, not seen in the cast. 

From the Cathedral of Aix, Bouches-du-Rhone. 

1097. Portal of the West Front. On the lower half 
of the pier, a statue of the Virgin and Child; on the 
doors, figures of the four prophets, symbols of the four 
evangelists, and twelve statuettes of sibyls. Original 
of stone and wood. Early XVI century. 

From Church of Saint Jean at Troyes. XVI century. 

1098. The Last Supper. From one of the alabaster pan- 
els of the high altar. (Room 11.) 

Le Texier, Jean, called Jean de Beauce. Died 1529. 

1099-1103. Pilasters of Choir Screen. Cathedral of Char- 
tres. Originals of stone. Executed 1514-1529. See 1060. 

Le Pot, Jean, of Beauvais. Died about 1563. 

1104. Door of the Cathedral of Beauvais. The two 
leaves of the door of the south transept. Conversion of 
St. Paul on middle panel of right leaf, and St. Peter 
curing the lame man on left. Original of wood. XVI 
century. 

From the Cathedral of St. Etienne, Limoges. 

1105. Rood-loft. Original of stone. Executed 1533- 
1534 for Jean de Langeac, Bishop of Limoges. Six low 
reliefs below the niches represent the labors of Hercules. 

1106. Tomb Statue of Guillaume du Bellay, Seigneur de 
Langey, Governor of Piedmont for the King of France, 
who died in 1543. The original of marble, in the Cathe- 
dral of Mans, was erected in 1557. Attributed to Jean 
Cousin or Germain Pilon. See 1113 and 1133. 


FRENCH 


93 


From Church of St. Nicolas, at Troyes. XVI century. 

1107. Adoration of the Magi. From a bas-relief in 
stone. 

From Hotel de Bourgtheroulde, Rouen. 

1108-1112. The Meeting of the Field of the Cloth of 
Gold. 

From five stone bas-reliefs. XVI century. (Room 11.) 

1108. Francis I, of France, coming out of the town of 
Ardres. 

1109. Francis I and his retinue advancing. 

1110. The Meeting. 

nil. Henry VIII of England and his retinue advancing. 

1112. Henry VIII coming out of the town of Guines. 

From the Cathedral of Rouen. 

1113. Tomb of Louis de Breze, High Seneschal of Nor- 
mandy, husband of Diane de -Poitiers. Executed 1535- 
1544, by Jean Cousin (d. 1590) and Jean Goujon (d. 
about 1572). Original of marble, alabaster, etc. 

In the original the nude statue of de Breze is in ala- 
baster, lying on a sarcophagus of black marble. At the 
head is the kneeling figure of Diane de Poitiers; at the 
foot, the Virgin and infant Christ. Above, under the 
arch, is an equestrian statue of Louis de Breze. On the 
background above the sarcophagus are inscriptions, on 
two blocks of black marble, enumerating his honors and 
virtues. 

From the Church of Saint-Maclou, Rouen. 

1114. Face of Left Door, West Front. Statuettes of 
St. John the Baptist, St. John the Evangelist, Moses and 
Abraham. Above, Jesus explains the parable of the 


94 


ARCHITECTURAL SCULPTURE 


good shepherd to a pope, a king, a bishop and a lay- 
man. On the right of this panel is the figure of St. 
Peter; on the left, Melchisdek. The lower panel is sim- 
ilarly flanked by figures of St. Paul and Aaron. Origi- 
nal of wood. Attributed to Jean Goujon. XVI century. 
See 1115-1127. 

1115. Face of a Double Door, North Transept. Figures 
of saints supported by consol half way up. IMedallion 
on the left shows Israelites Carrying the Ark of the 
Covenant; on the right, the death of the Virgin. Origi- 
nal of wood. Attributed to Jean Goujon, about 1540. (In 
gallery of Room 20.) 

1115a. Column covering the junction of the leaves of 
the double door 1115 and serving as a pier. Statuette 
of the Virgin on the capital. Original of wood. 

Goujon, Jean— 1515-1572. (See 1113-1115.) 

1116. Head of Diana, from a marble fountain in the 
Louvre. Made for the Chateau d’Anet in 1548-1554. 
(Room 10.) 

1117-1119. Frieze of Fountain of the Innocents. Three 
low reliefs from stone slabs in the Louvre, originally 
placed as a frieze to the Fountain of the Innocents in 
its first position against the wall of a house at the cor- 
ner of the Rue aux Fers and the Rue St. Denis, Paris. 
See also 1121. 

1117. Nymph of the Seine, back. 

1118. Triton and Nereid. 

1119. Nymph of the Seine, face. 

1121. Naiads, symbolizing rivers of France. Five tall, 
erect figures in narrow panels, from stone bas-reliefs 
of the Fountain of the Innocents, Paris, as reconstructed 
in 1550. See 1173. 


FRENCH 


95 


1122-1125. From the Hotel Carnavalet, Paris, now occu- 
pied by the historical museum of the city. XVI century. 
(Room 19.) For other Hotel Carnavalet sculpture see 
1138-1142. 

1122. Two Children supporting an escutcheon. From a 
stone medallion on the front of the Hotel Carnavalet. 

1123. Abundance. Relief, from the keystone of an arch 
on the frortt of the Hotel Carnavalet. 

1124. Diana. Bas-relief from the stone keystone of an 
arch on front of Hotel Carnavalet. Apparently belongs 
to 1125. 

1125. A Pair of Spandrils. From stone originals sur- 
mounting an arcade of the court in the Hotel Carnavalet. 

1125. Two Victories framing a circular window in a 
court of the Louvre. Original of stone. (Room 13.) 

1127. Child with Trumpets. From stone relief in Hall 
of the Caryatides, Palace of the Louvre, Paris. XVI 
century. (Gallery of Room 20.) 

Staircase of Henry II, Palace of the Louvre, Paris. 

1128. Compartment of a Ceiling. Figure of young Ju- 
piter in center. Original of stone. 

1129. Ceiling Panel. Young Tritons with pipes. Origi- 
nal of stone. 

1130. Ceiling Panel. Lion’s head. Original of stone. 

1131. Ceiling Panel. Stag’s head. Original of stone. 

1132. Group of Children. Original of stone. 

Pilon, Germain — 1535-1599. See 1106. 

1133. The Three Graces. From a marble group in the 
Louvre, probably designed to represent Faith, Hope and 


96 


ARCHITECTURAL SCULPTURE 


Charity. Originally placed in the church of the Celes- 
tins, Paris, where it supported a bronze urn by Dom- 
enico Florentino containing the heart of Henry II, 
(Room 10.) 

1134. Lower Part of the Tomb of Henry II of France 
and Catherine de’Medici. Original of marble in Abbey 
Church of St. Denis, Paris. 

1135. Charity. From a bas-relief on the tomb of Henry 
II in the Abbey Church of St. Denis, Paris. 

1136. Henry III of France. From a marble portrait 
bust in the Louvre. (Room 11.) 

1137. The Virgin of Grief (Mater Dolorosa) of St. Cyr. 
From a seated terra-cotta statue in the Louvre. Exe- 
cuted 1585 or 1586 and first placed in the Sainte Chapelle, 
Paris, whence it was removed about 1816 to the chapel 
of the school of St. Cyr, and finally installed in the 
Louvre. (Room 10.) 

Ponce, Paul, a Florentine sculptor (Ponzio) who worked in 
France in XVI cetnur 3 u 

1138-1139. Two Lions in bas-relief. Originals of stone 
on the front of the Hotel Carnavalet, Paris. 

1140-1141. Trophies, from bas-reliefs in stone on front 
of Hotel Carnavalet, Paris. XVI centurju (Room 19.) 

1142. Nine Keystones of Arches. Originals of stone in 
Court of Honor of Hotel Carnavalet, Paris. XVI cen- 
tury. (Room 11 and gallery of Room 20.) 

For other Hotel Carnavalet sculpture see 1122-1125. 

XVII Century French 

Puget, Pierre — 1622-1694. 

1143. Portal of the City Hall, Toulon. On each side is 
a terminal half figure of Atlas. Original of stone. XVII 
century. 


FRENCH 


97 


Prieur, Barthelemy. Died 1611. 

1144. Marie de Barbangon-Cany, From a marble tomb 
statue in the Chateau de Versailles. Early XVII cen- 
tury. (Room 11.) 

From Chateau de Versailles. XVII century. 

1145-1146. Door of Salon d’Hercule. Original of wood. 

From the Cascade de 1’ Alice d’Eau, in the Park of the 
Chateau de Versailles. Nos. 1147-1151. The originals 
are reliefs in gilded lead. The panels are separated by 
satyr terms of stone, with masks and hoofs of bronze. 
XVII century. 

By Etienne Lehongre — 1628-1690. 

1147. Nymph and Cupid on a dolphin. From left front. 
(Not placed.) 

1148. Two panels. Boy with basket of fruit and flow- 
ers and seated river god. From left of main front. 

By Pierre Legros — 1666-1719. 

1149. Two panels. Seated river god and boy with bas- 
ket of flowers and fruit. From right of main front. 

1150. Nymph and cupid on a dolphin. From right front. 
(Not placed.) 

By Frangois Girardon — 1628-1715, from design by Claude 
Perrault, 1613-1688. 

1151. Nymphs at the bath. From central motive of 
the principal front. 

From the Bosquet de la Danse, in the Park of the Chateau 
de Versailles. Nos. 1152-1154. 

By Masson — 1627-1643. 

1152. Torch-stand. Original of lead. (Room 8.) 

By fitienne Lehongre — 1628-1690. 


98 


ARCHITECTURAL SCULPTURE 


1153. Torch-stand. Original of lead. (Room 8.) 

1154. Decorative vase. Original of lead. Neptune and 
Amphitrite in a chariot drawn by sea horses. (Room 11.) 

From the Parterre d’Eau, in the Park of the Chateau de Ver- 
sailles. Nos. 1155-1156. 

1155. Two children with a cupid riding a swan. Origi- 
nal of bronze. XVII century. (Room 19.) 

By Van Cleve (Corneille or Joseph) — 1644-1732. 

1156. Cupid with children. Original of bronze. (Room 
19.) 

From the Park of the Chateau de Versailles. 

By Philip Magnier — 1647-1715. 

1157. Nymph, with a cupid fighting a crocodile. From 
a bronze group signed Phil. Magnier. Cast by the Kel- 
lers, 1689. 

1158. Nymph with cupid blowing a conch. From a 
bronze group signed Phil. Magnier. Cast by the Kel- 
lers in 1689. 

Coysevox, Antoine — 1640-1720. (See 1165-1168.) 

1159. The River Garonne. From a bronze group in the 
park of the Chateau de Versailles. Signed A. Coysevox, 
1686. Cast by the Kellers, 1688. 

1160. The River Dordogne. Companion to 1159. 

1161. Mask of Louis XIV of France. From a bronze 
statue erected in the court of the old Hotel de Ville, 
Paris, 1689; now in the Musee Carnavalet, Paris. (Room 
11 .) 

1162. Nymph with Shell. From a marble statue now in 
the Louvre. Its original place in the Parterre de Latone 
is occupied by a copy. XVII centur}". (Room 11.) 


FRENCH 


99 


XVIII Century French 

Dedieu, Jean — of Arles. 

1163. Terminal Figure of a Bacchante. From a marble 
in the Parterre de Latone. XVIII century. (Room 8.) 

Lecomte, Felix — 1737-1817. 

1164. Terminal Figure of Hercules. From a marble 
group in the Parterre de Latone. XVIII century. 
(Room 8.) 

Coysevox, Antoine, 1640-1720. (See 1159-1162.) 

1165. Hamadryad and Child. From a marble group in 
the garden of the Tuileries, originally in the grounds of 
the Chateau de Marly. XVIII century. Signed and 
dated 1709. (Room 11.) 

1166. Shepherd and Young Satyr. From a marble group 
in the Louvre. Signed and dated 1709. Executed for 
the Chateau de Marly. XVIII century. (Room 11.) 

1167. Flora and Cupid. From a marble group in the 
garden of the Tuileries, made for the Chateau de Marly, 
where it was originally placed. Signed and dated 1710. 
(Room 11.) 

1168. Marie Adelaide de Savoie, Duchess of Burgundy, 
as Diana. From a marble portrait statue in the Louvre, 
dated 1710. (Room 11.) 

Coustou, Nicolas — 1658-1733. 

1169. Adonis resting after the chase. From a marble 
statue in the Louvre, executed at Lyons, 1710, for the 
Chateau de Marly. (Room 11.) 

1170. Mercury. From a relief on the pediment of the 
old custom house at Rouen. Original of stone. XVIII 
century. 


100 


ARCHITECTURAL SCULPTURE 


Julien, Pierre — 1731-1804. 

1171. Amalthaea. Nymph and goat. From a marble 
group in the Louvre, formerly in the dairy of the Chateau 
de Rambouillet. XVIII century. (Room 11.) 

Lelorrain, Robert — 1666-1743. 

1172. The Horses of the Sun. From a stone relief over 
the door of the Imprimerie Nationale, Paris, formerly 
the Hotel de Rohan. XVII century. 

Pajou, Augustin — 1730-1809. 

1173. Nymph, from the Fountain of the Innocents, 
Paris. Original of stone. When the fountain was re- 
modeled, in 1789, and transferred from the wall against 
which it had stood to the centre of the Place du Marche 
des Innocents, Pajou added this figure and two others 
to the five by Goujon, described above. See 1121. 

XIX Century French 

Rude, Frangois- — 1784-1855. 

1174. Neapolitan Fisher Boy, playing with a tortoise. 
From a marble statue in the Louvre. 1831. (Room 12.) 

For XIX century French sculpture not included in the 
Blackstone collection see Nos. 731-792. 

Architectural Fragments 

Room 20. 

1248. Grave Stele of Epikrates. From a stele found at 
Salamis and now in the National Museum, Athens. 
Greek, about 400 B. C. Presented by the Thomas Orchestra 
Association through Mrs. Russell Tyson. 

1249. Acroterion of a Greek grave stele. From a mar- 
ble in the Museum of Fine Arts, Boston. Presented by 
Charles A. Coolidge, 1905. 


FRAGMENTS 


101 


1250. Capital and Base of an Ionic column from the 
Altar of Zeus at Pergamon. II century B. C. See 281. 

1251-1255. Models of Capitals and Bases of the Five 
Orders of Architecture. 

1251. Doric. 

1252. Ionic. 

1253. Corinthian. 

1254. Tuscan. 

1255. Composite. 

1257. Leaf Moulding, from the temple of Mars Ultor. 
Roman. 

1258. French Romanesque Ornament, from buildings 
in the south of France, erected from the XI to the XV 
century. Forty-five fragments. 

1259. German Romanesque Capital. 

1259a. German Romanesque Panel, from Bonn, Ger- 
many. 

1260. Saracenic Relief Ornament from the Alhambra. 
Two sections. 

1261. Two Gothic Rosettes. 

English Gothic. 

1262. Capital from Temple Church, London. 

1263. Capital from Stone Church, Kent, England. 

1264. Capital from Stone Church, Kent, England. 

1265. Spandril from Stone Church, Kent, England. 

1266. Spandril. Original of marble in the Poet’s cor- 
ner, Westminster Abbey. 


102 


ARCHITECTURAL SCULPTURE 


1267. Finial, from Lincoln, England. 

1268. Curved Moulding. Two concentric bands of oak 
and quatrefoil ornament. 

1269-1270. Foliage. From marble originals in the Archi- 
tectural Museum, London. 

1271. Fragment of Tracery. Original of wood. 

Italian Renaissance. 

1272. Half of a Pilaster. Original of marble in the 
South Kensington Museum, London. School of Dona- 
tello. 

1273. Pilaster. Florentine, XVI century. 

1274. Part of the Frieze of the Tomb of Henry VII in 
Westminster Abbey. By Pietro Torrigiano (1472-1528), 
a Florentine sculptor who worked mainly in England 
and Spain. 

1275. Foliage. By Jacopo Tatti, called Sansovino. See 
704. 

1276. Panels, with figures in arabesques. From two 
bronze reliefs on the tomb of Marc Antonio Martinengo, 
in the Museo Medioevale, Brescia, Italy. XVI century. 

1277. Tombstone. Ram’s head projecting from each 
end of cornice, and sphinx from each end of moulding; 
on shaft, a cupid in arabesques. 

1278. Venetian Panels, two, with griffins. 

1279. Venetian Frieze. 

1280. Venetian Column or pilaster. 

French Byzantine. 

1281. Scroll Work Hinge. Original of iron, in the Ca- 
thedral of Notre Dame, Paris. 


FRAGMENTS 


103 


French Renaissance. 

1282. Four Pilasters from Tomb of Louis XII. Origi- 
nal of marble in the Abbey church of St. Denis, Paris. 

1283. Pilaster. Period of Louis XV. Original of mar- 
ble in the Cathedral of Notre Dame, Paris. 

1284. Acanthus Leaf. From ornamental sculpture in 
the Church of St. Eustache, Paris. 

1285. Small Pilaster from Cathedral of Chartres. See 
1060. 

Original Wood Carvings — Louis XVI style. 

1286. Symbols of Music in arabesques and festoons. 
White panel, 22% in. x 56 in. (Gallery of Room 20.) 

1287. Vase, Grain and Grapes in arabesques. White 
panel, 18% in. x 53% in. (Gallery of Room 20.) 

Triquetti, Henri de — 1802-1874. 

1288. Pilaster from Church of the l\Iadeleine, Paris. 

Schelden, Paul van. 

1289. Six Flemish Renaissance Panels. Cupids and chi- 
merical animals in arabesques. Originals of wood in the 
council chamber door of the city hall of Audenarde, 
Belgium. 

American Architectural Sculpture and Models. 

1290. Fragments from the Fisheries Building of the 
World’s Columbian Exposition, Chicago, 1893. Original, 
plaster, 18 pieces. Henry Ives Cobb, architect. 

1291. Model of Public Library building, given by Mar- 
tin A. Ryerson to the city of Grand Rapids, Michigan. 
Charles A. Coolidge, architect. Presented by Martin A. 
Ryerson. 


104 


ARCHITECTURAL SCULPTURE 


1291a. Detail of 1291. Presented by Martin A. Ryerson. 

1292. Model of Blackstone Memorial Library, a branch 
of the Chicago Public Library. Solon S. Beman, ar- 
chitect. 

1295. From the Lenox Building, Chicago. Two modern 
Gothic capitals and two bases in stone. Work of James 
Legge, an English carver in wood and stone. 


PAINTINGS 







^’■- ■• j's-' ' 

-'V^:^V'. i*i'' . '* • ' '' •'■ ' ' 



./ 



PAINTINGS BY OLD MASTERS 


Dutch and Flemish 

THE HUTCHINSON GALLERY OF OLD MASTERS 
(Room 32) was named by the Trustees in honor of Charles 
Lawrence Hutchinson on the completion, in 1907, of his 
twenty-fifth year as President of the Art Institute. 

Thirteen of the most important pictures in this room were 
purchased from the famous Demidoff Collection in Florence. 
In 1880 the Palace of San Donato, the Demidoff family seat 
in Florence, was sold by Prince Paul Demidoff. Some of 
the pictures now in the Art Institute are described in the 
San Donato Catalogue of 1880, but were withdrawn from 
sale by Prince Demidoff as the choicest part of the collection, 
while others do not appear in the catalogue, and were prob- 
ably never intended to be sold. Enough pictures remained 
after the sale of 1880 to occupy a gallery at the new Demidoff 
home at Pratolino, and the works now exhibited remained 
there until they were purchased for the Art Institute, in 
! June, 1890, from the surviving Princess Demidoff. 

i^Ostade, Adriaen van — Dutch, 1610-1685. 

1. The Golden Wedding. On canvas, 18)4 in. x 16 in. 

Signed and dated 1675. Collection of M. de Colonne; 

Edward Coxe, 1807; John Dent, 1827; Richard Foster; 

Demidoff Collection. 

Velde, Adriaen van de — Dutch, 1635-1672. 

2. Landscape with Figures and Cattle. Signed A. V. 

Velde F. 1664. On canvas, 26)4 in. x 30)4 in. Collection 

Van Loon and Demidoff Collection. 

Gift of Sidney A. Kent, 1894. 


107 


108 


PAINTINGS BY OLD MASTERS 


Nooms, Reynier, called Zeeman — Dutch, c. 1623-c. 1673. 

3. Coast Scene. On canvas, 2154 in. x 1954 in. The 
signature “W. Van der Velde, F. 1659” is spurious. Dem- 
idoff Collection. 

Gift of Byron L. Smith, 1890. 


Steen, Jan — Dutch, c. 1626-1679. 

4. The Family Concert. On canvas, 3454 in. x 39^4 in. 
Demidoff Collection. 

Gift of T. B. Blackstone, 1891. 


Ruysdael, Jacob van — Dutch, c. 1628-1682. 

5. The Castle. On canvas, 27j4 in. x 21j4 in. Signed on 
face of rock. Collection of Lady Stuart; Demidoff Col- 
lection. 

Gift of Henry C. Lytton, 1905. 

Mieris, Willem van — Dutch, 1662-1747. 

8. The Happy Mother. On wood, 22i’V in. x 18% in. 
Demidoff collection. 

Gift of Edson Keith, 1890. 

Flemish Master, about 1525. 

9. Portrait of a Man. On wood, 1754 in. x 1154 in. 
Gallery Sciarra; Collection of the Baron de Beurnonville; 
Collection of M. E. May. 

Gift of John I. Glessner, 1905. 

Teniers, David, the Younger — Flemish, 1610-1690. 

10. The Guard House. On canvas, 28% in. x 213/ in. 
Demidoff Collection. 

Gift of Airs. George N. Culver, 1905. 


DUTCH AND FLEMISH 


109 


^ Rembrandt Harmensz van Rijn — Dutch, 1606-1669. 

11. Portrait of a Girl. On canvas, 40^4 in. x 34j4 in. 
Signed and dated 1645. Collection of Hibbert; Collec- 
: tion of Gueffier; Collection of Robit; Demidoff Collec- 

tion. 

Gift of Martin A. Ryerson, 1894. 

^Hals, Frans — Dutch, c. 1580-1666. 

13. Portrait of the Artist’s Son, Harman Hals. On can- 

I vas, 32j4 in. x 25Vz in. Signed with monogram and in- 

I scription: HiTA. 32, 1644. Demidoff Collection. 

Gift of Gharles L. Hutchinson, 1894. 

_ Rubens, Peter Paul — Flemish, 1577-1640. 

14. Portrait of Marquis Spinola. On canvas, 28|4 in. x 
23^4 in. Hardwick Collection at Wimpole; Demidoff 
Collection. 

Terburg, Gerard — Dutch, 1617-1681. 

15. The Music Lesson. On canvas, 24^ in. x 1954 in. 
Collection of Chev. Verhulst, Brussels, 1779; Prince Gal- 
itzin, Paris, 1825; John Fairlie, Esq., 1830; Demidoff Col- 
lection. 

Gift of Charles T. Yerkes, 1891. 

i Hobbema, Meindert — Dutch, 1638-1709. 

16. The Watermill. On canvas, 3154 in. x 43^4 in. Col- 
lection of Lord Mount Temple; Demidoff Collection. 
Gift of Mr. and Mrs. Frank G. Logan, 1903. 

Neer, Aert van der — Dutch, 1603-1677. 

17. River View by Moonlight. On canvas, 25^4 in. x 
3354 in. 

Backhuysen, Ludolf — Dutch, 1631-1708. 

18. Marine. On canvas, 1954 in. x 24^4 in. 

Gift of R. Hall McCormick, 1895. 


110 


PAINTINGS BY OLD MASTERS 


Van Dyck, Anthony — Flemish, 1599-1641. 

23. Portrait of Helena Du Bois. On canvas, 39J4 in. x 
31J4 in. Collection of Simon Du Bois; Lord Somers; 
Hardwick Collection at Wimpole; Demidoff Collection. 
In memory of William T. Baker, presented by his children, 
Charles H. Baker, Howard W. Baker, Bertha Baker Ail- 
ing and Henry D. Baker. 

Spanish 

Theotokopoulos, Domenikos (called el Greco) — Spanish, 1547- 
1614. 

50. The Assumption of the Virgin. On canvas, 158 in. 
X 90 in. White paper in lower right hand corner bears 
a Greek inscription designating Domenikos Theotoko- 
poulos, a Cretan, as the author of the painting. The 
picture was painted in 1577 for the reredos of the 
chapel altar of the convent of Santo Domingo el \'^iego 
(or Antiguo), where it remained until purchased the 
Infante Don Sebastian Gabriel, whose monogram, sur- 
mounted by a crown, is on the back of the canvas. After 
the death of Don Sebastian the painting was exhibited 
in the Museo del Prado, in IMadrid, until Durand-Ruel 
of Paris acquired it from the legatees of the Infanta 
Dona Christina, in the autumn of 1904. The Art Insti- 
tute purchased it from Durand-Ruel in 1906. (Room 35.) 


Italian 

Del Riccio, Felice (called Brusasorci, the younger) — Italian, 
1540-1605. 

51. Music. On canvas, 41j4 in. x 39 in. 


FRENCH 


111 


French 

Le Brun, Charles — French, 1619-1690. 

52. The Family of Darius at the Feet of Alexander. On 
canvas, SO in. x 65 in. 

Presented hy R. Hall McCormick, 1905. 

Copies of Paintings by Old Masters 

Botticelli, Sandro (properly Alessandro) — Florentine, 1477- 
1510. 

These two frescoes in the Louvre were originally in 
the Villa Lemmi near Florence. They were probably 
painted on the occasion of the marriage of Lorenzo 
Tornabuoni with Giovanna degli Albizzi. The copies 
were made by Mary Fairchild Mac Monnies. 

53. Giovanna degli Albizzi and the Graces or Virtues. 
Copied in 1891. On canvas. 

Presented by Robert H. Allerton, 1907. 

54. Lorenzo Tornabuoni and the Liberal Arts. Copied 
in 1893. On canvas. 

Presented by Frederic C. Bartlett, 1907. 

Raphael — Italian, 1483-1520. 

Madonna della Sedia (Madonna of the Chair). Orig- 
inal in the Pitti gallery, Florence. On canvas, circular, 
diameter 29i4 in. (Ryerson Library.) 

Presented by Mrs. H. B. Bergen, 1901. 

Rembrandt van Rijn — Dutch, 1606-1669. 

Portrait of Himself. Copied in 1891 by C. Gutman. Orig- 
inal in the Belvedere gallery, Vienna. On canvas, 43% 
in. X 31 in. (Ryerson Library.) 

Presented by Mrs. E. A. Driver, 1899. 


MODERN OIL PAINTINGS 

THE HENRY FIELD MEMORIAL COLLECTION 
(Room 38) was installed in the Art Institute by deed of trust, 
executed in 1893, by Mrs. Florence Lathrop Field, in memory 
of her husband, Henry Field. 

The Field Collection comprises forty-one modern oil 
paintings, chiefly French. The famous group of painters, 
popularly known as the Barbizon School (from their favor- 
ite resort, a village in the border of Fontainebleau forest), 
is very well represented by Corot, IMillet, Rousseau, Diaz, 
Dupre and others. 

Breton, Jules-Adolphe — French, 1827-1906. 

101. The Song of the Lark. Signed by Jules Breton, 
Courrieres, 1884. On canvas 44 in. x 23 % in. 

102. On the Road in Winter. Signed Jules Breton, 
Courrieres, 1884. On canvas 31 in. x 48 in. 

103. At the Fountain. Signed Jules Breton, 1872. On 
canvas 2354 in. x ISH in. 

Cazin, Jean-Charles — French, 1841-1901. 

104. Tobias and the Angel. Signed J. C. Cazin, 1878. 
On canvas 23 in. x 33 % in. 

105. October Day. Signed J. C. Cazin. On canvas 1554 
in. X 18 % in. 

106. Landscape. Signed J. C. Cazin. On canvas 12 % 
in. X 1654 in. 

107. Landscape. Signed J. C. Cazin. On canvas 24^4 in. 

X 23)4 in. 


112 


FRENCH AND ENGLISH 


113 


Corot, Jean-Baptiste-Camille — French, 1796-1875. 

108. Landscape. Signed Corot. On canvas 36 in. x 
52j4 in. 

109. Landscape. Signed Corot. On canvas 13 in. x 
21j4 in. 

110. Young Woman seated on a bank. Signed Corot. 
On canvas 22 in. x 16j4 in. 

Constable, John — English, 1776-1837. 

111. Landscape. On canvas 28j4 in. x 36 in. 

Daubigny, Charles-Frangois — French, 1817-1878. 

112. The Marsh. Signed Daubigny, 1871. On wood 
13J4 in. X 22^ in. 

113. Landscape. On canvas 10^4 in. x 15^ in. 

Decamps, Alexandre-Gabriel — French, 1803-1860. 

114. Street Scene in Naples. On canvas 19j4 in. x 
IS in. 

115. Study of Pigs. On canvas lOJi in. x 13^4 in. 

Delacroix, Ferdinand-Victor-Eugene — French, 1798-1863. 

116. Wounded Lioness. Signed Eug. Delacroix. On 
canvas 13^ in. x 22j4 in. 

117. Tiger. Signed Eug. Delacroix. On canvas 8 in. 
x IS in. 

Detaille, Jean-Baptiste-Edouard — French, 1848 — . 

118. Mounted Officer. (Due de Chartres.) Signed 
Edouard Detaille, 1877. On canvas 18^ in. x 15 in. 


114 


MODERN OIL PAINTINGS 


Diaz de la Pena, Narciso Virgilio — Spanish, 1808-1876. 
French school. 

119. Three Little Girls. Signed N. Diaz. On wood 
1SJ4 in. X 10^4 in. 

120. Landscape. On wood 10J4 in. x 13^ in. 

Domingo, Francisco — Spanish, 1842 — . 

121. Lazy Spain. Signed F. Domingo, 1878. On wood 
8^ in. X 10^4 in. 

122. A Courtier. Signed F. Domingo, Paris, 1880. On 
wood 19^ in. x 13 in. 

Dupre, Jules — French, 1812-1889. 

123. Marine. Signed Jules Dupre. On canvas 22 in. x 
33J4 in. 

124. Marine. Signed J. D. On canvas 13Jd in. x 
13J4 in. 

125. On the Road. Signed Jules Dupre 1858. On wood 
15J4 in. X 20 in. 

126. Landscape. Signed Jules Dupre. On canvas 10J4 
in. X 14 in. 

Fortuny y Carbo, Mariano — Spanish, 1838-1874. 

127. On wood 5^4 in. x 4 in. 

Fromentin, Eugene — French, 1820-1876. 

128. Women of the Ouled Nayls, Sahara. Signed Eug. 
Fromentin. On canvas 43J4 in. x 28j4 in. 

Hebert, Antoine-Auguste-Ernest — Erench, 1817-1908. 

129. On Guard. Signed Hebert. On canvas 18^^ in. x 
14J4 in. 


FRENCH AND GERMAN 


115 


Knaus, Ludwig — ^German, 1829-1910. 

130. The Potato Harvest. Signed L. Knaus, 1889. On 
wood 3354 in. X 47 j 4 ' in. 

Millet, Jean-Frangois — French, 1814-1875. 

131. Bringing Home the New Born Calf. Signed J. F. 
Millet. On canvas 32 in. x 39^ in. 

132. Woman Feeding Chickens. Signed J. F. Millet. 
On canvas 18 % in. x 15 in. 

Rousseau, Pierre-Etienne-Theodore— French, 1812-1867. 

133. Spring. Signed Th. Rousseau. On wood 16 in. x 
22 in. 

134. Landscape. Signed Th. Rousseau. On wood 8>^ 
in. X 10^ in. 

Schreyer, Adolf — German, 1828-1899. 

135. Man with Lance. Signed Ad. Schreyer. On wood 
6 % in. X 9 % in. 


Troyon, Constant — French, 1810-1865. 

136. Returning from Market. Signed C. Troyon. On 
canvas 36 % in. x 28 % in. 

137. Pasture in Normandy. Signed C. Troyon, 1852. 
On wood 15 % in. x 21^ in. 

138. Small Landscape. Stamped “Vente Troyon.” On 
canvas 13 in. x 9 % in. 

139. Unfinished Study of Sheep. Signed C. T. On can- 
vas 17 % in. X 14 % in. 


116 


MODERN OIL PAINTINGS 


Van Marcke, fimile — Belgian, 1827-1891. French school. 

140. Study of a Cow. Signed Em. van Marcke. On 
canvas 22^ in. x 32^ in. 

141. The Tete-a-tete. Signed Em. van Marcke. On 
canvas 10^4 in. x 15% in. 

Bonnat, Joseph Florentin Leon — French, 1833 — . 

142. Portrait of Henry Field. Signed and dated L. Bon- 
nat, 1896. On canvas 52 in. x 35 in. Presented by Mar- 
shall Field. 


MODERN OIL PAINTINGS. 


THE A. A. MUNGER COLLECTION (Room 40), made 
by Albert Allison Hunger (1845-1898), a citizen of Chicago, 
was placed on exhibition at the Art Institute in 1890 and 
remained here as a loan until 1898, when, with additions, 
it became the property of the Institute by bequest. The 
paintings, with the exception of Nos. 188 and 189 (XVII cen- 
tury Dutch), belong to the XIX century and most of them 
are works of the third quarter of that century. 

Vibert, Jehan Georges — French, 1840-1902. 

153. The Trial of Pierrot. Water color, 15)4 in. x. 24J^ 
in. Signed J. G. Vibert. 

Fromentin, Eugene — French, 1820-1876. 

154. The Combat. Signed Eug. Fromentin. On canvas 
65 in. X 44 in. 

Zimmerman, Ernst — German, 1852-1901. 

155. Needlessly Anxious. Signed E. Zimmerman. On 
canvas 37 in. x 29 in. 

Makovski, Constantin Egorovitch — Russian, 1839 — . 

156. Alexandrovna. On canvas 29)4 in. x. 24^ in. 

Michetti, Francesco Paolo — Italian, 1852 — . 

157. Springtime and Love. Signed P. Michetti, 1878. 
On canvas 37)4 in. x 72)4 in. 

Jacquet, Jean Gustave — French, 1846-1909. 

158. The Queen of the Camp. Signed J. Jacquet, 1884. 
On canvas 57)4 in. x 39)4 in. 


117 


118 


MODERN OIL PAINTINGS 


Gerome, Jean Leon — French, 1824-1904. 

159. The Grief of the Pasha. Signed J. L. Gerome. On 
canvas in. x 29 in. 

Faed, John — British (Scotch), 1820-1902. 

160. The Young Duchess. Signed J. Faed, 70. On can- 
vas 46 in. X 36 in. 

Marcke, Emile van — Belgian, 1827-1891. French school. 

161. Cattle in Meadow Lands. Signed Em. Van Marcke. 
On canvas 26)4 in. x 39j4 in. 

Charlemont, Hugo — Austrian, 1850 — . 

162. The Royal Library. Signed Hugo Charlemont, 
1883. On wood 12)4 in. x 16)4 in. 

Munkacsy, Mihaly (Michael Lieb) — Hungarian, 1846-1900. 

163. The Wrestler’s Challenge. Signed Munkacsy, M. 
On wood 34)4 in. x. 51)4 in. 

Stevens, Alfred — Belgian, 1825.-1906. 

164. At the Railway Station. Signed Alfred Stevens. 
On wood 26)4 in. x. 19)4 in. . 

Wahlberg, Alfred Leonard — Swedish, 1834 — . 

165. Bright Moonlight in Sweden. Signed Alfr. Wahl- 
berg. On canvas 34)4 in. x 56)4 in. 

Clays, Paul Jean Charles — Belgian, 1819-1900. 

166. In Holland Waters. Signed J. P. Clays. On wood 
29)4 in. X 23)4 in. 

Breton, Jules Adolphe — French, 1827-1906. 

167. By the Sea. Dated Douarnenez, 1865. On canvas 
15)4 in. X 12 in. 

Makart, Hans — Austrian, 1840-1884. 

168. Treasures of the Sea. On canvas 15)4 in. x. 41)4 in. 


MISCELLANEOUS 


119 


Neuville, Alphonse Marie de — French, 1836-1885. 

169. The Piece in Danger. Signed A. de Neuville. On 
canvas 47^4 in. x 37^ in. 

McEwen, Walter — American, 1860 — . 

170. The Judgment of Paris. Signed W. McEwen. On 
canvas 36}4 in. x S0J4 in. 

Schreyer, Adolf — German, 1829-1899. 

171. Fleeing from the Flames. Signed Ad. Schreyer. 
On canvas 40^ in. x 69^ in. 

Isabey, Louis Gabriel Eugene — French, 1804-1886. 

172. The Tempest. Signed E. I. On wood 2354 in. x 
1654 in. 

Max, Gabriel — German, 1840 — . 

173. First Sorrow. 213E4 in. x 17j4 in. 

Meissonier, Jean Louis Ernest — French, 1815-1891. 

174. The Vidette. Signed Meissonier. On canvas 4154 
in. X 3554 in. 

Verboeckhoven, Eugene Josef — Belgian, 1799-1881. 

175. Sheep on Hillside. Signed Eugene Verboeckhoven 
ft. 1880. On canvas 43^ in. x 35^4 in. 

Bargue, Charles — French, died 1883. 

176. The Prayer to Allah. On canvas 18^4 in. x 1254 in. 

Vely, Anatole — French, 1838-1882. 

177. Between Love and Riches. Signed Vely. On can- 
vas 3254 in. x 4954 in. 

Jacque, Charles fimile — French, 1813-1893. 

178. Feeding Time. Signed Ch. Jacque. On wood 
1214 in. X 954 in. 


120 


MODERN OIL PAINTINGS 


Bonheur, Marie Rosa — French, 1822-1899. 

179. Cattle on Hillside. Signed Rosa Bonheur, 1885. On 
canvas 21^4 in. x 26 % in. 

Koekkoek, Barend Cornelis — Dutch, 1803-1862. 

180. A Gathering Storm in Flanders. Signed B. C. 
Koekkoek, 1852. On wood 28^4 in. x 40 in. 

Corot, Jean Baptiste Camille — French, 1796-1875. 

181. Just Before Sunrise. Stamped Vente Corot. On 
canvas 36 in. x 52 % in. 

Verschuur, Wouterous — Dutch, 1812-1874. 

182. A Flemish Inn. Signed W. Verschuur. On canvas 
31 in. X 47j4 in. 

Troyon, Constant — French, 1810-1865. 

183. Pasture on the Road from Honfleur to Villerville. 
Signed C. Troyon. On canvas 32J4 in. x 52^4 in. 

Courbet, Gustave — French, 1819-1878. 

184. An Alpine Scene. Signed 74, G. Courbet. On can- 
vas 23 % in. X 28 % in. 

Detaille, Jean Baptiste Edouard — French, 1848 — . 

185. The Reconnaissance. Signed Edouard Detaille, 
1875. On canvas 20 % in. x 28 in. 

Bouguereau, William Adolphe — French, 1825-1905. 

^ 186. The Bathers. Signed W. Bouguereau, 1884. On 

canvas 79 in. x 50 % in. 

Roybet, Ferdinand Victor Leon — French, 1840 — . 

187. The Trumpeter. Signed F. Roybet. On wood 
24 in. X 17 % in. 


MISCELLANEOUS 


121 


Sorgh (Zorg), Hendrik Martenszoon (Hendrik Rokes) — 
Dutch, 1621-1670. 

188. A Dutch Interior. Signed H. (?) Zorg, 1661. On 
wood 16 in. x 21J4 in. (In room 32). 

Croos, Anthony Jans van der — Dutch, 1606-1662. 

189. Dutch Canal. Signature indistinct. On canvas 
8)4 in. X 10 in. (In room 32.) 

Merle, Hugues — French, 1823-1881. 

190. Napoleon at Grenoble. Signed Hugues Merle, 
1857. On canvas 51)4 in. x 39 in. 


MODERN OIL PAINTINGS. 


THE NICKERSON COLLECTION (Rooms 41, 42, 44) 
was presented to the Art Institute by Mr. and Mrs. Samuel 
M. Nickerson in Eebruary, 19CX). The collection includes 
oil paintings, water-colors, pastels, prints and examples of 
Oriental applied art. For objects in this collection other 
than oil paintings see page 141 of this catalogue. 

Achenbach, Oswald — German, 1827-1905. 

201. Scene in the Campagna, near Rome. Signed Osw. 
Achenbach. On canvas 17)4 in. x 25)4 in. 

Bierstadt, Albert — American, 1829-1902. 

203. San Rafael, California. Signed A. Bierstadt. On 
canvas 31 % in. x 48)4 in. 

Bonheur, Marie Rosa — French, 1822-1899. 

204. Cow and Dog. Signed R. Bonheur. On canvas 
19)4 in. X 25)4 in. 

Bouguereau, William Adolphe — French, 1825-1905. 

205. A Girl of Granada. Signed W. Bouguereau, 1875. 
On canvas 23)4 in. x 18)4 in. 

Bradford, William — American, 1830-1892. 

206. Arctic Whalers Homeward Bound. Signed Wm. 
Bradford, N. Y. On canvas 20)4 in. x 30 in. 

Bridgman, Frederic Arthur — American, 1847 — 

207. Awaiting His Master. Signed F. A. Bridgman, 1881. 
On canvas 16)4 in- ^ 10^ in- 


122 


MISCELLANEOUS 


123 


Cabanel, Alexandre — French, 1824-1889. 

208. Ideal Head, Oriental. Signed Alex. Cabanel. On 
wood 12§4 in. x 9J4 in. 

Cazin, Jean Charles — French, 1841-1901. 

209. The Isolated Haystack. Signed J. C. Cazin. On 
canvas 14J4 in. x 16J4 in. 

Ceramano, Charles Ferdinand — Belgian, 1829-1909. French 
school. 

210. Sheep. Signed Ceramano. On canvas 32 in. x 
45% in. 


Church, Frederic Edwin — American, 1826-1900. 

211. Sunset, West Rock, New Haven. Signed F. E. 
Church. On canvas 14 in. x 19% in. 


Clays, Paul Jean Charles — Belgian, 1819-1900. 

212. River Scheldt, near Antwerp. Signed J. P. Clays. 
On canvas 27% in. x 42% in. 

Cole, Thomas — American, 1801-1848. 

213. Landscape. Indistinct signature with date 1839. 
On canvas 22% in. x 18% in. 


Colman, Samuel — American, 1833 — . 

214. Autumn Landscape. Signed Sam Colman. On can- 
vas 12 in. X 22% in. 


Coomans, Pierre Olivier Joseph — Belgian, 1816-1890. 

215. Pompeian Lady. Signed Joseph Coomans, 1877. On 
canvas 32% in. x 25% in. 


124 


MODERN OIL PAINTINGS 


Corot, Jean Baptiste Camille — French, 1796-1875. 

216. The Sentinel. Signed Corot. On canvas 25^ in. 
X 21^4 in. 

Couture, Thomas — French, 1815-1879. 

217. A Young Woman. On canvas 2254 in. x 1754 in. 

Daubigny, Charles Frangois — French, 1817-1878. 

218. On the Marne. Signed Daubigny, 187(8?). On 
wood 1554 in. x 26)4 in. 

Davis, Charles H. — American, 1856 — . 

219. Twilight. Signed C. H. Davis, 1892. On canvas 
18)4 in. X 2654 in. 

De Haas, Mauritz Frederick Hendrick — Dutch, 1832-1895. 

220. Marine. Signed M. F. H. De Haas. On canvas 
1654 in. X 1454 in. 

Delacroix, Ferdinand Victor Eugene — French, 1798-1863. 

221. Chess Players of Jerusalem. Signed Eug. Dela- 
croix. On canvas 18^4 in. x 21% in. 

222. Cleopatra. Signed Eug. Delacroix. On canvas 
10)4 in. X 14 in. 

Neuville, Alphonse Marie de — French, 1836-1885. 

223. The Outpost. Signed A. de Neuville, 1882. On 
canvas 19)4 in. x 1554 in. 

Diaz de la Pena, Narciso Virgilio — Spanish, 1808-1876. French 
school. 

224. Maternal Love. Signed N. Diaz, ’53. On canvas 
27)4 in. X 20% in. 


MISCELLANEOUS 


12S 


Dupre, Jules — French, 1812-1889. 

225. Evening at Isle Adam. Signed Jules Dupre. On 
canvas 13 % in. x 22 in. 

Ernst, Rodolphe — Austrian contemporary. 

226. Interior of Mosque. Signed R. Ernst, ’85. On 
wood 24 in. x 19 % in. 

Leon y Escosura, Ignacio — Spanish, 1834 — . 

227. Before the Departure. Signed Leon y Escosura, 
1872. On wood 11 % in. x 19 % in. 

Frere, Charles Theodore — French, 1815-1888. 

228. Sunset on the Nile. Signed Th. Frere. On wood 
12^ in. X 16 % in. 

Fromentin, Eugene — French, i830-1876. 

229. On the Nile, near Philse. Signed Eug. Fromentin, 
’71. On canvas 24 % in. x 43 % in. 

Gaisser, Max — German contemporary. 

230. In Doubt. Signed M. Gaisser. On wood 15 % in. 
X 19^^ in. 

Gerome, Jean Leon — French, 1824-1904. 

231. Albanian Girl. Signed J. L. Gerome. On canvas 
17 % in. X 14 in. 

Gifford, Sanford Robinson — American, 1823-1880. 

232. Sunset on the Lake. Signed S. R. Gifford, 1859. 
On canvas 11 % in. x 20 % in. 

Griitzner, Eduard — German, 1846 — . 

233. A Puzzled Priest. Signed Eduard Grutzner, 1883. 
On canvas 35 in. x 28 in. 


126 


MODERN OIL PAINTINGS 


Hart, James M. — American, 1828-1901. 

234. Oaks in Autumn. Signed James M. Hart, ’88(?). 
On canvas 16 in. x 2154 in. 

Henner, Jean Jacques — French, 1829-1905. 

235. A Brunette. Signed J. J. Henner. On canvas 
18J4 in. X 1254 in. 

Inness, George — American, 1825-1894. 

236. Landscape, Sunset. Signed G. Inness, 1870. On 
canvas 15 in. x 23^4 in. 

Jacquet, Jean Gustave — French, 1846-1909. 

237. Young Woman. Signed G. Jacquet. On wood 
1354 in. X 1054 in. 

Jettel, Eugene — Austrian, 1845 — . 

238. Gray Day in Holland. Signed Eugene Jettel, Paris, 
’88. On wood 1454 in. x 24 in. 

Klombeck, J. B. — Dutch contemporary. 

239. Landscape with cattle. Signed J. B. Klombeck ft. 
1872, Eugene Verboeckhoven. On canvas 3654 in. x 
4854 in. 

Koekkoek, Barend Cornells — Dutch, 1803-1862. 

240. On the Rhine. On wood 1554 in. x 20 in. 

Lamoriniere, Jean Pierre Francois — Belgian, 1828-1911. 

241. View Near Antwerp. Signed Fgois Lamoriniere, 
1870. On wood 2054 in. x 3154 in. 

Max, Gabriel — German, 1840 — . 

242. Inspiration. On canvas 9^4 in. x 1354 in. 


MISCELLANEOUS 


127 


Merle, Hugues — French, 1823-1881. 

243. The Vintage. Signed H. Merle. On wood 12% in. 
X 16^ in. 

Mettling, Louis — French, 1847-1904. 

244. A Song and a Bottle. Signed Mettling ’73. On 
wood 12^4 in. x 16j4 in. 

Michel, Georges — French, 1763-1843. 

245. Old Castle. On canvas 2014 in. x 29^ in. 

Mucke, Carl — German contemporary. 

246. The Betrothal. Signed Carl Miicke, Df. ’73. On 
canvas 30j4 in. x 26^4 in. 

Pasini, Alberto — Italian, 1826-1899. 

247. The Messenger. Signed A. Pasini, 1884. On can- 
vas 18^4 in. X 15 in. 

Ribot, Augustin Theodule — French, 1823-1891. 

248. The Music Lesson. Signed T. Ribot. On canvas 
2214 in. X 16^ in. 

Richards, William Trost — American, 1833-1905. 

249. The August Moon. Signed Wm. T. Richards ’89. 
On canvas 18 in. x 31^ in. 

Rico, Martin — Spanish, 1850 — . 

250. A Canal in Venice. Signed Rico. On canvas 28l4 
in. X 18^4 in. 

Rousseau, Pierre Etienne Theodore — French, 1812-1867. 

251. Autumn Day. On wood 1414 in. x 21 in. 


128 


MODERN OIL PAINTINGS 


Schreyer, Adolph — German, 1828-1899. 

252. Arab Scouts. Signed Ad. Schreyer. On canvas 
2054 in. X 33J4 in. 

Spring, Alfons — Munich. Born in Russia. 

253. Not Convinced. Signed A. Spring, Miinchen. On 
wood 22J4 in. x 29% in. 

Alma-Tadema, Laurenz — English school, 1836-1912. 

254. Peek-a-Boo! On wood 22% in. x 15% in. 

Van Marcke, Emile — Belgian, 1827-1891. French school. 

255. Golden Autumn Day. Signed Em. van Marcke. 
On canvas 32% in. x 22% in. 

Vedder, Elihu — American, 1836 — . 

256. Storm in Umbria. Signed Elihu Vedder, Rome, 
1875. On canvas 13 in. x 45 in. 

Verschuur, Wouterous — Dutch, 1812-1874. 

257. Normandy Horses Crossing the Meuse at Dinant. 
Signed W. Verschuur. On wood 27% in. x 39% in. 

Veyrassat, Jules Jacques — French, 1825-1893. 

258. Noonday Rest. Signed J. Veyrassat. On wood 
9% in. X 13% in. 

Vibert, Jehan Georges — French, 1840-1902. 

259. Palm Sunday. Signed J. G. Vibert, 1873. On can- 
vas 21% in. X 15% in. 

Webb, Charles Meer — Diisseldorf school, 1830-1895. 

260. The Poachers. Signed C. M. Webb, 1873. On can- 
vas 25% in. X 33% in. 


MISCELLANEOUS 


129 


Weeks, Edwin Lord — American, 1849-1903. 

261. A Mussulman’s Tomb, Ahmedabad. Signed E. L. 
Weeks, with seal. On canvas 29 in. x 23^ in. 

Wyant, Alexander H. — American, 1836-1892. 

262. Edge of the Woods. Signed A. H. Wyant. On 
canvas 14^4 in. x 20 in. 

Madrazo, Raimundo de — Spanish, 1841 — . 

263. Portrait of Mrs. Nickerson. Signed R. Madrazo, 
1901. On canvas 30 in. x 24 in. 

Ferraris, Arthur — Austrian contemporary. 

264. Portrait of Mr. Nickerson. Signed Ferraris, 1901. 
On canvas 30 in. x 24 in. 

Neal, David Dalhoff — American, 1838 — . 

265. Interior of St. Mark’s, Venice. Signed David Neal, 

Miinchen, 1869. On canvas 72^ x S8J4 in. 


MODERN OIL PAINTINGS 


American 

Betts, Louis — American, 1873 — . 

280. Portrait of William M. R. French, Director of the 
Art Institute of Chicago. Signed Louis Betts. On can- 
vas 35 in. X 51 in. 

Presented by Airs. Win. M. R. French, 1908. 

Bigelow, Folger Allen — American, 1868-1891. 

284. In the Old Garden. On canvas 15 in. x 10 in. 
Presented by Airs. D. F. Bigelow, 1892. 

Bridgman, Frederic Arthur — American, 1847 — . 

285. Women in Biskra Weaving the Burnoose. On can- 
vas 48j4 in. X 63 in. 

Presented by the artist, 1890. 

Brush, George De Forest — American, 1855 — . 

286. A Family Group. Signed George De Forest Brush, 
1907. On canvas 31 in. x 39 in. 

Presented by Philip D. Armour. 

Cassatt, Mary — American contemporary. 

287. The Toilet. Signed Mary Cassatt. On canvas 39 
in. X 26 in. 

From the Willner Fund, 1910. 

Chase, William Merritt — American, 1849 — . 

288. Alice. Signed Wm. M. Chase. On canvas 68^ in. 
A9% in. 

Presented by Ernest A. Hainill, 1893. 


130 


AMERICAN 


131 


Dannat, William T. — American, 1853 — . 

289. In a Sacristy in Aragon. Signed W. T. Dannat. 
On canvas 53% in. x 56% in. 

Presented by the Opera Festival Association, 1887. 

290. Study of an Aragonese Smuggler, Signed W. T. 
Dannat. On canvas 32 in. x 23% in. 

Presented by the artist, 1881. 

291. Still Life, Signed W. T. Dannat, 1882. On can- 
vas 16% in. X 26 in. 

Presented by the Opera Festival Association, 1889. 

Davis, Charles H. — American, 1856 — . 

292. The Close of Day. Signed C. H. Davis, 1889. On 
canvas 17% in. x 26 in. 

Presented by the Opera Festival Association, 1889. 

Dougherty, Paul — American, 1877 — . 

294. The Blue Gale. Signed Paul Dougherty, 1907. On 
canvas 36 in. x 48 in. 

Dyer, Charles Gifford — American, 1846 — . 

295. A XVII Century Interior. Signed Charles G. Dyer, 
Munich, 1877. On canvas 37 in. x 28 in. 

Presented by Estate of Henry W. King, 1902. 

Elliott, Charles Coring — American, 1812-1868. 

297. Portrait of H. W. Hewitt. On canvas 21% in. x 
27 in. 

Purchased from H. J. Willing Fund. 

Freer, Frederick Warren — American, 1849-1908. 

298. Portrait of Charles W. Fullerton, founder of Ful- 
lerton Memorial Hall. 1901. On canvas 52 in. x 41% in. 
(Fullerton Hall.) 

Presented by Miss Martha Hill, 1901. 


132 


MODERN OIL PAINTINGS 


Gay, Edward — American, 1837 — . 

299. The Month of May. 

Bequest of Lucretia J. Tilton. 

Grayson, Clifford Prevost — American, 1858 — . 

300. Rainy Day in Pont Aven, 1882. Signed Clifford 
P. Grayson. On canvas 44 in. x 64j4 in. 

Presented by Mrs. C. J. Singer, 1896. 

Harrison, Alexander — American, 1853^ — . 

302. The Amateurs. Signed Alex. Harrison. 1882 or 
1883. On canvas in. x 91 in. 

Purchased by subscription and presented 1883. 

Hart, William — American, 1822-1874. 

304. Landscape with Cattle. Signed Wm. Hart, 1884. 
On canvas 36 in. x 29 in. 

Bequest of Catherine M. White, 1899. 

305. The Coming Storm. 

Bequest of Lucretia J. Tilton. 

Healy, George Peter Alexander — American, 1813-1894. 

306. Armenian Fathers. On canvas 54 in. x 40 in. 

Hitchcock, George — American, 1850 — . 

307. Flower Girl in Holland. Signed Geo. Hitchcock, 
Op. XXXV, 1887. On canvas 31 in. x 54J4 in. 

Presented by Potter Palmer, 1888. 

Ipsen, Ernest L. — American, 1869 — . 

308. Benjamin Franklin Ferguson, founder of the Fer- 
guson Fund. Signed E. L. Ipsen, 1899. 30 in. x 25 in. 
Presented by Mrs. Mary Ferguson Olden, 1911. 

Johnson, Eastman — American, 1824-1906. 

310. Portrait of the Artist. Inscribed to G. P. A. Hea- 
ley, ]\Ia 3 % 1889. On canvas 18 in. x 14 in. 

Bequest of Mrs. G. P. A. Healy. 


AMERICAN 


133 


Low, Will H. — American, 1853 — . 

311. The Orange Vender. Signed Will H. Low, New 
York, 1888. 36 in. x 19 in. 

From the Collection of Charles W. Fullerton. Presented 
1910. 

McEwen, Walter — American, 1860 — . 

312. Lady of the Empire. Signed McEwen. On can- 
vas 74^4 in. X 33^ in. 

Presented by Mrs. C. J. Singer, 1903. 

Melchers, Gari — American, 1860 — . 

313. Portrait of Charles Lawrence Hutchinson, Presi- 
dent of the Art Institute. 1902. Signed Gari Melchers. 
On canvas 40 in. x 39 in. 

Presented by friends of the Art Institute, 1902: Edward E. 
Ayer, Adolphus C. Bartlett, A. G. Becker, John C. Black, 
Chauncey J. Blair, Clarence Buckingham, Edward B. But- 
ler, Charles C ounselman, John H. Dwight, E. G. Foreman, 
W. A. Fuller, J. J. Glessner, Ernest A. Hamill, C. H. Mc- 
Cormick, John J. Mitchell, Martin A. Ryerson, Byron L. 
Smith, Albert A. Sprague, Charles H. Wacker, W. B. 
Walker. 

Murphy, Herman Dudley — American, 1867 — . 

315. Mount Monadnock. On canvas 20 in. x 27 in. 
Signed M. 

Purchased from the B. F. Ferguson Annuity Fund. 

Nourse, Elizabeth — American, 1859 — . 

316. Mother and Children. Signed E. Nourse, ’93. On 
canvas 46^4 in. x 30J4 in. 

Presented by Mrs. Charles E. Culver in memory of Charles 
E. Culver, 1897. 


134 


MODERN OIL PAINTINGS 


Pearce, Charles Sprague — American, 1851 — . 

320. The Beheading of John the Baptist. Signed Charles 
Sprague Pearce, Paris, 1881. On canvas 99^ in. x 68j^ 
in. 

Purchased by subscription and presented. 

Ream, Cadurcis Plantagenet — American contemporary. 

321. Purple Plums. Signed C. P. Ream. On canvas 16 
in. X 22 in. 

Bequest of Catherine M. White. 

Redfield, Edward Willis — American, 1869 — . 

323. Centre Bridge. On canvas 36 in. x 50 in. Signed 
E. W. Redfield. 

Purchased from the W. M. Willner Fund. 

Shaw, Annie Cornelia — American, 1852-1887. 

328. The Russet Year. Signed Annie C. Shaw, 1884. 
28^ in. X 47 in. 

Presented by the Opera Festival Association. 

Shirlaw, Walter — American, 1837-1909. 

329. An Italian Boy. On canvas 34H in. x 42j4 in. 
Presented by Mrs. Cyrus H. McCormick. 

330. Portrait of the Artist. Signed W. Shirlaw, 1878. 
On canvas 27^4 in. x 21}4 in. 

Presented by Joseph M. Rogers, 1887. 

Smith, Joseph Lindon — American, 1863 . 

332. A Sacrificial Bull. Detail from a relief on Roman 
Eorum. On canvas 37 in. x 50 in. 

Symons, George Gardner — American. 1861 . 

334. The Top of the Hill and Beyond. Signed Gardner 
Symons. On canvas 40 in. x 50 in. 

Presented by Robert Allerton. 


BRITISH 


135 


Tanner, Henry Ossawa — American, 1859 — . 

336. The Two Disciples at the Tomb. Signed H. O. 
Tanner. S0j4 in. x 40j4 in. 

Purchased from the S. A. Kent Fund. 

Wendt, William — American, 1865 — . 

340. The Silence of the Night. Signed Wm. Wendt, 
1910. 39 in. x 54 in. 

Presented by Dr. A. J. Ochsner, Mrs. Margaret Cook, J. 
N. Eisendrath, Dr. W. H. Allport, Mrs. T. A. Shaw, Miss 
Bertha Rudolph and Mrs. Pauline Dohn Rudolph. 

West, Benjamin — American, 1738-1820. 

342. Troilus and Cressida. On wood 13J4 in. x 16^ in. 

Presented by William O. Cole. 

Whistler, James Abbott McNeill — American, 1834-1903. 

343. Nocturne, Southampton Water. On canvas 20 in. 
X 30 in. 

Purchased from the Stickney Bequest, 1900. 

Carlsen, Emil — American, 1853 — . 

344. Still Life. On canvas 24 in. x 20 in. 

Purchased from B. F. Ferguson Annuity Fund. 


Note. — For other paintings by American artists see Nos. 
170, 203, 206, 207, 211, 213, 214, 219, 232, 234, 236, 249, 256, 
261, 262, 265, the collection of the Friends of American Art. 
Nos. 501-527, and the Butler Collection, Nos. 575-595. 


MODERN OIL PAINTINGS 
British 

Brangwyn, Frank William — English, 1867 — . 

345. Pilots, Puerto de los Pasajes, Spain. Signed Frank 
Brangv,'yn. On canvas 40 in. x 50 in. 

Purchased from the Stickney Bequest, 1902. 

East, Alfred — English, 1849 — . 

346. The Morning Moon. Signed Alfred East. 38 in. x 
50 in. 

Presented by Ira N. Morris, 1910. 

Forbes, James — Scotch, born about 1800. 

348. Portrait of Alexander N. Fullerton (father of the 
donor). About 1865. On canvas 52J4 in. x 39)4 in. 
(Fullerton Hall.) 

Presented by Charles W. Fullerton. 

Jackson, John — English, 1778-1831. 

351. Portrait of the Artist. On canvas 30 in. x 24j4 in. 
Bequest of Mrs. G. P. A. Healy, 1905. 

352. Portrait of an English Gentleman. On canvas 30 
in. X 24)4 in. 

Bequest of Mrs. G. P. A. Healy, 1905. 

Orpen, William — English, 1878 — . 

355. A Woman in Gray. Signed Orpen. 74 in. x 4814 
in. 

From the S. P. Avery Fund, 1912. 

136 


CONTINENTAL EUROPEAN 


137 


Thompson, Harry — English, died 1901. 

358. Landscape with Sheep, Picardy. Signed H. Thomp- 
son. On canvas 32% in. x 46% in. 

Presented by Mrs. James H. Dole. 

362, Un Calvaire. Signed H. Thompson. On canvas 
79 in. X 118% in. 

Purchased by subscription and presented 1884. 


Note. — For other paintings by British artists see Nos- 
111, 160, 254 and 260. 


Continental European 

Andreotti, F. — Italian, 1847 — 

366. The Old Story. On canvas 18 in. x 14^4 in. 

Bequest of D. W. Irwin, 1894. 

Boutet de Monvel, Maurice — French, 1850 — . 

368. Joan of Arc at the Court at Chinon. Signed M.. 
Boutet de Monvel. 10 ft. 10 in. x 22 ft. 6 in. 

Presented by the family of Edward L. Brewster, 1911. 

Cazin, Jean Charles — French, 1841-1901. 

376. Solitude. Signed J. C. Cazin. On canvas 2354 in^ 
X 29 in. 

Presented by John S. Norton, 1891. 


Col, Jean David — Belgian, 1822 — . 

380. A Wrangle Over Cards. Signed David Col, 1874. 
On wood 2154 in. x 30^4 in. 

Presented by John Cudahy, 1889. 


138 


MODERN OIL PAINTINGS 


Fantin-Latour, Henri — French, 1836-1904. 

390. Portrait of Edouard Manet. Inscribed “a mon ami 
Manet, Fantin, 1867.” On canvas 46 in. x 35j4 in. 
Purchased from the Stickney Bequest, 1904. 


Haas, J. H. L. de — Dutch, 1832-1880. 

395. Cattle in Field. Signed J. H. L. de Haas. 23 in. 
X 17 in. 

From the Collection of Charles W. Fullerton. Presented 1910. 


Jettel, Eugene — Austrian, 1835-1901. 

406. Marshes in the North of Holland. Signed Eugene 
Jettel, Paris, 1883. On canvas 33^ in. x 47J| in. 
Presented by P. C. Hanford, 1890. 

Lepine, Stanislas — French, died 1892. 

410. Riverview. Signed S. Lepine. On canvas 11 in. x 
21 in. 

Presented by Mrs. Sarah C. Taylor. 

Manet, Fdouard — French, 1833-1883. 

412. The Beggar. Signed M. 73 in. x 42 in. 

Purchased 1911. 


Marilhat, Prosper — French, 1811-1847. 

414. A French Courtyard. Signed P. Marilhat. On 
canvas 15 in. x 23 in. 

Presented by Mrs. Celia L. Kirchberger. 

Maufra, Maxime — French contemporary. 

416. Douarnenez, La Ville Eclairee. Signed iMaufra, 
’97. On canvas 28j4 in. x 23 in. 


CONTINENTAL EUROPEAN 


139 


Moret, Henry — French contemporary. 

419. La Barre de Belon, Finistere. Signed Henry Mo- 
ret, ’97. On canvas 29 in. x 36 in. 

Presented by Durand-Ruel, 1906. 

Monet, Claude — French, 1840 — . 

420. The Cliffs at Trouville. Signed Claude Monet, ’96. 
On canvas 25^ in. x 395^ in. 

Purchased from the Stickney Bequest, 1903. 


Mettling, Louis — French, 1847 — . 

421. The Water-Carrier. Signed L. Mettling, ’82. On 
canvas 82^4 in. x 53% in. 

Presented by Mrs. 0. W. Meysenburg, 1898. 

Robert, Hubert — French, 1733-1808. 

425. The Obelisk. Signed H. Robert, 1787. On canvas 
100 in. X 92 in. (Room 35.) 

Presented by Clarence Buckingham, 1901. 

426. The Landing Place. On canvas 100 in. x 92 in. 
Signed H. Robert, 1788. (Room 35.) 

Presented by R. T. Crane, 1901. 

427. The Fountain. On canvas 100 in. x 92 in. (Room 
35.) 

Presented by William G. Hibbard, 1901. 

428. The Old Temple. On canvas 100 in. x 92 in. 
(Room 35.) 

Presented by A. C. Bartlett, 1901. 

Roybet, Ferdinand Victor Leon — French, 1840 — . 

430. The Astronomer. On wood 31)4 in. x 2\% in. 
Presented by the heirs of Edward A. Driver, 1905. 


140 


MODERN OIL PAINTINGS 


Simon, Lucien — French, 1861 — . 

434. Mass in Brittany. Signed Simon. On canvas 66 
in. X 83 in. 

Purchased from S. A. Kent Fund. 

Sorolla y Bastida, Joaquin — Spanish, 1863 — . 

436. The Two Sisters, Valencia. Signed J. Sorolla, 

1909. 68j 4 in. x 44 in. 

Presented by Mrs. William S. North, 1911, in memory of 
William Stanley North, 1846-1908. 

Van Marke, Bmile — Belgian, 1827-1891. French School. 

438. A Cow. Signed Em. van Marke. On canvas 19j4 
in. X 28 in. 

From the Collection of Charles W. Fullerton. Presented 

1910. 

Ziem, Felix — French, 1821 — . 

443. Venetian Square. Signed Ziem. 20 in. x 35 in. 
From the Collection of Charles W. Fullerton. Presented 
1910. 

Zorn, Anders L. — Swedish, 1860 — . 

444. Portrait of a Lady, the late Mrs. John Y. Scam- 
mon. Signed Zorn, 1895. On canvas 32 in. x 25^ in. 
Bequest of Mrs. Scammon, 1901. 


WATER-COLORS AND PASTELS 


The NICKERSON COLLECTION (Rooms 41, 42, 44), 
was presented to the Art Institute by Mr. and Mrs. Samuel 
M. Nickerson in February, 19(X). The collection includes 
oil paintings, water-colors, pastels, prints and examples of 
Oriental art work. For objects in this collection other than 
water-colors and pastels see pages 122, 162, 175. 

Dutch and French 

Apol, Lodewijk Franciscus Hendrik (Louis Apol) — Dutch, 
1850—. 

451. Twilight. Signed Louis Apol. IVA in. x 20^^ in. 

Artz, David Adolphe Constant — Dutch, 1837-1890. 

452. Waiting. Signed Artz. 18 in. x 13 in. 

Blommers, Bernardus Johannes — Dutch, 1845 — . 

453. Sewing. Signed Blommers. 14 in. x 18 in. 

Fles, Etha — Dutch contemporary. 

454. Winter Evening. Signed Etha Fles. 7^ in. x 13^4 
in. 


Gabriel, Paul Joseph Constantin — Dutch, 1828-1903. 

455. A Windmill in Holland. Signed Gabriel f. 9% in. 
X 225^2 in. 

Jacque, Charles Emile — French, 1813^1893. 

456. Shepherdess and Sheep. Signed Ch. Jacque. Pas- 
tel. 20)4 in. X 36)4 in. 


141 


142 


WATER-COLORS AND PASTELS 


Lhermitte, Leon Augustin — French, 1844 — . 

457. An Interior in Normandy. Signed L. Lhermitte. 
Pastel. 11^ in. x 16 in. 

Maris, Willem — Dutch, 1844 — . 

458. A Farm in Holland. 15}i in. x 20J4 in. 


Meulen, Francois Pieter ter — Dutch, 1834 — . 

459. Landscape with Sheep. Signed ter Meulen. 13 in. 
X 27^4 in. 

Neuhuys, Jozef — Dutch, 1841-1890. 

460. Landscape with Windmills, Holland. Signed Jozef 
Neuhuys. 8J4 in. x 12^ in. 

Poggenbeek, George — Dutch, 1853 — . 

461. Cows on the Highway. Signed Geo. Poggenbeek, 

’87. 14}4 in. X 20j4 in. 

Rip, Willem Cornells — Dutch, 1856 — . 

462. Ducks in the Marsh. 8% in. x 13J4 in. 


Roelofs, Willem — Dutch, 1822-1897. 

463. In Pasture. Signed Willem Roelofs. 15j^ in. x 
27^ in. 

Simone, Scipione — Italian Contemporary. 

464. Interior of Mosque. Signed Scipione Simone. 2954 
in. X 2I54 in. 

Troyon, Constant — French, 1810-1865. 

465. Landscape with Cattle. Signed C. Troyon. (Pas- 
tel.) 30^ in. X 24% in. 


PERSIAN, CHINESE AND JAPANESE 


143 


Vrolyk, Johannes Martinus — Dutch, 1846-1896. 

466. Landscape Near Utrecht. Signed Jan Vrolyk, ’80. 
19^ in. X 26J4 in. 

Weissenbruch, Johannes Hendrik — Dutch, 1824-1903. 

467. At Home. Signed J. H. Weissenbruch. 13 in. x 
18^ in. 


Persian 

Unknown Artist. 

469. A Dignitary with Attendants. Illuminated water 
color. 1154 in. x 8^4 in. (Room 41.) 

Unknown Artist. 

470. Interior of a Mosque. Illuminated water color. 
\2y^ in. X 7l4 in. (Room 41.) 

Chinese 

Nan-P’ing Ch’an-sien’sha. 

471. Roses, Orchids, etc., in colors on silk. Kakemono. 
1738. 

Unknown Artist, XVIII century. 

472. Chinese Sovereign in Chair of State. 

473. God of Thunder and Lightning. 

474. God of War. 

Japanese Kakemonos 

(Wall pictures intended to be mounted on rollers.) 
Chikanobu (Kano). 

475. Japonica in Blossom. Monochrome on paper. 
First quarter of XVIII century. 


144 


WATER-COLORS AND PASTELS 


Itcho. 

476. Bamboo and Bird. On silk. XVIII century. 
Keibun (Matsu-mura). 

477. White Doves on Pine Branch. First quarter of 
XIX century. On silk. 

Nen-its. 

478. Crow on Branch. Monochrome on silk. XIX cen- 
tury. 

Seisen. 

479. Landscape. Monochrome on silk. Early XIX cen- 
tury. 

Sosen. 

480. Monkeys in Persimmon Tree. In colors on silk. 
XIX century. 

481. Tiger and Leopard Fighting. In colors on silk. 
Early XIX century. 

Tanbi (Kano). 

482. Sparrow on Bamboo Twig. In colors on silk. 
Last half of XIX century. 

Tangei-sei (Tszuruzawa). 

483. Golden Pheasant. In colors on silk. Early XVIII 
century. 

484. Golden Pheasants, on rocks with chrysanthemums 
and maples. In colors on silk. Early XVIII century. 

Tetsuzan (Mori Tessen). 

485. Japanese Bear, Winter. In colors on silk. Early 
XIX century. 


JAPANESE KAKEMONOS 145 

Unknown Artist. 

486. Tea-plants, Narcissus, etc. In colors on paper. 

Hokui (Rekisentei). 

487. Vendor of Tea-whisks. 1851. 

Hokusai. 

489. Sage Reading a Roll. 

Unknown Artists. 

490. Mandara or Buddhist Deities. Chinese inscrip- 
tions. In colors on paper. 

491. Bishamon-ten, Buddhist protector of warriors, with 
attendants. In colors on silk. 


Japanese Leather 

492. Design of Plants, Birds, Insects. Leather in shades 
of brown. 

493. Design of Plants, Insects, etc., in colors. Gold 
background. XVIII century. 

494. Design of Plants, Insects, etc. Brown with gold 
background. XVIII century. 


AMERICAN PAINTINGS 

Friends of American Art Collection 

THE SOCIETY OF THE FRIENDS OF AMERICAN 
ART was organized in 1910 for the purpose of promoting the 
development of American Art by the purchase of works by 
American artists to be presented to the Art Institute of 
Chicago. 

Alexander, John W. — American, 1856 — . 

501. Sunlight. Signed John W. Alexander, ’09. 83 in. 
X 55 in. 

Presented 1910. 

Anderson, Karl — American, 1874 — . 

502. Idlers: August. Signed Karl Anderson. 48 in. 
X 51 in. 

Presented 1910. 

Benson, Frank W. — American, 1862 — . 

503. A Rainy Day. Signed F. W. Benson, 1906. 241^ 

in. X 2914 in. 

Presented 1910. 

Betts, Louis — American, 1873 — . 

504. Apple Blossoms. Signed Louis Betts, copyright 
1909. 26 in. x 21 in. 

Presented 1910. 

Browne, George Elmer — American, 1871 — . 

505. The Port, Douarnenez, Brittany. Signed Geo. El- 
mer Browne. 46j4 in. x 47 in. 

Presented through the Friends of American Art by Dr. F. 
W. Gunsaulus, 1910. 


146 


AMERICAN 


147 


Davis, Arthur B. — American, 1862 — . 

506. Maya, Mirror of Illusions. 27^4 in. x 41j4 in. 
Presented 1911. 

Dewing, Thomas Wilmer — American, 1851 — . 

507. Lady in Green and Gray. Signed T. W. Dewing. 
2354 in. X 1954 in. 

Presented 1911. 

Frieseke, Frederick Carl — American, 1874 — . 

508. The Open Window. Signed F. C. Frieseke. 3154 
in. X 3154 in. 

Presented 1912. 

Garber, Daniel — American, 1880 — . 

509. Hills of Byram. Signed Daniel Garber. 43 in. x 
47 in. 

Presented 1910. 

510. Towering Trees. Signed Daniel Garber, 1911. 5554 
in. X 5654 in. 

Presented 1911. 

Hassam, Childe — American, 1859 — . 

511. Against the Light. Signed Childe Hassam, 1910. 
3054 in. X 2554 in. 

Presented 1911. 

Hawthorne, Charles W. — American, 1872 — . 

512. Little Sylvia. Signed C. W, Hawthorne. 3954 in. x 
3954 in. 

Presented 1912. 

Henri, Robert — American, 1865 — . 

513. Young Woman in Black. Signed Robert Henri. 
7654 in. X 38 in. 

Presented 1911. 


148 


AMERICAN PAINTINGS 


Johansen, John C. — American, 1876 — . 

514. Piazza San Marco. Signed J. C. Johansen, 1908, 
Venice. 28% in. x 38% in. 

Presented 1911. 

Keith, William — American, 1839-1911. 

515. The Coming Storm. Signed W. Keith, S. F. 25 
in. X 30 in. 

Presented 1911. 

Mazzanovich, Lawrence — American, 1871 — . 

516. April Twentieth. Signed Mazzanovich. 30 in. x 
30 in. 

Presented 1911. 

Metcalf, Willard Le Roy — American, 1858 — . 

517. Ice-bound. Signed W. L. Metcalf, 1909. 28 in. x 
25 in. 

Presented 1910. 

Murphy, J. Francis — American, 1853 — . 

518. The Hill Top. Signed J. Francis Murphy, 1910. 
25% in. X 37% in. 

Presented 1911. 

Ritschel, William — American, 1864 — :. 

519. Desert Wanderer, Navajo. Signed W. Ritschel, 
1912. 47% in. x 57% in. 

Presented 1912. 

Sparhawk-Jones, Elizabeth — American contemporar}^ 

520. Shop-girls. Signed Elizabeth Sparhawk-Jones. 
37% in. X 47% in. 

Presented 1912. 

Symons, George Gardner — American, 1861 — . 

521. The Winter Sun. Signed Gardner Symons. 48 in. 
X 72 in. 

Presented 1910. 


AMERICAN 


149 


Van der Weyden, Harry — American, 1868 — . 

522. Christmas Eve. Signed H. van der Weyden, 1910. 
42 in. X 52j4 in. 

Presented 1910. 

Waugh, Frederick J. — American, 1861 — . 

523. Outer Surf. Signed Waugh. 64 in. x 88 in. 
Presented 1911. 

Weir, J. Alden — American, 1852 — . 

524. The Gray Bodice. Signed J. Alden Weir, 1898. 
29j4 in. X 24^4 in. 

Presented 1912. 

Wendt, William — American, 1865 — . 

525. When all the World is Young. Signed William 
Wendt, 1911. 39j4 in. x 54^4 in. 

Presented 1912. 

West, Benjamin — American, 1738-1820. 

526. Mary Magdalene Anointing the Feet of Christ. 
45^ in. X 56^ in. 

Presented 1911. 

Whistler, James Abbott McNeill — American, 1834-1903. 

527. In the Studio. 24j4 in. x 19j4 in. 

Presented 1912. 


Note. — For sculpture presented by the Friends of Amer- 
ican Art see No. 997, page 81. 


AMERICAN PAINTINGS 


Butler Collection of Paintings by Inness 

THE EDVv^ARD B. BUTLER COLLECTION of paint- 
ings by George Inness, American landscape painter, 1825- 
1894, was presented by Mr. Butler to the Art Institute in 
1911. 

(Room 48) 

575. Summer in the Catskills. Signed G. Inness, 1867. 
20 in. X 30 in. The William T. Evans Collection, 1900. 


576. Catskill Mountains. Signed G. Inness, 1870. 49 

in. X 74 in. 

577. Twilight in Italy. Signed G. Inness, 1874. 16)4 

in. X 25)4 in. 

578. The Storm. Signed G. Inness, 1876. 24)4 in. x 
37)4 in. 

579. Landscape, Sunset. Signed G. Inness, 1889. 22)4 

in. X 36 in. 

580. Mill Pond. Signed G. Inness, 1889. 37)4 in. x 
29 in. Thomas B. Clarke Collection, 1899. 

581. Sunset in the Valley. Signed G. Inness, 1890. 22)4 
in. X 36 in. Thomas B. Clarke Collection, 1899. 

582. At Night. Signed G. Inness, 1890. 22 in. x 26^ in. 

583. Evening Landscape. Signed G. Inness, 1890. 20 

in. X 30 in. 


150 


AMERICAN 


151 


584. Autumn Woods. Signed G. Inness. 29 in. x 44 ^ 

in. 

585. Delaware Valley. Signed G. Inness. 16 in. x 24 in. 

586. Landscape, near Montclair, New Jersey. Signed 
G. Inness. 15 in. x 26 in. 

587. Moonrise. Signed G, Inness, 1891. 30 in. x 25 in. 

588. Threatening. Signed G. Inness, 1891. 30 in. x 45 
in. Thomas B. Clarke Collection. 

589. Early Morning, Tarpon Springs. Signed G. In- 
ness, 1892. 46 in. x 32 in. 

590. The Home of the Heron. Signed G. Inness, 1893. 
30 in. x 45 in. 

591. Sunlit Valley. Signed G. Inness, 1893. 24 in. x 

36 in. 

592. The Afterglow. Signed G. Inness, 1893. 27 in. x 
32 in. Charles L. Hutchinson Collection, 1911. 

593. After a Summer Shower. Signed G. Inness, 1894. 
32 in. X 42 in. Thomas B. Clarke Collection, 1899. 




DRAWINGS 

Room 29 


Lhermitte, Leon Augustin — French, 1844 — . 

605. Rouen Cathedral. Signed L. Lhermitte. Charcoal. 
Presented by Ernest A. Hamill, 1894. 

606. Evening Prayer. Signed L. Lhermitte. Charcoal. 
Presented by Ernest A. Hamill, 1894. 

Burne-Jones, Edward — English, 1833-1898. 

607. “The Lord give thee understanding in all things.” 
Charcoal. Collection of Charles Elliot Norton, 1912. 

608. “Speak, Lord, for thy servant heareth.” Charcoal. 
Collection of Charles Elliot Norton, 1912. 

609. Study of two angels. Water color. Collection of 
Charles Elliott Norton, 1912. 

La Farge, John — American, 1835-1910. 

610. Wisdom: design for window. Signed La Earge. 
Pencil. 

611. St. George: design for window. Pencil and water- 
color. 

612. Study for window. Water-color. 

613. Study for window for Harvard Memorial Hall. 
Pencil. 

614-616. Studies for “Autumn.” Three sketches. Pencil. 
617-618. Studies: two women. Pencil. 


153 


154 


DRAWINGS 


Richardson, Frederick — American, 1862 — . 

619. At the Seaside. Signed Fred Richardson, Varenge- 
ville-sur-Mer. Pen and ink. 

Presented by the artist. 

620. The Hunting Season. Signed Fred Richardson. 
Pen and ink. 

Presented by the artist. 

Vanderpoel, John H. — American, 1857-1911. 

621. Delavan, Wisconsin. Signed Vanderpoel. Pencil. 

622. Looking toward Delavan, Wisconsin. Signed J. 
H. Vanderpoel. Pencil. 

623. Study: head of a woman. Signed J. H. Vander- 
poel. Pencil. 

624. Study: head of a woman, in sunbonnet. Signed J. 
H. Vanderpoel. Pencil. 

Low, Will H. — American, 1853 — . 

626-654. Designs for “Lamia” and “The Odes and Son- 
nets” of John Keats. In monochrome. (Room 37.) 
Purchased from Stickney Bequest, 1902. 

LAMIA 

626. Lamia. Oil. 

626%. Title page. Gouache. 

627. Dedication. Gouache. 

627%. Title to list of drawings. Gouache. 

628. Head-pieces to list of drawings. Gouache. 

628%. “A nymph, to whom all hoofed Satj-rs knelt.” 
Head-piece, Part I. Gouache. 


DRAWINGS 


155 


629. “On this side of Jove’s clouds.” Gouache. 

629 %. “And so he rested on the lonely ground.” Gouache. 

630. “The words she spake came as through bubbling 

honey.” Gouache. 

630 %. “I dreamt I saw thee, robed in purple flakes.” 
Gouache. 

631. “She bathes unseen.” Gouache. 

631 %. “Pale grew her immortality, for woe of all these 
lovers.” Gouache. 

632. “The guarded nymph near smiling on the green.” 
Gouache. 

632 %. “Into the green-recessed woods they flew.” Gou- 
ache. 

633. Decoration: Daffodils. Gouache. 

633 %. “By a clear pool, wherein she passioned to see 
herself.” Gouache. 

634. “Foremost in the envious race.” Gouache. 

63454- “Lycius, look back! and be some pity shown." 
Gouache. 

635. Decoration — Love’s mesh. Gouache. 

635 %. “Swoon’d, murmuring of love, and pale with pain.” 
Gouache. 

636. “The wide-spreaded night above her towers.” 
Gouache. 

63654- “As one came near with curl’d gray beard, sharp 
eyes, and smooth bald ‘crown.” Gouache. 


156 


DRAWINGS 


637. “They had arrived before a pillar’d porch.” Gou- 
ache. 

637J4. “Shut from the busy world of more incredulous.” 
Tail-piece to Part I. Gouache. 

638. “They were enthroned, in the even-tide, upon a 
couch.” Gouache. 

638^. “Deafening the swallow’s twitter, came a thrill of 
trumpets.” Gouache. 

639. “She nothing said, but, pale and meek, arose and 
knelt before him.” Gouache. 

I 

640. “It was the custom then to bring away the bride I 
from home.” Gouache. 

64054. Five maidens with torches and a basket of fruit 
Gouache. 

641. “And shut the chamber up, close, hush’d and 
still.” Gouache. 

64154. “He met within the murmurous vestibule his 
young disciple.” Gouache. 

642. “They all moved to the feast.” Gouache. 

64254. “What wreath for Lamia? What for Lycius? 
What for the sage, Apollonius?” Gouache. 

643. “Checking his love-trance, a cup he took full 

brimm’d.” Gouache. 

64354- “The sophist’s eye, like a sharp spear, went 
through her utterly.” Gouache. 

644. “And ^ycius’ arms were empty of delight.” Gou- 
ache. 


DRAWINGS 


157 


64454- “And in its marriage robe the heavy body 
wound.” Gouache. 

645. Tail-piece; The History of the Book. Pencil. 

■ ODES and sonnets 

646. Title page. Oil. 

64654- Copyright device. Pen drawing. 

647. Dedication. Oil. 

64754- List of drawings. Gouache. 

648. Table of contents. Oil. 

64854- Ode on a Grecian urn. Oil. 

649. To autumn. Oil. 

64954- Sonnet: When I have fears that I may cease to be. 
Oil. 

650. Fancy. Oil. 

65054- Ode to a nightingale. Oil. 

651. Ode to Psyche. Oil. 

65154- Ode on melancholy. Oil. 

652. La Belle Dame sans Merci. Oil. 

65254- Ode: Bards of passion and of mirth. Oil. 

653. The Eve of St. Mark. Oil. 

654. Last sonnet. Oil. 

Blashfield, Edwin Howland — American, 1848 — . 

STUDIES FOR MURAL DECORATIONS 

655-656. For Minnesota State Capitol, senate chamber. 

655. Indian. For lunette: The discoverers and civiliz- 


DRAWINGS 


ers led to the source of the Mississippi. Signed Edwin 
H. Blashfield, 1904. Crayon. 

656. Three Women. For lunette: Minnesota as a grain 
state. Signed E. H. Blashfield, 1904. Crayon. 

657-661. For Court House, Baltimore, Maryland. 

657. Head of a Woman. For painting: Washington 
laying his commission at the foot of Columbia. Signed 
Edwin H. Blashfield. Crayon. 

658. Head of Columbia. For same decoration. Crayon. 

659. Figure of Columbia. For same decoration. Three 
studies. Signed E. H. Blashfield. Pencil. 

660. Children. For same decoration. Two studies. 
Signed Edwin H. Blashfield. Pencil. 

661. Lord Baltimore and Equity. For painting: The 
Edict of Toleration of 1649. Signed Edwin H. Blash- 
field. Crayon. 

662-665. For the College of the City of New York, in 
the Great Hall. 

662. Figure of Wisdom. For decoration: The Gradu- 
ate. Signed Edwin H. Blashfield, 1907. Crayon. 

663. Group of Four Men representing various branches 
of human thought. For same decoration. Signed E. H. 
Blashfield. Crayon. 

664. Group of Five Men, representing various branches 
of human thought. For same decoration. Signed E. H. 
Blashfield. Crayon. 

665. Group of Children. For same decoration. Signed 
E. H. Blashfield, Sept., 1907. Crayon. 


DRAWINGS 


159 


666-667. For Prudential Insurance Building, Newark, 
N. J. 

666. Flying Figures. For Board Room decoration. 
Signed E. H. Blashfield. Pencil. 

667. Figure of Woman. For same decoration. Signed 
E. H. Blashfield. Crayon. 

668-669. For House of George W. Childs Drexel. 

668. Portia, symbolizing the Law. For library. Signed 
E. H. Blashfield. Crayon. 

Presented by the artist, 1909. 

669. St. Francis of Assisi, symbolizing Religion. For 
library. Signed Edwin H. Blashfield. Crayon. 

670. For House of Mrs. Collis P. Huntington. Terpsi- 
chore. Central figure for drawing room ceiling. Crayon. 
Signed Edwin H. Blashfield. 

671. For “Masques of Cupid,” a book of parlor plays. 
“Kneel for an ave’s space.” Crayon. 






PRINTS 

Rooms 58, 59 

The print collection consists of about 1,150 examples. 
The Stickney and Fair collections of various etchings and 
engravings include works by Rembrandt, Van Ostade, Pira- 
nesi, Meryon, Lalanne, Legros, Whistler, Haden, Zorn and 
others. There are also individual collections of etchings by 
Meryon, Piranesi, Whistler, Haden, Pennell, Herman Web- 
ster and Robert Blum. The Howard Mansfi»ld Collection of 
Etchings by Meryon, purchased from the bequest of Mrs. 
Elizabeth Hammond Stickney, is a nearly complete collec- 
tion of the artist’s works. The impressions are of the highest 
quality. Changes in the artist’s conception of his composi- 
tions are illustrated as a rule by impressions of different 
states of the plates. 

A limited number of the prints is exhibited on the walls 
of the print rooms. This exhibition is changed from time 
to time. The remaining prints are housed in cases and will 
be shown at any time by the assistant in charge. There is a 
card catalogue of the entire collection. There are also two 
special catalogues in print: 

Catalogue of Etchings by Charles Meryon in the Howard 
Mansfield Collection (Stickney Bequest). 

Catalogue of Etchings by Joseph Pennell in the Joseph 
Brooks Fair Collection. 

An almost complete set of the chromo-lithographic re- 
productions published by the Arundel Society of London, 
1856 to 1897, is hung in corridor 33. The greater part of this 
collection was presented by Mr. Edward Ayer. 

The Nickerson collection of prints is exhibited with the 
Nickerson paintings and is therefore included in this cata- 
logue. 


161 


162 


PRINTS 


THE NICKERSON COLLECTION 
See Pages 122, 141. 

Etchings and Engravings 

Room 44 

Bellows, Albert F. — American, 1830-1883. 

676. The Inlet. Etching. Signed on plate and on mar- 
gin A. F. Bellows. 


Chauvel, Theophile — French, 1831-1909. 

677. Evening Shadows. Etching after B. W. Leader. 
Signed on margin B. W. Leader, T. Chauvel. With 
letters. 

Courtry, Charles Louis — French, 1846-1897. 

678. Bringing Home the Cows. Etching after Tro 3 'on. 
Etched on margin: C. Troyon pinx., Ch. Courtry sc. 1875. 


Haig, Axel Herman — Swedish, 1835 — . 

679. Westminster Abbey Interior. Etching. Signed on 
margin A. H. Haig. Monogram and date 1885 on plate. 

680. Chartres Cathedral, North Porch. Etching. Signed 
on margin Axel H. Haig. Monogram and date 1882 on 
plate. 

681. Aisle of Chartres Cathedral. Etching. Signed on 
margin A. H. Haig. Monogram and date 1881 on plate. 

682. Street in Chartres. Etching. Signed on margin 
Axel H. Haig. Monogram and date 1882 on plate. 

Lander, Benjamin — American contemporary. 

683. Sabina’s Stream. Etching. Signed on plate and 
on margin Benj. Lander. 


ETCHINGS AND ENGRAVINGS 


163 


Law, David— Scotch, 1830(?)-1901. 

684. Venice by Night. Etching. Signed on margin 
David Law. 


Mannfeld, Bernhard — German, 1848 — . 

685. Albertsburg. Etching. Dedication and date 1884. 
Signed on margin B. Mannfeld. 


Rodriguez, Gaston Louis Stephane — French contemporary. 

686. The Mouthful. Etching after Millet’s painting “La 
Becquee” in the museum at Lille. Signed on margin 
Rodriguez. 


Bartolozzi, Francesco — Italian, 1725-1815. 

687. Queen Elizabeth Striking Essex. Stipple engrav- 
ing. 

688. The Dowager Queen of Edward IV, parting with 
the little Duke of York. Stipple engraving after G. B. 
Cipriani. With letters. 

689. Marie Stuart Refusing the Crown. Stipple engrav- 
ing after G. B. Cipriani. With letters. 

690. Vortigern and Rowena. Stipple engraving after J. 
F. Rigaud. With letters. 

Desnoyers, Auguste Gaspard Louis Boucher — French, 1779- 
1857. 

691. Belisarius. Line engraving after F. P. Gerard. 
Dedication to Talleyrand and date 1806. With letters. 


Gilbert, Achille — French contemporary. 

692. The Sheepfold. Etching after Charles Jacque. 
Signed on margin Achille Gilbert, Ch. Jacque. 


164 


PRINTS 


Longhi, Giuseppe — Italian, 1766-1831. 

693. Galatea. Line engraving. After painting by Fran- 
cesco Albani, in the Dresden gallery. Dated 1813. With 
letters. 

Morghen, Rafaello — Italian, 1758-1833. 

694. Aurora. Line engraving. After a drawing by An- 
tonins Cavallucci of the fresco by Guido Reni in the 
Rospigliosi palace, Rome. Dedication to Prince Joseph 
Rospigliosi. Dated 1787. With letters. 

Muller, Johann Frederich Wilhelm — German, 1782-1816. 

695. The Madonna di San Sisto. Line engraving. After 
a drawing by Seidelmann of the painting by Raphael in 
the Dresden gallery. 1816. Dedication to the King of 
Saxony. With letters. 

Nanteuil, Robert — French, 1630-1678. 

696. Portrait of Michael Le Mask. Engraving, with 
letters, dated 1661. 

Audran, Jean — French, 1667-1756. 

697. Portrait of Rubens. Line engraving, after a draw- 
ing by 1. M. Nattier of a painting by Van Dyck. Dated 
1710. With letters. 

Trouvain, Antoine — French, 1656-1710. 

698. Marriage of Marie de Medici and Henry IV, the 
queen’s uncle acting as proxy. Line engraving. After 
a drawing by I. Nattier of a painting by Rubens in the 
Louvre. With letters. 

Stacpoole, F. — London. 

699. Persepolis. Mezzotint. After Briton Riviere. 
Signed Briton Riviere, F. Stacpoole. 

Wille, Johann Georg— German, 1715-1808. 

700. Death of Mark Antony. After painting by Pom- 
peo Batoni, in the Dresden gallery. Line engraving. 


JAPANESE COLOR PRINTS 


165 


Japanese Color Prints 

Room 43 

Eishi (Hosoda). 

701. Woman with Mirrors. About 1795. Signed. 

702. Pleasure Boats on Smidagawa River. About 1790. 
Signed. 

Harunobo (Suzki). 

703. Woman with Lacquer Cups. About 1766. 

704. Iseya Women Watching Fire-works. 1765. Signed. 

Hiroshige — 1797-1858. 

705. Moonlight on the Tama-gawa. From “Eight scenes 
of the suburbs of Yedo (Tokyo).” Inscribed ode. 1830. 
Signed. 

706. Kingfisher on Tree Stump. Inscribed ode. 1825. 
Signed. 

707. Kingfisher in Flight. Inscribed ode. About 1825. 
Signed. 

708. Twilight at Seta. From “Eight scenes in the prov- 
ince of Omi.” Signed. 

709. Pine Tree at Sakai, province of Senshu. From “One 
hundred scenes of all provinces.” About 1845. Signed. 

710. Grounds of Temple Naruta-san, province of Shi- 
mo’osa. From “One hundred scenes of all provinces.” 
About 1845. Signed. 

Hokusai (Tamekaz). 

712-719. From the series Skika-Shashin-Kagami (illus- 
trating Chinese and Japanese poems). 

712. Touraki, Japanese ode composer with attendants, 
on bridge. Signed. 


166 


PRINTS 


713. Youths’ Excursion. Signed. 

714. Li T’ai Po’k, Chinese poet, looking at waterfall. 
Signed. 

715. Early Morning Attack. Illustration of a Chinese 
and Japanese anecdote. Signed. 

716. Old Man Crossing Bridge, on moonlight night. 
Signed. 

717. Japanese Ambassador to China and attendants, 
viewing landscape. Signed. 

718. Winter Scene. Chinese horseman and attendant. 
Signed. 

719. Imperial Court Official and attendants, kneeling 
upon the beach. Signed. 

720. Landscapes after old Dutch method of engraving. 
Unsigned, but with Hokusai Sensei zu (pictured by Prof. 
Hokusai) inscribed on the cover. 

1. Twilight at Seta. 

2. Castle at Awaz. 

3. Autumn moon over Ishiyama Mountain. 

4. Wild geese flying down upon Katata. 

6. Rainy night at Karasaki. 

7. Ringing the Mii (temple) bell in evening. 

8. Boats returning home at Yabase. 

721. Cranes alighting on trunk of pine tree. Signed. 
Hokusai (Gakyo). 

722. Country Scene with merry-makers. Signed. 
Hokusai (Soriga). 

723. Women Drying Cloth. Signed. 


JAPANESE COLOR PRINTS 


167 


Kiyonaga (Torii). 

725. Festival Scene in Palace. About 1770. Signed. 


Kuniyoshi (Utagawa). 

726. Fuji-san from Tokyo. From “Thirty-six views of 
Fuji-san.” About 1840. Signed. 


Sharak. 

727. An Actor. About 1797. Signed. 


Shuncho (Katsukawa). 

728. Cherry Blossoms at Neno Edo (Tokyo). About 
1782. Signed. 

729-730. From “The Twelve Periods of the Year.” 
About 1785. Signed. 

729. The Sixth Month. 

730. The Eleventh Month. 

Shumman or Toshimitsu (Kubo). 

731. Temple Scene. About 1787. Signed. 


Toyohiro (Utagawa). 

732. Women Cleaning Well in Shogun’s garden. 1795. 
Signed. 

Toyokuni I (Utagawa). 

733. Royal Wedding Procession. About 1791. Signed. 

Toyokuni III (Utagawa). 

734-735. Theatrical Scenes. Signed. 


16S 


PRINTS 


Toyokuni III (Kunisada). 

736. Pleasure Boats on the Smida river. Signed. 

737, a-b. Theatrical Scenes. Signed. 


Kunimaru. 

738, a-b. Theatrical Scenes. 1820. 


Utamaro (Kitagawa). 

739. Japanese Woman. From “Selection of Eastern 
Beauties.” About 1795. Signed. 

740. From “Eight Sights of Tosei Skimono.” About 
1796. Signed. 

741. Second Scene of Chushingra (Forty-seven loyal Ro- 
nins). About 1795. Signed. 


742. Garden Scene, with women matching shells. 


VARIOUS COLLECTIONS 


METAL WORK 
MEDALS AND PLAQUETTES 
NICKERSON COLLECTION 
OF ORIENTAL ART 
EGYPTIAN ANTIQUITIES 
CLASSICAL ANTIQUITIES 
CERAMICS 

COLLECTION OF THE 
ANTIQUARIAN SOCIETY 



METAL WORK 


Nos. 1401-1441 Presented by Martin A. Ryerson and 
Charles L. Hutchinson 

1401. Armor. Electrotype copy of a complete suit of nine- 
teen pieces, silvered and oxidized. Original in the 
Musee d’Artillerie, Paris. North Italian, XVI century. 
(Room 49.) 

1402. Armor. Made for Henry II of France. Electrotype 
copy, silvered and oxidized. The suit is embossed with 
scenes from the latter part of the life of Pompey. Orig- 
inal in the Musee des Souverains, in the Louvre. French, 
XVI century. (Room 49.) 

1403. Shield, pear-shaped, belonging to the above armor, re- 
pousse and chased. (Room 49.) 

1404. Trophy of Arms, comprising silvered and oxidized 
electrotype copies of the following pieces: 

a. Helmet of Francis I of France. In the Musee d’Ar- 
tillerie, Paris. Italian, XVI century. 

b. Pair of Halberds. Blade engraved and chased. 

c. Pair of Spear Heads, plain. 

d. Pageant Shield, elliptical with indentations. Re- 
pousse and chased with five medallions. 

e. Sword of rapier type. Basket hilt with long, straight 
quillons and knuckle bow or finger guard. Spanish, late 
XVI century. 

/. Sword with thin, narrow blade. Hilt with straight 
cross guard, elaborately decorated. 

g. Pair of Pole Axes. Chased in very low relief. Arms 
of Austria in central medallion. (Room 47.) 


169 


170 


METAL WORK 


1405. Trophy of Arms. Silvered and oxidized electrotype 
copies of fifteen pieces, including twelve from the suit of 
plate armor in the Musee d’Artillerie, Paris, known as 
the Armure aux Lions, said to have been made for Fran- 
cis I of France. Repousse and chased, with decorations 
in which a lion’s head is often repeated. Italian, XVI 
century. (Room 47.) 

a. Helmet in the form of a lion’s head. 

b. Breast Plate. 

c. Two Pauldrons, shoulder pieces. 

d. Two Rerebraces, guards for the upper arm. 

e. Two Cubitieres, elbow pieces. 

/. Two Vambraces, guards for the forearm. 

g. Two Gauntlets. 

The three pieces not belonging to the above suit are; 

h. Ceremonial Mace. 

i. Two Spear Heads. Originals in the imperial arsenal 
of Tsarkoe-Selo, Russia. A solid stem runs lengthwise 
through the middle of the blade, with a figure of Her- 
cules on each side. Russian, XVII century. 

1406-1423. Sword Guards, wrought iron, Japanese. (Room 
43.) 

By Hompo — XVI century. 

1406. Serpent design. Signed. 

By Kinai — XVII century. 

1407. Arabesque decoration with orchids. 

1408. Rice stalks and grasshoppers. 

1409. Climbing plant. 

1410. Phoenix. 

1411. Shell design. 

Autumn flowers and crickets. 


1412. 


METAL WORK 


171 


By Unknown Artist — XVII century. 

1413. Sprays of morning glory. 

By Masanaga of Yeddo— XVII century. 

1414. Flying storks. Signed. 

By Naoshige — XVII century. 

1415. Carp in arabesque design. Signed. 

By Miochien Yoshikisa — XVII century. 

1416. Phoenixes flying. Signed. 

By Masatika of Yeddo — Early XVIII century. 

1417. Branch of the momiji tree. 

By Masatika of Yeddo. 

1418. Cherry blossoms. Signed. 

By Kiyotsugu — XVIII century. 

1419. Arabesque decoration with two oval medallions, 
cherry blossoms and other flowers. Signed. 

By Sokuma Yoshodide of Yeddo — XVIII century. 

1420. Flock of geese. Signed. 

By Kuanju of Yeddo — XVIII century. 

1421. Branch of bamboo. 

By Suruga Takuti — XVIII century. 

1422. Bamboo decoration. 

Unknown Artist of Yeddo — XVIII century. 

1423. Carnations, conventionalized. 

1424. Circular Shield by C. Hj. Norrstrom, Stockholm, Swe- 
den. Original work in steel, with etched ornamentation 
enriched with gold. The central portion is occupied by 
an etched picture of Valkyries carrying dead warriors 
from the field of battle in triumph to Valhalla. Signed 
C. Hj. Norrstrom, 1886. (Room 47.) 


172 


METAL WORK 


1425. Dragon by Miochin Menefusa. Wrought iron, made i 
flexible by numerous joints. XVII century. (Room 43.) ! 

1426. Nest of Bronze Weights, ten in number. (Room 43.) j 

1427. Cruet. Gilt bronze chiseled. Japanese, XVII century, i 

(Room 43.) i 

I 

1428. Flower-Pot by To-un, on a stand with four feet. Ara- ' 

besque decoration in relief. Signed by To-un, one of the ; 
three great Japanese bronze workers of the XIX cen- 
tury. (Room 43.) ; 

1429. Cut Flower Holder of cast bronze. Lustrous dark ; 

finish with red spots. Japanese, XVII century. (Room ; 

43.) , 

!j 

1430. Amphora of cast bronze, Japanese. Ornamented in 
high relief with twenty crabs cast solid with the vase. 
About 1873. Designed by Hogetsusai Ichibee, cf Tokio, 
“proprietor of fishing boats.” (Room 43.) 


1431-1433. Pewter Vessels, cast in metal moulds. Designed, 
cast and engraved by Jules Brateau. XIX century. 
Presented by Martin A. Ryerson, 1892. (Room 54.) 

1431. Ewer and Tray, with elaborate allegorical decora- 
tions in relief. 

1432. Porringer and Tray. The decoration of the por- 
ringer lid is in five panels, symbolizing the principal riv- 
ers of France. A central group in the round represents 
the abduction of a nymph. 

1433. Coffee Pot and Tray, wuth the coffee plant con- 
ventionally represented. 

1434. Tankard and Plate of silvered copper, made about 
1600. Presented by Charles L. Hutchinson. (Room 54.) 


METAL WORK 


173 


1436. Door Nails, old Spanish, 23. 

1437. Door Nails, French renaissance, 26. 

1438. Door Nails, French Gothic, 27. 

1439. Door Ornaments, 4. 

1440. Knocker. 

1441. Knockers, old Spanish, large, 3. 

(Nos. 1436-1441 are in Room 20.) 

Nos. 1455-1464 Presented by Mrs. Archibald J. McBean 

1455. Tea Kettle, Japanese. Cast iron. Bronze lid with 
shell decoration, incised. (Room 43.) 

1456. Tea Kettle, Japanese. Cast iron. Relief decoration. 
(Room 43.) 

1460. Silver Opium Box, Chinese. Made at Ning Po. Hex- 
agonal, with a floral panel in relief on each side. (Room 
43.) 

1463. Incense Burner, Chinese. Shallow bronze bowl. Mod- 
ern. (Room 43.) 

1464. Small Reliquary, Japanese. A gold flower, on the 
back of a gold tortoise, supports a crystal flask. Silver 
base with gilt reliefs. (Room 43.) 

1472. Bronze Koro (incense burner), Japanese. The reliefs 
illustrate the warfare with the dragons which according 
to Japanese mythology once devastated whole provinces. 
They were finally deprived of power by a wizard’s 
charm. The figure on top is a wizard laughingly await- 
ing the approach of two dragons. Cast and finished by 
Yamanaka of Tokio. (Room 49.) 

Presented by Marshall Field, 1887. 


174 


METAL WORK 


Medals and Plaquettes 

The collection of medals and plaquettes is installed in 
cases in corridors 29 and 33. There are about four hundred 
examples. More than two hundred and seventy of these 
were presented by Blewett Lee. The greater part of the re- 
maining medals were the gift of Charles L. Hutchinson 
and Martin A. Ryerson. The medallists of France, Hol- 
land, Belgium, Austro-Hungary, Germany and the United 
States are well represented. There are groups of consider- 
able importance of works by Roty, Chaplain, Charpentier, 
Dubois, Daniel Dupuis, Vernon, Victor Brenner and Henri 
Kautsch. 


ORIENTAL APPLIED ART 


THE NICKERSON COLLECTION (Rooms 41, 42, 44), 
was presented to the Art Institute by Mr. and Mrs. Samuel 
M. Nickerson in February, 1900. Since there is a special 
catalogue of this collection the description of the collection 
in this present general catalogue is very brief. For other 
objects in the collection (oil paintings, water-colors, prints) 
see pages 122, 141 and 162. 

Case 1, Room 42 

1-116. Carved Jade. Bowls, cups, vases, snuff bottles, plates, 
etc. By Chinese artists except the following numbers 
which are of East Indian workmanship: 12, 13, 20, 27, 
41, 42, 50-59, 67, 81, 85, 113, 116. 

117. Carved Jade. Seventy-three buckles and badges. Chi- 
nese. 

118. East Indian Jewelry. 

Case 2, Room 42 

1-72. Crystals and other Hard Stones. Chinese, Japanese 
and Indian workmanship. These include carvings in 
many varieties of crystal and agate and a few speci- 
mens of amber, carnelian, chalcedony, lapis-lazuli, etc. 

124 Chinese Snuff Bottles in onyx, amber, bloodstone, tur- 
quoise, amethyst, etc. Not numbered. 

Case 3, Room 41 

Buddhist Shrine, Japanese. Exterior, black lacquer with 
metal mountings; interior, gold lacquer with open work 
in metal and carved and gilded wood. The shrine en- 
closes symbolic figures in bronze, Ahmithaba under a 
canopy, and Buddha on a lotus pedestal in front. 

On top of the case is a bronze figure of Buddha. 

175 


176 


ORIENTAL APPLIED ART 


Cases 4, 5, Room 42 

1-85. Japanese Lacquer Into (medicine boxes), with orna- 
mental slides and netsukes. 

86-184. Japanese Lacquer Objects of various forms, boxes, 
writing cases, stands, trays, cups, etc. 

133. Hibachi (portable furnace in which charcoal is 
burned). Made by Korin. 

135. Daimio Saddle and Stirrups. 

136. Lady’s Toilet Set. About forty pieces. Signed 
Tane-Sada. 

138. Bow and Arrows. 

139-141. Flute, pipes, drum. 

142. War fan. 

143-147. Writing cases. 

175. Wooden mace. 


185. Cinnabar Lacquer, Japanese. 


186-188. Cinnabar Lacquer, Chinese. Jar, writing set, cup 
stand. 

Case 6, Room 41 
1-100. Chinese Porcelain. 

1-4. Hard paste porcelain. Large vases on brackets out- 
side of case. 

5-21. Hard paste porcelain. XV-XVIII centuries. 

22-24. Blue and white porcelain. Large plaques on wall 
above case. 22 is Persian. 

25-100. Hard and soft paste porcelain. XV-XVIII cen- 
turies. 


ORIENTAL APPLIED ART 


177 


101-139. Japanese Porcelain and Pottery. 

101-110. Nabeshima hard paste porcelain. XVIII and 
XIX century. 

111-139. Japanese pottery of various kinds. Bow^ls, jars, 
vases, cups, etc. 


Case 7, Room 41 
1-45. Cloisonne Enamel. 

1-8. Chinese. Koro (incense burner) and vases. On 
pedestals outside of case. 

9. Japanese. Pair of vases. 

10-27. Chinese. Vases and other objects. 

28. Japanese. Vases and incense burner. 

29-38. Chinese. Incense burners and other objects. 

45. Altar set. Incrusted Chinese cloisonne (Cham- 
plevee). 

46. Iron Koro, Japanese. Gilt ornamentation. 

47-111. Bronzes, Japanese and Chinese. 

47. Japanese vases. 

48-75. Chinese vases, censers, etc. 

76-90. Japanese vases, censers, etc. 

Case 8, Room 41 

1-39. Japanese Swords. 

40-105. Sword Guards. 

106-169. Knife Handles. 

170. Sword Ornaments. Collection of eighty ornaments in 
iron and bronze with decorations in gold, silver, etc. 


178 


ORIENTAL APPLIED ART 


1-11. Japanese Pipes. 

12. Silver Inkstand. 

13-27. Japanese Pouchs and Boxes. 

28-47. Japanese Ivory Carving. 

48-109. Carved Netsukes, Ivory and Wood. 


EGYPTIAN ANTIQUITIES 

Presented by Charles S. Hutchinson^ Henry H. Getty, Mar- 
tin A. Ryerson and Norman Wait Harris. 

Room 16 


Prehistoric Pottery. 

Stone Objects, vases, statuettes, etc. 

Model of Boat. Wood. Fourteen rowers and one man with 
steering oar. 

Grave Stelae, inscribed with name and position of the de- 
ceased, together with a stereotyped prayer for his wel- 
fare in the hereafter; and other inscribed tablets of 
various kinds. 

Alabaster Vases, etc. 

Bronze Figures of gods, sacred animals, implements, etc. 

Ushebti (respondents), figures of terra cotta, stone, wood, 
etc., placed in graves with the idea that they would 
respond for the deceased and act as his substitute in 
performing manual labor. 

Canopic Jars. Funeral vases of limestone or pottery, used 
to contain the vital organs of the deceased for preserva- 
tion in the tomb. 

Mummy Masks. 

Beads of glass, stones and faience glazed in colors. 

Amulets in the form of miniature figures of deities, sacred 
animals, etc., in stones, metals and pottery glazed in 
colors. 

Pottery. Small vessels in glazed and unglazed pottery. 

179 


180 


EGYPTIAN ANTIQUITIES 


Finger-rings, ear-rings, necklaces, bracelets and chains of 
precious metals set with various stones. 

Mastaba-tomb Reliefs. The deceased is shown receiving 
offerings and his servants are depicted at their daily- 
tasks on his estate. 

Mummy Cases and Coffins. 

Coffin of Se-deds, XI dynasty (2160-2000 B. C.), before 
the period of decorated mummy cases. A plain, rectan- 
gular wooden box with a narrow line of inscription 
around sides and on top. 

Decorated Mummy Case of Nesy-pa-hri-het, a priest of 
Amen, XXI dynasty, XI century B. C., about 1000 j^ears 
later than the coffin described above. Empty. 

Decorated Mummy Case, containing mummy (never un- 
rolled) of a woman named Wenu-hotep, VII century 
B. C. 

Decorated Mummy Case, containing mummy (never un- 
rolled) of a princess, XXII dynasty (945-745 B. C.). 

Scarabaei, or seals in the form of the sacred beetle. This 
collection of royal seals, about 650 in number, is almost 
a complete series from the time of Menes (3400 B. C.), 
down to the Christian era, when ancient Egj'-pt passed 
out of history. The scarabs are made of a great varietj" 
of stones and gems, and bear the cartouche or signet 
of the monarch whom they represent. 

Book of the Dead. Fragment of papyrus manuscript from 
coffin of a priestess, XX dynasty (1200-1090 B. C.) 

Presented by Robert H. Fleming. 


GREEK AND ROMAN ANTIQUITIES 

Room 15a 

The greater part of this collection was presented by Mar- 
tin A. Ryerson, Charles L. Hutchinson and Philip D. Ar- 
mour. The collection of antique glass in cases 16 and 44 was 
the gift of Joseph Rosenbaum. There are also individual 
contributions to the collection by William T. Baker, Charles 
Counselman, John H. Dwight, Thies J. Lefens, James W. 
Ellsworth, Robert A. Waller, Elbridge G. Keith, George 
Schneider, H. H. Kohlsaat, Edward B. Butler, David W. Ir- 
win, Ebenezer Buckingham, Edward E. Ayer and Alfred 
Emerson. 

Greek and Roman Sculpture 

Statues 

Fragment of a Venus Genetrix, waist to knees. White mar- 
ble. Late copy of a V century Greek statue. See Sculp- 
ture Collection 47. 

Torso of a Young God. Late copy of a IV century Greek 
statue. 

Torso of Male Figure, semi-nude. White marble. Late re- 
production of a IV century Greek statue. 

Torso of Nude Male Figure, restored as Herakles with 
apples and club. Statuette. Late copy of IV century 
Greek statue. 

Greek Philosopher, seated, with scroll. Marble statuette. 
Late copy of a III century Greek portrait statue. 

Torso of a Tortured Satyr, wearing panther skin. Mutilated 
marble statuette. 


181 


182 


CLASSICAL ANTIQUITIES 


Faun Pillowed on Wineskin. Mutilated marble statuette 
and plinth. Late Greek. 

Fragment of Marble Dolphin, belonging to a statue of Aph- 
rodite, similar to the Venus de’Medici. Greek, III cen- 
tury B. C. 

Fragments of Hands, belonging to life-size marble statues. 
Pair of joined hands; a right hand closed on a sword 
hilt. 

Terminal Figure of Eros. Winged youth draped with ani- 
mal’s skin. Attached to a pilaster. 

Cupid asleep on a lionskin, with the club of Hercules. Late 
Roman work. 


Busts and Heads 

Head of Athena in Corinthian helmet. Basalt. 

Head of Bearded Satyr or Seilenos, crowned with ivy. White 
marble. Found on the Via Flaminia near Rome, 1888. 
Roman, reproducing a Greek motive of III or II century 
B. C. 

Head of a Roman Boy. White marble. Found at Rome. I 
century A. D. 

Small Head of a Boy. White marble. Found at Rome. Per- 
haps a Roman reduction of an earlier Greek work. 

Bust of a Bearded Man. White marble. Found in Rome. 
Roman, II or III century A. D. 

Head of a Roman Woman, thought to be Faustina the elder, 
wife of Antoninus Pius, 138-161 A. D. White marble. 
Found at Rome. 


CLASSICAL ANTIQUITIES 


183 


Fragments of Furniture and Architecture 

Fragments of Furniture: sculptured bench and table legs of 
white marble. Roman, II and III centuries A. D. 

Fragments of Architecture. Mostly of sculptured white mar- 
ble, showing typical examples of Roman decorative de- 
sign. Roman, I to IV century A. D. 

Bronzes 

Hand Mirror. A siren with recurved wings decorates the 
handle. Greek workmanship, V century B. C. 

Standing Mirror with support in the form of a figure of 
Aphrodite. Greek, V century B. C. 

Pair of Handles from Etruria. Green bronze. Attachments 
modeled in palmettes. 

Strigil said to be from Magna-Graecia. Handle in form of 
two figures embracing. Etruscan style. 

Pottery 

Vases. There are in this collection about seventy examples 
of antique earthenware vessels, Cypriote, Etruscan, 
Greek and Roman. Greek vases, of a great variety of 
shapes, form the largest part of the collection. They 
illustrate the following styles of decoration: 

Corinthian: superimposed horizontal bands of brown- 
ish-black figure decoration (mostly animals) on flower 
studded yellow ground. 

Black-figured: black figure subjects on buff or light 
red ground; incised lines and retouches of red and white 
used for details. 

Red-figured: figure subjects reserved in orange or light 
red, and background painted black; lines in black and' 
dilute color and retouches of white and red used for de- 
tails. 


184 


CLASSICAL ANTIQUITIES 


White ground vases in various styles: black figures; 
figures in dilute color outline; figures in outline filled 
in with colors. 

Black monochrome ware, plain and relief-pressed. 

Terra-cotta Figurines and fragments found in the Greek 
islands of the Mediterranean; also flat terra-cotta masks. 

Roman Lamps of various designs. 

Antique Glass Vessels of various shapes. 

Cases 16 and 44 presented by Joseph Rosenbaum. 

Fragments of Pompeian Wall Paintings. 

Presented by Edward E. Ayer. 


Greek and Roman Coins. 


CERAMICS 


Rooms 14, 49, 54 

Amelia Blanxius Memorial Collection of English and Ameri- 
can Earthenware and Porcelain. More than 1,000 pieces 
(Room 14.) 

Presented by Mrs. Jene E. Bell and Mrs. Emma B. Hodge, 
1912. 

Porcelains, Wedgwood, Chelsea and Spode. XVIII ana 
early XIX centuries. 

Presented by James Viles. 

Ancient American Pottery, 51 pieces, from ruins in New 
Mexico. 

Presented by James W. Ellsworth, 1889. 

Pottery from Rhodes and Persia. XVII-XVIII centuries. 

Korea Pottery. Korai dynasty, 918-1392 A. D. Incised and 
Mishima styles of decoration. 

Korean Incense Burner. Lotus shape, polychrome. XIX 
century. 

Presented by Mrs. Archibald J. McBean. 

Staffordshire Pottery, c. 1820-1850. Chiefly American sub- 
jects. 

Kellinghausen Plates, two. German, XVIII century. 
Presented by Mrs. A. A. Sprague, 1908. 

Pennsylvania German Ware. Glazed brown earthenware 
with slip and incised decoration. Late XVIII and early 
XIX century. 

Porcelains, 65 pieces, chiefly French of the XIX century and 
English of the XVIII and XIX centuries. 

Presented by Alfred Duane Pell. 

185 


186 


CERAMICS 


Rookwood Pottery. Examples of Standard, Iris, Vellum, 
Goldstone and Alat ware. American, c. 1906. 

Newcomb Pottery. Vase, Iris design. 

Garden Jars, two, glazed. 

Presented by Northwestern Terra-Cotta Co. 

Ancient American Vase, black with white decoration. 
Presented by D. Henry Sheldon. 

Glass. XVIII century. Two specimens. 

Presented by Mrs. A. A. Sprague.' 

NOTE. — Eor other pottery see Egyptian Antiquities, 
Greek and Roman Antiquities, Nickerson Collection, An- 
tiquarian Society Collection. There is also an important 
loan collection, the Erank W. Gunsaulus Collection of Old 
Wedgwood, containing about 270 pieces, installed in Room 
15. 


COLLECTION OF THE ANTIQUARIAN 
SOCIETY 


THE ANTIQUARIAN SOCIETY is an association of 
ladies organized for the sole purpose of collecting artistic 
textile fabrics and other objects of decorative art for the 
museum of the Art Institute. 

Rooms 43, 45, 46 

Textiles ranging from ancient Egyptian mummy wrappings 
to modern XIX century brocades. This collection con- 
sists of about 1,100 pieces, including examples of ecclesi- 
astical vestments and oriental robes. 

Tapestries. Flemish, XIV to XVII century. 

Laces. Flemish, Venetian, Italian, Spanish, etc. 

Fans. Principally French, XVIII and XIX centuries. 

Furniture. Spanish, French and Japanese examples of the 
late XVI and XVII centuries. 

Musical Instruments. 

'Pianos, American and English, XVIII and XIX cen- 
turies. 

Mandolin, Italian, 1768. 

Japanese and Chinese Instruments, XVII to XIX cen- 
tury. 

Painting and Sculpture. 

Night in the Garden of Gethsemane. Painting attributed 
to Lucas Cranach the Elder (1472-1553). 

The Nativity. Retable panel, carved wood with poly- 
chrome and gold surface. Spanish, .about the XV cen- 
tury. 

‘ Madonnas in stone and wood. XIII to XIV century, 
i 187 


188 


ANTIQUARIAN SOCIETY COLLECTION 


Gothic Stone Carvings. 

Virgin. Relief in jet on oriental alabaster. Italian. 

Madonna and Child. Gilt on lapis-lazuli and vari-col- 
ored marble. Italian. 

Metals, Jewelry, Japanese combs, hair ornaments, toilet and 
writing boxes, etc. 

Japanese Armor of the XVI century. 

Pottery. Examples of Korean, Chinese, Japanese and vari- 
ous European wares. 


VARIOUS COLLECTIONS 

In Rooms 43 and 45 there are also exhibited the follow- 
ing objects not in the collection of the Antiquarian Society; 

Inro. A collection of sixty inro (small ornamental nests of 
boxes used to hold seals, medicines, perfumes or the 
like), most of which are signed by Japanese artists of 
the XVII to the XIX century. These inro are fully 
equipped with ojime (slide) and netsuke (knob or but- 
ton to attach inro to the wearer’s girdle). They are of 
various kinds of gold, black and red lacquer, carved and 
inlaid with gold, silver, coral, mother-of-pearl, etc. The 
ojime are for the most part carved gold and silver. 
Presented by Mrs. George T. Smith, 1907. 

Miniature Shrine containing the god Bishaman. Exterior, 
black lacquer with metal mountings; interior, gold lac- 
quer. 

Presented by William S. Walker, 1909. 

Red Lacquer Cup. Carved vermilion lacquer, the characters 
on the sides forming a poem. Chinese. 


MISCELLANEOUS 


189 


Cloisonne Enamel. Six plates illustrating the method of 
making cloisonne enamel. 

Presented by H. Deakin, 1891. 

Sasuke Nomikawa — Japanese contemporary. 

View of Fuji. Executed in enamel. 

Presented by the artist, 1893. 

Glass, two specimens. XVIII century. 

Presented by Mrs. A. A. Sprague, 1908. 

Japanese Bronze. Sage riding on carp. Signed by Shibuya 
of Tokio. 

Presented by Mrs. M. K. Kerfoot. 

Aztec Masks and Ear Ornaments from Mexico. 

Presented by Mrs. Coonley Ward, 1907. 

The Crucifixion. Carved ivory relief. 

Presented 1904. (In case.) 

Italian Reliefs. 

Virgin, Child and Three Cherubs. Stucco, retaining ves- 
tiges of its original polychrome decoration. XVI cen- 
tury. 

Conference of Saints. Terra-cotta, made by Domenico 
Piu. XVIII century. 

Medallion of Virgin. Terra-cotta, made by Mazzain at 
Bologna. XVIII century. 

Presented 1904. 

Carved Ivory. Polychrome decoration. XVI century. 
Presented by Mrs. Rosa A. Friendly, 1912. 


190 


MISCELLANEOUS 


Carved Wood. 

Wood Paddle from South Sea Islands. (Room 13.) 
Presented by Dr. Walter Delafield, 1898. 

Wood Panels, twenty, from the lonides collection. Ex- 
amples of Gothic, Renaissance, Elizabethan and other 
styles. (Room 47.) 

Presented by Dr. Frank W. Gunsaulus, 1908. 

Florence S. Babbitt Collection of American Coverlets, thir- 
ty-nine, and two pairs of draperies. (Room 13.) 
Presented by Dr. Frank W. Gunsauhis. 

Impressions from Engraved Stones and other seals. 
Presented by Frita von Frantaius, 1912. 


LIST OF LOANS, DECEMBER, 1912 


This list includes only those objects which are on exhi- 
bition for a considerable length of time. 

Paintings 

LENT BY ALLISON V. ARMOUR 

Ruisdael, Solomon van — Dutch, 1600-1670. 

2001. Landscape with Cattle. 


LENT BY ELLEN K. BAKER THOMPSON 

Baker, Ellen K. — American contemporary. 

2002. Vespers. 


LENT BY A. M. BARNHART 

Millet, Jean Francois — French, 1814-1875. 

2003. The Bather. Signed by J. F. Millet. 


LENT BY CARROLL BECKWITH 

Sargent, John Singer — American, 1856 — . 

2004. Venetian Bead Stringers. 




LENT BY CHARLES E. BROWN 

Stuart, Gilbert — American, 1755-1828. 

I 2021. Portrait of a Woman. 

I 2022. Portrait of a Man. 

LENT BY EDWARD B. BUTLER 

i Betts, Louis — American, 1873 — . 

2023. Portrait of Edward B. Butler. Signed Louis 

\ Betts, 1910. 

] LENT BY BROWN CALDWELL 

Cazin, Jean Charles — French, 1841-1901. 

2024. Landscape 


191 


192 


LIST OF LOANS 


LENT BY CHICAGO NORMAL SCHOOL 

Betts, Louis — American, 1873 — . 

2025. Portrait of Mrs. Ella Flagg Young. 

LENT BY MRS. D. H. CLARK 

Duveneck, Frank — American, 1848 — . 

2027. Portrait of Major D. H. Clark. Signed Frank 
Duveneck, Munich, 1877. 

LENT BY CHRISTOFER C. CRABB 

Verboeckhoven, Eugene Josef — Belgian, 1799-1881. 

2030. Ewe with Two Lambs. Signed Eugene Ver- 
boeckhoven ft. 1869. 

LENT BY FRITZ VON FRANTZIUS 
Stuck, Franz von — German contemporary. 

2033. Salome. Signed Franz von Stuck, 1906. 

2034. Saharet. Signed Franz von Stuck. 

LENT BY WILLIAM F. FENTON 
Hacker, Arthur — English contemporary. 

2035. The Cradle Song, Signed Arthur Hacker. 

LENT BY JULIUS CANS 

Netscher, Caspar — Dutch, 1639-1684. 

2036. Portrait of a Man. 

LENT BY ESTATE OF SAMUEL CANS 

Pibera, Josef, called Lo Spagnoletto — Spanish, 1588-1656. 

2039. Heraclitus, the Weeping Philosopher. 

2040. Democritus, the Laughing Philosopher, 

Snayers, Pieter — Flemish, 1592-1667. 

2041. Landscape. 

After Vermeer, Johannes — Dutch, 1632-1675. 

2042. View of Delft. Signed V. Gucsen (?), 1780. The 
original is in the Hague Gallery. 


PAINTINGS 


193 


LENT BY MRS. H. N. HIBBARD 

Shirlaw, Walter — American, 1838-1909. 

2043. Study of Old Woman. 

LENT BY MRS. H. L. HOLLIS 

Bouguereau, William Adolphe — French, 1825-1905. 

2044. Woman and Child. 

LENT BY MRS. SARAH J. HOWARD 

Benjamin-Constant, Jean Joseph — French, 1845-1902. 

2045. The Favorite Tiger. Signed Benj. Constant. 

LENT BY CHARLES L. HUTCHINSON 

The Hutchinson Collection of paintings is exhibited during 
the summer. 

LENT BY ALFRED JUERGENS 

Duveneck, Frank — American, 1848 — . 

2046. Portrait Sketch of J. Frank Currier. 

LENT BY JOHN RINKER KIBBEY 

2047. Pompeian Wall Decorations from the House of 
the Vettii. Five water-colors of the originals by John 
R. Kibbey. 


LENT BY frank G. LOGAN 

The Logan Collection of paintings is exhibited during the 
summ.er. 


LENT BY ALBERT S. LUDLOW 


Luini, Bernardino — Italian, 1475-1583. 

2048. Christ Disputing with the Doctors. Replica. 

Tiepolo, Giovanni Battista — Italian, 1697-1770. 

2049, St. Helen presenting her son, the Emperor Con- 
stantine, in Heaven. 


LENT BY CYRUS H. MCCORMICK 

The McCormick Collection of paintings is on exhibition 
during the summer. 


194 


LIST OF LOANS 


LENT BY MRS. ROBERT F. MCCORMICK 

Guardi, Francesco — Italian, 1712-1793. 

2050. View of Venice. 

LENT BY MRS. WESLEY C. MITCHELL 

Lo Spagna (Giovanni di Pietro) — Italian school, died c. 1530. 

2051. S. Giorgio, Sta. Catarina, S. Bernardino. 

LENT BY MRS. J. H. MOORE 

Earle, Lawrence C. — American, 1845 — . 

2052. Mother and Child. 

LENT BY MUNICIP.\L ART LEAGUE 
Peyraud, F. C. — American contemporary. 

2053. Afternoon. 

Irvine, Wilson H. — American contemporary. 

2054. The Road. 

Baker, Martha Susan — American, 1871 — . 

2055. In An Old Govwi. Signed Martha S. Baker, 1904. 

Betts, Louis — American, 1873 — . 

2056. Portrait of James W. Pattison. Signed Louis 
Betts. 

Browne, Charles F. — American, 1859 — . 

2057. Autumn Afternoon. Signed C. F. Browne. 

Colburn, Eleanor R. — American contemporary. 

2058. Sou’wester. 

Grover, Oliver Dennett — American, 1861 — . 

2059. The Riva. Signed Oliver Dennett Grover, 1908. 

Johansen, John C. — American, 1876 — . 

2060. October Sere and Gold. Signed J. C. Johansen, 
1902. 


PAINTINGS 


195 


Palmer, Pauline — American contemporary. 

2061. Day of the Market. 

Pattison, James William — American, 1844 — . 

2062. Lingering Lamps. 

Shulz, Adolf R. — American, 1869—. 

2063. Frost and Fog, 

Stacey, Anna L. — American contemporary. 

2064. A Breezy Day in the Harbor. Signed Anna L. 
Stacey, ’06. 

Wadsworth, Frank — American, 1874-1905. 

2065. Wharf of Red Boats. Signed Frank Wadsworth, 
Haarlem, ’03. 


LENT BY MRS. F. A. NOBLE 

Vinton, Frederick Porter — American, 1846 — . 

2066. Portrait of F. A. Noble, D. D. 

LENT BY WILLIAM B. OGDEN 

Zom, Anders L. — Swedish, 1860 — . 

2067. Portrait of William B. Ogden. Signed Zorn, 1895. 

LENT BY JAMES W. PATTISON 

Preyer, Johann Wilhelm — German, 1803-1889. 

2068; Fruit. 

LENT BY ESTATE OF 0. W. POTTER 

Bonnat, Leon — French, 1834 — . 

2069. Italian Girl. 

LENT BY MARTIN A. RYERSON 

Van Goyen, Jan — Dutch, 1596-1656. 

2070. The Dead Calm. 

2071. The Inn. 


196 


LIST OF LOANS 


Ruisdael, Jacob van — Dutch, 1628-1682. 

2072. Landscape. 

Saftleven, Herman — Dutch, 1610-1685. 

2073. River View. 

Sorgh, Henrik Maertenzoon, called Rokes — Dutch, 1611-1670. 

2074. Dutch Interior. Signed H. M. Sorgh. 

Breughel, Jan — Flemish, 1568-1625. 

2075. Landscape. 

Ostade, Adrian van — Dutch, 1610-1685. 

2076. Man at Window. 

Capelle, Jan van der — Dutch, d. 1680. 

2077. The Calm. 

Teniers, David, the younger — Flemish, 1610-1690. 

2078. The Flageolet Player. 

Terburg, Gerard — Dutch, 1617-1681. 

2079. Portrait of a Woman. 

2080. Portrait of a Man. 

Netscher, Caspar — Dutch, 1639-1684. 

2081. Portrait of a Man. 

Ochtervelt, Jacob — Dutch, d. 1710. 

2082. The Musicians. 

Huysmans, Cornelis — Flemish, 1648-1727. 

2083. The Hollow Road. 

Isenbrant, Adrian — Flemish, d. 1551. 

2084. Madonna and Child. 

Colyn de Coter — Flemish, second half XV century. 

2085. Madonna and Angels. 


PAINTINGS 


197 


Flemish, first half XVI century. 

2086. St. Bridget with Donor. 

2087. St. Augustine with Donor. 

Italian, XV century. 

2088. Adventures of Ulysses. 

Spanish, artist unknown. 

2089. Portrait of a Man. 

Goya y Lucientes, Francesco — Spanish, 1746-1828. 

2090. Capture of the Bandit Margaroto by the monk 
Pedro de Zaldiva. Series of six paintings. 

Monet, Claude — French, 1840 — . 

2091. The Hay Stack. 

La Touche, Gaston — French, 185^1 — . 

2092. A Pardon in Brittany. 

Le Sidaner, Henri — French, 1862 — . 

2093. The Fountain, Moonlight. 

2094. The Seine and the Pont Royal. 

Sisley, Alfred — French, 1839-1899. 

2095. Landscape. 

Inness, George — American, 1825-1894. 

2096. Landscape. 

2097. Moonlight on Passamaquody Bay. 

LENT BY EDWARD F. SWIFT 

Keith, William — American, 1839-1911. 

3002. Live Oaks. 

3003. Woodland Interior. 

3004. Autumn Sunset. 


198 


LIST OF LOANS 


LENT BY P. A. VALENTINE 
Bennett, Frank M. — English contemporary. 

3007. The Greek Runner, Ladas, victor in the Olympian 
games, dying when about to receive his crown. Signed 
Frank M. Bennett. 


Shaw, Byam — English, 1872 — . 

3008. Truth. An allegory. The king ' is blindfolding 
Truth, supported by the Church and the Law. Signed 
Byam Shaw, 1898. 


Sculpture 

LENT BY P. W. BARTLETT 

Bartlett, Paul Wayland — American, 1865 — . 

3020. Primitive Man and Bears. Plaster. Signed and 
dated ’87. 


LENT BY MRS. WILLIAM E. BOYNTON 

French, Daniel Chester — American, 1850 — . 

3021. Bust of Ralph Waldo Emerson. Plaster. 

LENT BY CHARLES FRANCIS BROWNE 

MacNeil, Hermon A. — American, 1866 — . 

3022. Bust of Charles Francis Browne. Bronze. 

LENT BY F. EDWIN ELWELL 

Elwell, Frank Edwin — American, 1858 — . 

3023. Diana and the Lion. Marble. Signed and dated 
1893. 


LENT BY MRS. CLARA E. ENGLISH 

Kiss, Augustus — German, 1802-1865. 

3024. Amazon and Tiger. Small copy in bronze. 


SCULPTURE 


199 


LENT BY MRS. HESTER D. ESTES 
Korbel, Josef Mario — American contemporary. 

3025. Portrait Bust of a Woman. Marble. 

LENT BY MRS. A. H. FOWLER 

Volk, Leonard W. — American, 1828-1895. 

3026. Bust of Elihu B. Washburne. Marble. 

LENT BY DANIEL C. FRENCH 

French, Daniel Chester — American, 1850 — . 

3027. John Boyle O’Reilly Memorial. Plaster cast of 
the bronze erected in 1896 in Back Bay Fens, Boston, 
Mass. Erin weaving a crown of fame, assisted by 
Poetry and Military Patriotism. Signed Daniel French. 

3028. John Harvard, founder of Harvard College. Plas- 
ter cast of an ideal bronze statue in Cambridge, Mass. 

LENT BY HAMILTON MCCORMICK 

Peterson, George D. — American, 1862 — . 

3031. Tiger at Bay. Plaster. Signed G. D. Peterson, 
Paris, 1891. 


LENT BY MUNICIPAL ART LEAGUE 
Crunelle, Leonard — American contemporary. 

3032. The Squirrel Boy. Bronze. 

LENT BY WALTER PARROTT 
Bracony, Leopold — American contemporary. 

3033. Bust of Carter H. Harrison, Sr. Marble. 

LENT BY MRS. E. M. SCHRYER 

3036. Famese Bull. Reduced copy in bronze. 

3037. Dying Gaul. Reduced copy in marble. 


200 


LIST OF LOANS 


LENT BY MRS. J. W. SCOTT 
Daillion, Horace — French contemporary. 

3038, Cache-Cache. (Hide and Seek.) Mother and two 
children. Marble statuette. Signed H. Daillion. 

LENT BY' NELLIE WALKER 
Walker, Nellie — American contemporary. 

3039. Her Son. Plaster. 

Miscellaneous 

LENT BY PROF. CHOY'O 

3051. Japanese Objects. Collection of 41 small carv- 
ings, porcelains, lacquer, etc. 

LENT BY THE CITY OF CHIC-YGO 

3052. Shield by Gustave Dore (French, 1833-1883). Pre- 
sented by the government of the Argentine Republic 
to Gen. Thomas O. Osborn, U. S. IMinister to that coun- 
try 1874-1890. Silver, gold and enamel. An inscription 
in Spanish records the friendly offices in recognition of 
which the shield was presented. Signed Ge. Dore; also 

i Froment-Meurice, Vernier, Camera. 

LENT BY OSCAR G. FOREMAN 

3053. Ivory Carvings. 36 pieces. Italian and Japanese. 

LENT BY' ALICE E. GETTY 

3054. Musical Instruments. 110 specimens. 

LENT BY THOMAS B. JEFFERY. 

3055. Ivory Carvings and Bronzes. 24 pieces. 

LENT BY' MRS. R. J. MERCL'R 

3056. Old Wedgwood Crocus Pot. 

3057. Delft Cheese Dish. 


MISCELLANEOUS 


201 


LENT BY N. H. OLIVER 

3058. Ivory Carvings. 4 pieces. 

LENT BY ERNEST DALE OWEN 

3059. Antique Glass. 93 pieces. 

LENT BY WELLINGTON J. REYNOLDS 

3060. Basilica of Constantine, Rome. Cork model of 
the building in its present condition. By Wellington 
J. Reynolds. 


LENT BY JOSEPH ROSENBAUM 

3061. Ivory Carvings. A collection of 164 carvings of 
the XI-XIX centuries, by Italian, French, English and 
Oriental artists. 

LENT BY MARTIN A. RYERSON 

3062. Carved Wood Cabinet. Dutch (Friesland), XVII 
century. 

3063. Carved Wood Linen Press. Dutch (North Hol- 
land), XVII century. 

3064. Collection of French and Holland Ware. 

LENT BY ESTATE OF MARY MORRIS WALKER 

3065. Ivory Carvings. Ill pieces. 





GENERAL INDEX. 


(The references are to pages.) 


Abdiet, bust, 74. 

Achenbach, Oswald, 122. 

Achilles, Borghese, statue, 33. 

Acropolis at Athens, model, 34. 

Adonis resting, statue, 99 ; so 
called, 48. 

Against the Light, 147. 

Agasias, 45. 

Agesandros, 47. 

Agrippina, so called, bust, 55. 

Aigina sculptures, 28. 

Aischines, statue, 42. 

Aix, sculpture from cathedral 
of, 92. 

Alcestis, 40. 

Alcott, A. Bronson, bust, 77. 

Alexander the Great, 40'; statu- 
ette, 56. 

Alexander, John 'W., 146. 

Alexandrovna, 117. 

Alice, 130. 

Allerton, Robert, donor, 78, 111, 
134. 

Ailing, Bertha Baker, donor, 110. 

Allport, Dr. W. H., donor, 135. 

Alma Mater, statue, 78. 

Alma-Tadema, Laurenz, 128. 

Alexnor of Naxos, 31. 

Amalthsea, statue, 100. 

Amateurs, The, 132. 

A^mazon, combat with Greeks, 
32, 37, 39 : dead, 43 ; head, 
34 ; bust, 54 ; statuette, 72 ; 
and tiger, 198. 

Ameneritis, Queen, statue, 18. 

Amenophis III, statue, 18. 

America, bust, 80. 

American architecture, 103 ; 
drawings, 153-159 ; medals, 
174; paintings, 119, 122-135, 
146-151, ■ 191-195, 197; pot- 


tery, 185, 186 ; prints, 161, 
162 ; sculpture, 74-81, 198- 

200; textiles, 190. 

Amiens, sculpture from cathe- 
dral of, 87. 

Amor Caritas, statue, 77. 

Amphion of Knossos, 31. 

Anacreon, statuette, 69. 

Ancestor, An, statue, 71. 

Anderson, Karl, 146. 

Andreotti, P., 137. 

Annalene Malatesta, so called, 
head, 64. 

Antinous, relief, 52 ; so called, 52. 

Antiochus III, bust, 46. 

Antiquarian Society, Collection 
of, 187. 

Antommarchi, Dr. Francesco, 68. 

Aphrodite, of Melos, 45 ; statues, 
32, 39, 46 ; crouching, 45 ; 

heads, 44, 45. See Venus. 

Apol, Louis, 141. 

Apollino, statues, 39, 65. 

Apollo, statues : of Actium, 27 ; 
of Tenea, 27 ; Choiseul-Gouf- 
fier, 32 ; Sauroktonos, 39 ; at 
rest, 39; Belvedere, 41; of 
Centocelle, 48, 56 ; statuette, 
56. Heads : archaic, 53 ; 
Pourtales, 46. Reliefs: from 
Thasos, 31; with muses, 46. 

Apollo Epikourios, temple of, 37. 

Apollodorus of Damaskos, 50. 

Apollonios, of Athens, 54. 

Apoxyomenos, statue, 41. 

Apple Blossoms, 146. 

April Twentieth, 148. 

Arch6 Club, donor, 80. 

Archelaos, 46. 

Archermos, 28. 

Architectural sculpture, 82-105. 


208 


204 


THE ART INSTITUTE OF CHICAGO 


Archytas, miscalled, bust, 54. 

Arctic Whalers Homeward 
Bound, 122. 

Ares, statue, 33 ; seated, 41. See 
Mars. 

Adriadne, with panther, 47. 

Aristlon, relief of, 29. 

Aristokles, 29. 

Armenian Fathers, 132. 

Armor, 169-172 ; Oriental, 177, 
188. 

Armour, A. V., lent by, 191. 

Armour, George A., donor, 73. 

Armour, Philip D., donor, 130, 
181. 

Artemis, from Delos, 28; of Ver- 
sailles, 41 ; relief, 48. See 
Diana. 

Artemis, temple of, at Ephesos, 
40. 

Arthur, King, statue, 72. 

Artz, D. A. C., 141. 

Arundel reproductions, 161. 

Asklepios, head, 40. 

Assos, reliefs of temple of, 29. 

Assumption of the Virgin, 110. 

Assurnazirpal, statue of, 20. 

Assyrian sculpture, casts, 19. 

Astronomer, The, 139. 

Athanodoros, 47. 

Athena. Statues : Aigina, 28 ; 
Lemnian, 33 ; Giustiniani, 38. 
Heads: 37, 47, 182. 

Relief from Olympia, 31. 

Athena Nike, temple of, 36. 

Athena Parthenos, statuettes, 
33 ; shield of, 33. 

Atlas, from Olympia, relief, 31. 

Audran, Jean, 164. 

August Moon, The, 127. 

Augustus, heads, 49, 61 ; busts, 
49 ; statues, 49. 

Aulus Gabinius, so called, bust, 
65. 

Austrian paintings, 118, 125, 126, 
129, 138; medals, 174. 

Avery, S. P., fund, 136. 

Awakening Spring, statue, 76. 


Ajer, Edward E., doner, 133, 
161, 181, 184. 

Aztec masks, 189. 

Babbitt, Florence S., Collection, 

190. 

Babylonian sculpture, casts, 19. 
Bacchante, dancing, statue, 42 ; 

by Dedieu, 99. 

Bacchic revel, relief, 48. 
Bacchus, statue, 66 ; in group, 
69. See Dionysos. 
Backhuysen, Ludolph, 109. 
Baker, Charles H., donor, 110. 
Baker, Ellen K., 191 ; lent by, 

191. 

Baker, Henry D., donor, 110. 
Baker, Howard 'W., donor, 110. 
Baker, Martha S., 194. 

Baker, 'William T., donor, 18 L 
Balcom, Mrs. Uri, donor, 74. 
Barbara Manfredi, mask, 63. 
Barbedienne, G. Le B., donor, 69. 
Barbet, Jehan, 91. 

Barbizon School, 112. 

Barque, Charles, 119. 

Barnard, George Grey, 79. 
Barnhart, Arthur M., donor, 79; 
lent by, 191. 

Barrias, Louis-Ernest, 70. 
Bartholomse, George, donor, 72. 
Bartlett, A. C., donor, 133, 139. 
Bartlett, Frederic C., donor. 111. 
Bartlett, Paul W., 79. 198; lent 
by, 198. 

Bartol, Elizabeth H., donor, 74. 
Bartolozzi, Francesco, 163. 
Barye, Antoine-Douis, 69. 
Bastianini, Giovanni, 67. 
Bathers, The, 120. 

Beauneveu, Andr4, 90. 

Beauvais, sculpture from cathe- 
dral of, 92. 

Becker, A. G., donor, 133. 
Beckwith, Carroll, lent by, 191. 
Beggar, The, 138. 

Beheading of John the Baptist, 
The, 134. 


GENERAL INDEX 


205 


Belgian paintings, 116, 118, 119, 
123, 126, 128, 137, 140, 192. 
Bell, Mrs. Jene E., donor, 185. 
Bellows, Albert F., 162. 

Beman, Solon S., 104. 

Benedetto da Majano, 65. 
Benjamin-Constant, J., 193. 
Bennett, Frank M., 198. 

Benson, Edward White, bust, 73. 
Benson, Frank W., 146. 

Benzoni, G. M., 67. 

Berchem, Jules, donor, 69, 74. 
Bergen, Mrs. H. B., donor. 111. 
Betrothal, The, 127. 

Betts, Louis. 130, 146, 191, 192, 
194. 

Between Love and Riches, 119. 
Bierstadt, Albert, 122. 

Bigelow, Folger Allen, 130. 
Bigelow, Mrs. D. F., donor, 130. 
Black, John C., donor, 133. 
Blackstone collection of archi- 
tectural casts, 82-104. 
Blackstone, T. B., donor, 82, 108. 
Blackstone Memorial Library, 
model, 104. 

Blaine, Anita McCormick, donor, 
75. 

Blair, Chauncey J., donor, 133. 
Blanxius Memorial Collection, 
185. 

Blashfield, Edwin H., 157-159. 
Blommers, B. J., 141. 

Blue Gale, The, 131. 

Boghaz-Koi, sculpture from, 22. 
Bonaiuti, Giuseppe, bust, 67. 
Bonheur, Rosa, 120, 122. 

Bonnat, Leon, 116, 195. 

Book of the Dead, 180. 
Bordeaux, sculpture from cathe- 
dral of, 90. 

Bosio, Frangois Joseph, 68. 
Botticelli, Sandro, 111. 
Bouguereau, William, 120, 122, 
193. 

Bourges, sculpture from cathe- 
dral of, 86. 


Bourgtheroulde, Hotel de, sculp- 
ture from, 93. 

Boutet de Monvel, Maurice, 137. 

Boxer, Greek, statue, 33 ; head, 
40 ; bust, 54. 

Boxer, The Tired, statue, 79. 

Boy strangling goose, 46. 

Boynton, Mrs. W. E., lent by, 
198. 

Bracony, Leopold, 199. 

Bradford, William, 122. 

Brand, Rudolph, donor, 72. 

Brangwyn, Frank W., 136. 

Brateau, Jules, 172. 

Breton, Jules, 112, 118. 

Breughel, Jan, 196. 

Brewster, Edward L., family of, 
donor, 137. 

Br6z6, Louis de, statue, 93. 

Bridgman, Frederic A., 122, 130. 

Bringhurst, Robert P., 76. 

Bringhurst, Robert P., donor, 76. 

Bringing Home the New Born 
Calf, 115. 

British paintings, 113, 118, 128, 
136, 137, 192, 198 ; drawings, 
153; sculpture, 73; pottery, 
185. 

Bronzes, Chinese and Japanese, 
177, 189; Egyptian, 179; 

Greek, 183; various, 200. 

Brown, Charles E., lent by, 191. 

Browne, Charles Francis, 194 ; 
bust of, 198 ; lent by, 198. 

Browne, George Elmer, 146. 

Bruce-Joy, Albert, 73; donor, 73. 

Brunette, A, 126. 

Brusasorci, the younger, 110. 

Brush, George De Forest, 130. 


Bryaxis, 40. 
Buckingham 

Clarence, 

donor. 

133, 139. 



Buckingham, 

Ebenezer, 

donor, 

181. 



Buddhist shrine, 175; 

statue. 


175. 

Bull, Assyrian winged, 20. 
Bull, A Sacrificial, 134. 


206 


THE ART INSTITUTE OF CHICAGO 


Burne-Jones, Edward, 153. 
Burnham, Daniel H., donor, 81. 
Butler, Edward B., portrait, 
191; donor, 133, 150, 181; 

lent by, 191. 

Butler Collection of Innes 
paintings, 150, 151. 
Byzantine sculpture, 83. 


Cabanel, Alexandre, 123. 

Cain, Auguste, 69; donor, 69. 
Caldwell, Brown, lent by, 191. 
Calliope, bust, 67. 

Canopic jars, 179. 

Can ova, Antonio, 67. 

Capelle, Jan van der, 196. 
Carlsen, Emil, 135. 

Carnavalet, Hotel, sculpture, 95, 
96. 

Carnegie Institute of Pittsburg, 
donor, 87. 

Caiwed wood, 187, 190, 201. 
Caryatids, 36. 

Cassatt, Mary, 130. 

Castle, The, 108. 

Castor and Pollux, so called, 52. 
Catherine de’ Medici, tomb of, 96. 
Cazin, Jean-Charles, 112, 123, 

137, 191. 

Cellini, Benvenuto, 66. 

Centaurs, 36, 37. 

Central Church, donor, 79. 
Center Bridge, 134. 

Ceramano, Charles, 123. 
Ceramics. See pottery. 

Cerdo, Marcus Cossutius, 34. 
Chaldean sculpture, casts, 19. 
Chapu, Henri, 69. 

Charioteer of Delphi, 31. 

Charity, statue, 7 0. 

Charlemont, Hugo, 118. 

Charles VIH, children of, 91. 
Charlieu, sculpture from abbey 
of, 87. 

Chartres, sculpture from cathe- 
dral of, 87, 92. 

Chase, 'William M., ISO. 


Chateau de Gaillon, sculpture 
from, 91. 

Chateau de la Fertd-Milon, 
sculpture from church of, 90. 

Chateau du Dude, Sarthe, sculp- 
ture from, 91. 

Chateau de 'Versailles, sculpture 
from Park of, 98. 

Chauvel, Theophile,- 162. 

Chiaramonti Nlobid, 45. 

Chicago Normal School, lent by, 
192. 

Chikanobu, 143. 

Chinese applied art, 175-177; 
water colors, 143 ; metal 
work, 177 ; musical instru- 
ments, 187, 200. 

Choyo, Prof., lent by, 200. 

Christmas Eve, 149. 

Chrysapha, grave relief from, 27. 

Church, The, statue, 83. 

Church, Frederic E., 123. 

Citizen of Calais, A, statue, 71. 

City of Chicago, lent by, 200. 

Clark, Major D. H., portrait, 
192. 

Clark, Mrs. D. H., lent by, 192. 

Classical antiquities, 181-184. 

Clays, P. J. C., 118, 123. 

Cleopatra, 124. 

ClOve, Corneille Van, 98. 

Cliffs at Trouville, The, 139. 

Cloisonne enamel, 177, 189. 

Close of Day, The, 131. 

Cobb, Henry Ives, 103. 

Coins, Greek and Roman, 184. 

Col, Jean David, 137. 

Colburn, Eleanor R., 194. 

Cole, Thomas. 123. 

Cole, William O., donor, 13.5. 

College of the City of New York, 
decorations, 158. 

Colleoni, Bartolommeo, statue, 
84. 

Colman, Samuel, 123. 

Colombe. Michel, 91. 

Columbus Quadriga, model for, 
78. 


GENERAL INDEX 


207 


Colyn de Coter, 196. 

Comhat, The, 117. 

Coming Storm, The, 148. 
Commodus, head, 53. 

Constable, John, 113. 
Constantine, Basilica of, model, 
201 . 

Cook, Mrs. Margaret, donor, 135. 
Coolldge, Charles A., 103 ; do- 
nor, 100. 

Coomans, Joseph, 123. 

Corot, J. B. C., 113, 120, 124. 
Cossutius, 34. 

Counselman, Charles, donor, 133, 
181. 

Courbet, Gustave, 120. 

Court House, Baltimore, decora- 
tions, 158. 

Courtier, A, 114. 

Courtry, Charles Louis, 162. 
Cousin, Jean, 92, 93. 

Coustou, Nicholas, 99. 

Couture, Thomas, 124. 

Coysevox, Antoine, 98, 99. 
Crabb, Christopher C., lent by, 

192. 

Cradle Song, The, 192. 

Cranach, Lucas, the Elder, 187. 
Crane, R. T., donor, 139. 

Croos, A. J., van der, 121. 

Cros, Henri, 70. 

Crucifixion, The. relief. 189. 
Crunelle, Leonard, 81, 199 ; do- 
nor, 81. 

Cudahy, John, donor, 137. 
Culver, Mrs. Charles E., donor, 
133. 

Culver, Mrs. George N., donor, 
108. 

Currier, J. F., portrait sketch, 

193. 

Cypriote sculpture, casts, 26. 

Daillion, Horace, 200. 
Damasistrate, grave relief of, 38. 
Dannat, William T., 131 ; donor, 
131. 


Dante, head, 62. 

Danti, Vincenzo, 66. 

Daubigny, Charles P., 113, 124. 

David, by Donatello, 63 ; by 
Verrocchio, 64 ; by Michael- 
angelo, 65 ; by Mercie, 71. 

Davis, Arthur B., 147. 

Davis, Charles H., 124, 131. 

Deakin, H., donor, 189. 

Death and the Sculptor, group, 
77. 

Decamps, Alexandre, 113. 

Dedieu, Jean, 99. 

Delacroix, Eug&ne, 113, 124. 

Delafield, Walter, donor, 19 0. 

Delaplanche, Eugene, 70. 

Del Riccio, Felice, 110. 

Deluge, record of, 19. 

Demeter, statue, 39. 

Demidoff Collection, paintings, 
107. 

Democritus, 192. 

Demokritos, miscalled, bust, 54. 

Demosthenes, statue, 42 ; busts, 
55. 

Desert Wanderer, Navajo, 148. 

Desiderio da Settignano, 63, 64. 

Desnoyers, A. G. L. B., 163. 

Detaille, fidouard, 113, 120. 

Dewing, Thomas W., 147. 

Diadumenos, statue, 33. 

Diana of Gabii, statue, 39. See 
Artemis. 

Diana, by Houdon, 68 ; by Fal- 
guiere, 70: head by Goujon, 
94 ; bas-relief, 95. 

Diaz de la Pena, N. V., 114, 124. 

Dionysos, infant, with Hermes, 
38 : with Seilenos, 42 ; and 
Ikarios, 43 ; given to Nysa, 
82 ; heads, 29, 54 ; votive re- 
lief to, 43. 

Diskobolos, 32 ; by Myron, 32. 

Doidalsos of Bithynia, 45. 

Doggett, William E., donor, 61. 

Dole, .Tames H., bust, 78. 

Dole. Mrs. James H., donor. 78, 
137. 


208 


THE ART INSTITUTE OF CHICAGO 


Domingo Francisco, 114. 

Donatello, 62, 63 84 ; school of, 
64, 102. 

Donoghue, John, 78. 

Dordogne, The River, group, 98. 

Dor6, Gustave, 200. 

Doryphoros, statue, 33 ; bust, 54. 

Douarnenez, 138. 

Dougherty, Paul, 131. 

Drawings, 153-159. 

Driver, Mrs. Edward A., donor. 
Ill : heirs of Edward A., do- 
nors, 139. 

Dubois, Paul, 70. 

Duhois, Portrait of Helena, 110. 

Due de Chartres, Portrait of, 
113. 

Dupree, Jules, 114, 125. 

Durand-Ruel, donor, 138, 139. 

Dutch paintings, 107-110, 111, 

120, 121, 124, 126, 128, 138, 
191, 192, 195, 196 ; water- 

colors, 141-143 : ceramics, 
201 : carved wood, 201. 

Duveneck, Elizabeth B., statue, 
77. 

Duveneck, Frank, 77, 192, 193. 

Dwight, John H., donor, 133, 181. 

Dyer, Charles G., 131. 

Dying Gaul, copy, 199. 


Earle, L. C., 194. 

East, Alfred, 136. 

Egyptian antiquities, 179, 180. 
Egyptian sculpture, casts, 17-19. 
Eirene and Ploutos, 38. 
Eisendrath, J. N., donor, 135. 
Eishi, 165. 

Elgin Marbles, 34-36. 

El Greco, 110. 

Elliott, Charles Loring, 131. 
Ellis, Mrs. Addie M., donor, 16. 
Ellsworth, James M'., donor, 181, 
185. 

Elwell, F. E., 198 ; lent by, 198. 
Emerson, Alfred, donor, 181. 
Emerson Ralph Waldo, bust, 198. 


English, Mrs. Clara E., lent bv, 

198. 

English Gothic fragments, 101. 
English painting. See British. 
Engravings, 161-164. 

Eos, 44. 

Ephesos sculptures, 30, 40. 
Epikouros, busts, 55. 

Epikrates, stele of, 100. 
Erechtheum, sculpture of, 36. 
Eriksson, Christian, 73. 

Ernst, Leo, donor, 72. 

Ernst, Rodolphe, 125. 

Eros, from Parthenon, 36 ; in 
Vatican, 39 ; stringing bow, 
46 : terminal, 182. 

Escosura, Leon y, 125. 

Estes, Mrs. Hester D., lent by, 

199. 

Etchings, 161-164. 

Euboulides, 47. 

Evrard de Fouilloy, tomb of, 88. 


Faed, John, 118. 

Fair Collection of Prints, 161. 
Faith, statue, 70. 

Falguigre, Jean, 70. 

Family Concert, The, 108. 
Family of Darius at the Feet of 
Alexander, 111. 

Fans, 187. 

Fantin-Latour, Henri, 138. 
Farnese Bull, reduced copy, 199. 
Fates, The Three, 35. 

Faun, Borghese, 61 ; dancing, 57, 
60; sleeping, 79; statues, 56; 
statuette. 182 ; infant, by 
Potter, 79. 

Feeding Time, 119. 

Fenton, William F., lent by, 192. 
Ferguson, B. F., fund, 133, 135. 
Ferguson, B. F., portrait, 132. 
Ferraris, Arthur, 129. 

Ferrucci, Francesco, 63. 

Field, Mrs. Henrj', donor, 76, 
112 . 

Field, Henry, portrait, 116. 


GENERAL INDEX 


209 


Field, Marshall, donor, 116, 173. 

Field Memorial Collection, 112- 
116. 

Field Museum of Natural His- 
tory, donor, 70, 75, 78, 80. 

Fighting Boys, fountain, 81. 

First Burial, group, 70. 

First Sorrow, 119. 

Flag-staff, base of, 84. 

Fleming, Robert H., donor, 180. 

Flemish paintings, 107-110, 196, 
197 ; tapestries, laces, 187. 

Fles, Etha, 141. 

Flight from Pompeii, group, 67. 

Flora Farnese, so called, 46. 

Flora and Cupid, statues, 99. 

Flower Girl in Holland, 132. 

Forbes, James, 136. 

Foreman, E. G., donor, 133. 

Foreman, Oscar G., lent by, 200. 

Fortuna, statuette, 57. 

Fortuny y Carbo, M., 114. 

Fountain, The, 139. 

Fountain of the Innocents, frieze 
of, 94 ; nymphs from, 100. 

Fowler, Mrs. A. H., lent by, 199. 

Francis II, statue, 91. 

Frederick the Great, statue, 72. 

Freer, Frederick W., 131. 

FrSmiet, Emmanuel, 69. 

French, Daniel C., 77, 198, 199; 
donor, 77, 78 ; lent by, 199. 

French, William M. R., portrait, 
130. 

French, Mrs. W. M. R., donor, 
130. 

French architectural fragments, 
103. 

French paintings, 111-128, 137- 
140, 191, 193, 195, 197; wa- 
ter-colors, 141-142 ; historic 
sculpture, 85-105; modern 
sculpture, 68-71, 200 ; Ro- 

manesque ornament, 101 ; 
ceramics, 185, 201 ; furniture, 
187. 

Pr&re, Charles ThSodore, 125. 

Friendly, Mrs. Rosa, A., donor, 
189. 


Friends of American Art Collec- 
tion, 81, 146-149. 

Frieseke, P. C., 147. 

Fromentin, Eugene, 114, 117. 

125. 

Fuller, W. A., donor, 133. 

Fullerton, Alexander N., por- 
trait, 136. 

Fullerton, Charles W., portrait, 
131, donor, 39, 133, 136, 138, 
140. 

Furniture, Roman, 183, 187. See 
Wood Carving. 


Gabriel, P. J. C., 141. 

Gaisser, Max, 125. 

Gans, Julius, lent by, 192. 

Gans, Samuel, lent by estate of, 
192. 

Ganymedes and the eagle, 39. 
Garber, Daniel, 147. 

Garfield monument, detail of, 74. 
Garonne, The River, group, 98. 
Gattamelata, statue, 84. 

Gaul, at bay, 43; dying, 43. 
Gay, Edward, 132. 

Gelert, Johannes S'., 78. 

German painting, 115, 117, 119, 
122, 125-128, 192, 195; sculp- 
ture, 72, 83, 198 ; Roman- 

esque ornament, 101. 

Gdrome, Jean L§on, 69, 118, 125. 
Getty, Alice E., lent by, 200. 
Getty, Henry H., donor, 179. 
Ghiberti, Lorenzo, 62. 

Gibson, John, 73. 

Gifford, Sanford R., 125. 

Gilbert, Achille, 163. 

Giovanna degli Alhizzi, 111. 
Giovanni da Bologna, 66. 
Girardon, Frangois, 97. 

Giraud. Jean-Baptiste, 68. 

Girl of Granada, A, 122. 

Girl, Portrait of a, 109. 

Giuliano de’ Medici, tomb of, 66. 
Gladiator, dying. 43 ; fighting. 
45 ; helmet and greaves of. 
58. 


210 


THE ART INSTITUTE OF CHICAGO 


Glass, antique, 184, 186, 189, 201. 

Glessner, John J., donor, 108, 133. 

Glykon, 42. 

Gods and Giants, from Olympia, 
27. 

Golden Wedding, The, 107. 

Gothic fragments, 101. 

Gothic stone carvings, 188. 

Goujon, Jean, 93, 94. 

Goya y Luclentes, F., 197. 

Goyen, Jan van, 195. 

Graces, The Three, hy Pilon, 95. 

Grand Rapids Public Library, 
model, 103. 

Grave reliefs: Aristion, 29; 
bearded man, 31 ; young man 
with scroll, 37 ; Philis, 31 ; 
Hegeso, 37 ; Damasistrate, 
38; Polyxene, 38; Greek 
stele, 100; Egyptian stele, 179. 

Gray Bodice, The, 149. 

Gray Day in Holland, 12 6. 

Grayson, Clifford, P., 132. 

Greek sculpture : prehistoric, 27 ; 
archaic, 27-31; V century, 
31-38; IV century, 38-42; 
late, 42-47 ; architectural, 82, 
83, 100, 101; original an- 

tiquities, 181-184. 

Greenough, Horatio, 74. 

Grief of the Pasha, The, 118. 

Grover, Oliver Dennett, 194. 

Griitzner, Eduard, 125. 

Guard House, The, 108. 

Guardi, Francesco, 194. 

Guidarello Guidarelli, statue, 84. 

Guillaume de Chanac, statue, 90. 

Guillaume de Bellay, statue, 92. 

Gunsaulus Collection of Old 
Wedgwood, 186. 

Gunsaulus, Frank W., donor, 
146, 190; lent by, 186. 


Haas, J. H. L. de, 138. 

Haas, M. F. H. de, 124. 

Hacker, Arthur, 192. 

Hadrian and Antinous, so called, 
52 . 


Hadrian, busts, 52. 

Haig, Axel Herman, 162. 
Halikarnassos, mausoleum of, 39. 
Hallowell, Sara, donor, 76. 

Hals, Frans, 109. 

Hals, Harman, portrait of, 109. 
Hamill, Ernest A., donor, 130, 
133. 

Hanford, P. C., donor, 138. 
Happy Mother, The, 108. 

Harpy Monument, reliefs, 30. 
Harris, Norman W., donor, 179. 
Harrison, Alexander, 132. 
Harrison, Carter H., Sr., bust. 
199. 

Hart, James M., 126. 

Hart, William, 132. 

Harunobo, 165. 

Harvard, John, statue, 199. 
Hassam, Childe, 147. 

Kasselberg, Per, 73. 

Plathor, statuette, 18. 

Hawthorne, Charles W., 147. 
Healy, George P. -A, 132. 

Healy, Mrs. G. P. A., bequest of, 
132, 136. 

Heber, Carl A., 80; donor, 80. 
HObert, Antoine A. E., 111. 
Hegeso, grave relief of, 37. 
Helena Du Bois. portrait, 110. 
Helios, 45 ; Baalbek relief. 25. 
Henner, Jean Jacques, 126. 
Henri, Robert, 147. 

Henry II, tomb of, 96. 

Henry III of France, bust, 96. 
Henrj' PV of France, statue, 68. 
Hera, head, 37 ; Ludovisi head, 
47. 

Hera, Temple of, at Argos, 37. 
Heracles, T. C., urn of, 51. 
Heraclitus, 192. 

Herakleitos, miscalled, bust, 54. 
Herakles, from Aigina, 28 ; from 
OljTnpia, 31 ; Farnese, 42 ; 
torso in Vatican. 47 ; so re- 
stored, 181. 

Herculaneum bronzes. 53. 
Hercules, by Lecomte. 99. 
Hermarchos. bust, 55. 


GENERAL INDEX 


211 


Hermes. Statues: 38 ; by Praxi- 
teles, 38 : 52, 56 ; bust, 54. 
Reliefs: from Thasos, 31; 38, 
40, 48, 82. 

Her Son, statue, 200. 

Hesi, reliefs from tomb of, 17. 

Hewitt, H. W., portrait, 131. 

Hibbard, Mrs. H. N., lent by, 
193. 

Hibbard, “William G., donor, 139. 

Higinbotham, Harlow N., donor, 
53. 

Hill, Martha, donor, 131. 

Hills of Byram, 147. 

Hill Top, The, 148. 

Hiroshige, 165. 

Hitchcock, George, 132. 

Hittite, sculpture, 22-25. 

Hobbema, Meindert, 109. 

Hodge, Mrs. Emma B., donor, 
185. 

Hokui, 145. 

Hokusai, 145, 165, 166. 

Hollis, Mrs. H. L., lent by, 193. 

Homer, Apotheosis relief, 46 ; 
busts, 46. 

Horses of the Sun, The, relief, 

100 . 

Houdon, Jean Antoine, 68. 

Howard, Mrs. Sarah J., lent by, 
193. 

Hutchinson, Charles L., portrait, 
133. 

Hutchinson, Charles L., donor, 
72, 109, 169, 172, 174, 179, 
181; lent by, 193. 

Hutchinson gallery, 107-110. 

Huysmans, Cornelis, 196. 


Ice-bound, 148. 

Idlers: August, 146. 

Idrac, Jean, 70. 

Ikarios and Dionysos, 43. 
Ilioneus, statue, 41. 
Ilissus, 35. 

II Marzocco, 84. 

II “Vecchietta, 64. 


Inness, George, 126, 150, 151, 197. 

Inro, 176, 188. 

Inscriptions, ancient : Egyptian, 
17-19, 180; Chaldean and 

Babylonian, 19; Assyrian, 19- 
22 ; Persian, 22 ; Hittite, 22- 
24; Syrian, 25; Phoenician, 
Arabian, Cypriote, 26 ; Greek, 
25, 34, 38, 48, 54. 

Inspiration, 126. 

In the Studio, 149. 

Ipsen, Ernest L., 132. 

Iris, torso, 35. 

Irvine, “Wilson, 194. 

Irwin, David W., donor, 137, 181. 

Isabey, Eugene, 119. 

Isenbrant, Adrian, 196. 

Isis, statuette, 18. 

Italian architectural fragments, 
102 ; paintings, 110, 117, 127, 
137, 193, 197; prints, 163, 

164 ; sculpture, 62-67, 84, 85 ; 
reliefs, 189 ; ivories, 200, 201. 

. Itcho, 144. 

Ivory carving, Japanese, 178, 
189, 200, 201 ; Italian, French, 
English, 200, 201. 


Jackson, John, 136; self-portrait, 
136. 

Jacque, Charles fimile, 119, 141. 

Jacquet, Jean Gustave, 117, 126. 

Jade, 175. 

Japanese color prints, 165-169 ; 
kakemonos, 143 ; leather, 145 ; 
metal work, 170-173, 189; 

armor, 188 : applied art, ivor- 
ies, etc., 175-178, 188, 200, 

201 ; musical instruments, 
176, 187, 200. 

Jason with fleece, statue, 66 ; so 
called, 45. 

Jean de Beauce, 92. 

Jeffery, Thomas E., lent by, 200. 

Jerusalem, Sign from Temple of, 
25. 

Jettel, Eugene, 126, 138. 


212 


THE ART INSTITUTE OF CHICAGO 


Joan of Arc, statue, 69. 

Joan of Arc at the Court at Chi- 
non, 137. 

Johansen, John C., 148, 194. 
Johnson, Eastman, 132 ; self-por- 
trait, 132. 

Jones, Thomas D., donor, 75. 
Joshua, by Ghiberti, 62. 
Jucundus, Lucius Caecilius, head, 
60. 

Judgment of Paris, The, 119. 
Juergens, Alfred, lent by, 193. 
Julian the Apostate, bust, 64. 
Julianus, Didius, head, 53. 
Julien, Pierre, 100. 

Julius Caesar, head so called, 46, 
49 ; Renaissance head, 64. 
Juno Castellani, head, 37. 
Jupiter Talleyrand, so called, 29. 
Juste, Jean, 91. 


Keibun, 144. 

Keith, Edson, donor, 108. 

Keith, Ellridge G., donor, 181. 
Keith, "William, 148, 197. 
Kemeys, Edward, 75. 

Kent, Sydney A., donor, 107, 135, 
140. 

Kephisodotos, 38. 

Kephisos, 35. 

Kerfoot, Mrs. M. K., donor. 189 
Khafre, King, statue, 17. 

Kibbey, John R., lent by, 193. 
King, Estate of Henry W., do- 
nor, 131. 

Kirchberger, Mrs. Celia L., do- 
nor, 138. 

Kiss, Augustus, 198. 

Kiyonaga, 167. 

Klombeck, J. B., 12 6. 

Klytie, bust, 49. 

Klytios, giant, torso, 44. 

Knaus, Ludwig, 115. 

Koekkoek, Barend C., 120, 126. 
Kohlsaat. H. H., donor, 181. 
Korbel, Josef M., 80, 199. 
Korbel. Mrs. Josef, donor, SO. 
Korean pottery, 185. 


Kriton, 36. 

Kunlmaru, 168. 

Kuniyoshi, 167. 

Laces, 187. 

Lacquer, 176, 188. 

Ladas, the Greek Runner, 198. 
Lady in Green and Gray, 147. 
Lady of the Empire, 133. 

La Farge, John, 153. 

Lamia, designs for, 154-157. 
LamoriciSre tomb figures, 70. 
LamoriniSre, J. P. F., 126. 
Lamps, Roman, 58 ; lamp stands, 
58, 59 ; Roman originals, 184. 
Lander, Benjamin, 162. 

Landing Place, The, 139. 
Laokoon and sons, 47. 

Laon, sculpture from cathedral 
of, 89. 

Lapiths, combat of, 37. 
L’Arrotino, statue, 43. 

La Touche, Gaston, 197. 

Latro, L. S., urn of, 51. 

Laughing Philosopher, The, 192. 
Laurana, Francesco, 64. 

Law, David, 163. 

Lazy Spain, 114. 

Le Brun, Charles, 111. 

Lecomte, FSlix, 99. 

Lee, Blewett, donor, 174. 

Lefens, Thies J., donor, 72, ISl. 
Legge, James, 104. 

Legros, Pierre, 97. 

Lehongre, iStienne, 97. 

Lelorrain, Robert, 100. 
Leochares, 40. 

Leopardi, Alessandro, 84. 

Le Page, Bastien, relief portrait, 
76. 

Lupine, Stanislas, 138. 

L« Pot, Jean. 92. 

Le Sidaner, Henri. 197. 

Le Texier, Jean, 92. 

Lhermitte, L6on A., 142. 153. 
Lincoln, Abraham, bust, 74: face 
and hands, 74. 

Lincoln, Robert T.. donor. 74. 


GENERAL INDEX 


213 


Linnseus, relief portrait, 73. 

Lion, Assyrian winged, 20 ; lion 
hunt reliefs, 21, 24; above 
My cense Gate, 27 ; of Flor- 
ence, 84. 

Loan collections, 191-201. 

Loeher, Aloys, 79. 

Logan, Frank G., donor, 109 ; 
lent by, 193 ; Mrs. Frank G., 
donor, 109. 

Lombardi, 84. 

Longhi, Giuseppe, 164. 

Longman, Evelyn B., 80 ; donor, 
80. 

Lorenzo de’ Medici, tomb of, 65. 

Lorenzo di Pietro, 64. 

Lorenzo Tornabuonij 111. 

Lo Spagna, 194. 

Lo S'pagnoletto, 192. 

Lost Pleiad, The, statue, 74. 

Louis XIV, mask, 98. 

Louvre, sculpture from, 95. 

Low, Will H., 133, 154-157. 

Lucrezia Borgia, so called, head, 
62. 

Ludlow, Albert S., lent by, 193. 

Luini, Bernardino, 193. 

Lyons, sculpture from cathedral 
of, 90. 

Lysippos, 41, 56. 

Lytton, Henry C., donor, 108. 


MacMonnies, Mary Fairchild, 
111 . 

MacNeil, Hermon A., 79, 198. 

Madonna and Child. Reliefs, 62, 
63, 65, 188 ; statues, of Nu- 
remburg, 72 ; Gothic, 187 ; 
paintings, 196. 

Madonna della Sedia, 111. 

Madrazo, Raimundo de, 129. 

Magnier, Philip, 98. 

Makart, Hans, 118. 

Makovski, Constantin E., 317. 

Manet, fidouard, 138 ; portrait 
of, 138. 

Mannfeld, Bernhard, 163. 


Mansfield Collection of Meryons, 
161. 

Mar’asch, Hittite sculptures of, 
24. 

Marble Faun, by Praxiteles, 39. 
Marcke, fimile van, 116, 118, 

128, 140. 

Marcus Aurelius, bust, 52. 

Marie Adelaide de Savoie, 99. 
Marie de Barbangon - Cany, 
statue, 97. 

Marietta Strozzi, bust, 64. 
Marilhat, Prosper, 138. 

Maris, Willem, 142. 

Mars, of Gabii, 40; Ludovisi, 41. 

See Ares. ' 

Marsh, The, 113. 

Marsyas, satyr, 43. 

Martiny, Philip, SO. 

Mary Magdalene Anointing the 
Feet of Christ, 149. 

Mass in Brittany, 140. 

Masson, 97. 

Massoulle, Andr§ 71. 

Maternal Love, 124. 

Maufra, Maxime, 138. 

Mausoleum of Halikarnassos, 39. 
Max, Gabriel, 119, 126. 

Maya, Mirror of Illusions, 147. 
Mazzain, 189. 

Mazzanovich, Laurence, 148. 
McBean, Mrs. A. J., donor, 173, 

185 . 

McCormick, Cyrus H., donor, 75, 
133 ; lent by, 193 ; Mrs. Cyrus 
H., donor, 134. 

McCormick, Hamilton, lent by, 
199. 

McCormick, Mrs. Robert F., lent 
by, 194. 

McCormick, R. Hall, donor, 109, 

111 . 

McCormick, Stanley, donor, 75. 
McEwen, Walter, 119, 133. 
Meade, Larkin G.; 61. 

Medals, 174. 

Medici vase. The, 82. 

Meditation, statue, 70. 

Medusa, Ludovisi, 44 ; head. 66. 


214 


THE ART INSTITUTE OF CHICAGO 


Meeting of the Field of the Cloth 
of Gold, relief, 93. 

Meissonier, J. L. E., 119. 
Melchers, Gari, 133. 

Mellini, Pietro, bust, 65. 

Mercie, Antonin, 71. 

Mercur, Mrs. R. J., lent by, 200. 
Mercury, statue, 66; relief, 99. 
See Hermes. 

Merle, Hugues, 121, 127. 
Meryon, Charles, 161. 

Messenger, The, 127. 

Metal Work, 169, 180, 183, 188, 
189, 200. 

Metcalf, W. L., 148. 

Metrodorus, bust, 55. 

Mettling, Louis, 127, 139. 
Meulen, F. P. ter, 142. 
Meysenburg, Mrs. O. W., donor, 
139. 

Michel, Georges, 127. 
Michelangelo, Buonarroti, 65; 

school of. 66; statue of, 79 
Michetti, Francesco P., 117. 
Mieris, 'Willem van, 108. 
Mikkiades, 28. 

Military Courage, statue, 70. 
Millet. Jean-Frangois, 115, 191. 
Minerv'a, Giustiniani, 38. See 
Athena. 

Minnesota State Capitol, decora- 
tions, 157. 

Mitchell, John J., donor, 133. 
Mitchell, Mrs. W. C., lent by, 
194. 

Moabite stone, 2 5. 

Moligre, statue, 68. 

Monet, Claude, 139, 197. 

Moore, Mrs. J. H., lent by, 194. 
Mogul Prayer for Rain, statu- 
ette. 79. 

Moret, Henry, 139. 

Morghen, Rafaello, 164. 

Morning Moon, The, 136. 

Morris, Ira N., donor, 136. 
Moses, statue, 65. 

Mother and Children, 133. 

Mount Monadnock, 133. 

Mozart, statuette, 70. 


Miicke, Carl, 127. 

Muller, J. F. W., 164. 

Mulligan, Charles J., 81. 

Mummy masks, 179 ; cases and 
coffins, 180. 

Munger, Albert Allison, donor, 
117. 

Munger collection of paintings, 
117-121. 

Municipal Art League, lent by, 
194, 195, 199. 

Munk5.csy, Mihaiy, 118. 

Murphy, Herman Dudley, 133. 

Murphy, J. Francis, 148. 

Music, 110. 

Music Lesson, The, 109. 

Musical instruments, 176, 187, 

200 . 

Myron, 32. 


Nanni di Banco, 62. 

Nanteuil, Robert, 164. 

Napoleon I, mask, 68. 

Napoleon at Grenoble, 121. 

Narcissus, so called, statuette, ' 
60. 

Nativity, The, ratable panel, 187. 

Neal, David D., 129. 

Needlessly Anxious, 117. 

Neer, Aert van der, 109. 

Nen-itS, 144. 

Nereid monument, frieze of, 32. 

Nero, busts, 50. 

Netscher, Caspar, 192, 196. 

Neuhuys, Jozef, 142. 

Neuville, Alphonse de, 119, 124. 

Nickerson Collection. Paintings, 
122-129 ; vrater-colors, 141- 
145 ; prints, 161-168 ; Orient- 
al art, 175-178. 

Nickerson. S. M., donor, 61, 67, 
74, 122, 141, 162, 175; por- 
trait of, 129, 

Nickerson, Mrs. S. M.. portrait 
of, 129, 

Night in the Garden of Geth- 
semane, 187, 


GENERAL INDEX 


215 


Nike, from Delos, 28 ; of S'amo- 
thrace, 41; statuette, 60; un- 
tying sandal, 61 ; relief, 36. 

Nike Apteros, temple of, 36. 

Nikolaos, 36. 

Nimrud Dagh, sculpture of, 24. 

Nineveh reliefs, 20-21. 

Niobe, bust, 44 ; with daughter, 
44 ; daughter of, 45. 

Noble, P. A., portrait, 195. 

Noble, Mrs. F. A., lent by, 195. 

Nocturne, Southampton Water, 
135. 

Nooms, Reynier, 108. 

Norrstrom, C. Hj., 171. 

North, Mrs. W. S., donor, 140. 

Northwestern Terra-Cotta Co., 
donor, 186. 

Norton, John S., donor, 137. 

Not Convinced, 128. 

Notre Dame, sculpture from ca- 
thedral of, 88. 

Notre Dame du Pont, sculpture 
from church of, 85. 

Nourse, Elizabeth, 133. 

Nydia, statue, 74. 


Oaks in Autumn, 126. 

Obelisk, The, 139. 

Ochsner, Dr. A. J., donor, 135. 
Ochtervelt, Jacob, 196. 

Odes and Sonnets, designs for, 
157. 

Ogden, William B., portrait, 195; 

lent by, 195. 

Old Temple, The, 139. 

Olden, Mary Ferguson, donor, 
132. 

Oliver, N. H., lent by, 201. 
Olympia sculptures, 27, 28, 31. 
On Guard, 114. 

On the Marne, 124. 

On the Road, 114. 

Open Window, The, 147. 

Opera Festival Association, do- 
nor, 131, 134. 

Orange Vender, The, 133. 

Orb, John A., donor, 72. 


Oriental Art. See Japanese, Chi- 
nese, Persian. 

Orpen, William, 136. 

Osiris, statuette, 18. 

Ostade, Adrisen van, 107, 196. 
Outer Surf, 149. 

Outpost, The, 124. 

Owen, Ernest D., lent by, 201. 


Paionios, 32. 

Pajou, Augustin, 100. 

Palm Sunday, 128. 

Palmer, Pauline, 195. 

Palmer, Potter, donor, 132. 

Pan, 34 ; votive relief, 38 ; 

statue, 43 ; playing flute, 48. 
Paniskos, statue, 43. 

Parkman, Francis, memorial, 78. 
Parrott, Walter, lent by, 199. 
Parthenon sculptures, 34-36. 
Partridge, William O., 79 ; do- 
nor, 79. 

Pasini, Alberto, 127. 

Pastels, 141-145. 

Pattison, James W., 195. 
Pattison, James W., portrait, 
194; lent by, 195. 

Pearce, Charles Sprague, 134. 
Peek-a-Boo, 128. 

Pell, Alfred Duane, donor, 185. 
Pennell, Joseph, 161. 
Pennsylvania German ware, 185. 
Pergamene sculptures, 42, 43. 
Perrault, Claude, 97. 

Per real, Jehan, 91. 

Persepolis reliefs, 22. 

Perseus slaying Medusa, 27 ; 

with Medusa head. 66. 
Persian, crouching, 43 ; dead, 43. 
Persian sculpture, casts, 22 ; wa- 
ter-colors, 143. 

Peterson, George D., 199. 
Peterson, P. S., donor, 73. 
Peyraud, F. C., 194. 

Phalanthus and Ethra, relief, 68. 
Pheidias, 33, 34. 

Philip VI of Prance, statue, 90. 
Philippe de Morvillier, statue, 91. 


216 


THE ART INSTITUTE OF CHICAGO 


Philis, grave relief of, 31. 
Phoenician sculpture, casts, 25. 
Piazza San Marco, 148. 

Piece in Danger, The, 119. 
Pilgrim, The, statue, 74. 

Pilon, Germain, 92, 95. 

Piu, Domenico, 189. 

Plaquettes, 174. 

Ploutos, with Eirene, 38. 
Poachers, The, 128. 

Poggenbeek, George, 142. 
Pollaiuollo, Antonio, 64. 
Polydoros, 47. 

Polyeuktos, 42. 

Polyhymnia, statue, 45. 
Polykleitos, 33, 54. 

Polyxene, grave relief of, 38. 
Pompeian bronzes, 53 ; wall 
paintings, originals, 184 ; cop- 
ies, 193. 

Pompeian Lady, 123. 

Ponce, Paul, 96. 

Porcelains. See pottery. 

Port, Douarnenez, Brittany, The, 
146. 

Portland vase, 48. 

Portrait of a Girl, 109. 

Potato Harvest, The, 115. 

Potter, Bessie O., 80. 

Potter, Edward C., 79. 

Potter, O. W., lent by, 195. 
Bottery. American, 185, 186 ; 

Chinese, 176, 188 ; Dutch, 200, 
201; Egyptian, 179; English, 
185, 186, 200 ; French, 185, 
201; German, 185; Greek, 
183, 184; Japanese, 177, 188, 
200; Korean, 185, 188; from 
Rhodes and Persia, 185. 
Powers, Hiram T., 80. 
Praxiteles, 38, 39. 

Prayer to Allah, The, 119. 
Preyer, J. W., 195. 

Prieur, Barthelemy, 97. 

Prints, 161-168. 

Psyche, head, 74. 

Ptolemy II, so called, bust. 54. 
Ptolemy VIII. so called, bust. 54. 
Ptolemy IX, so called, bust. 54. 


Puget, Pierre, 96. 

Puritan, The, statue, 77. 

Puzzled Priest A, 125. 

Pyramid of Cestius, model of, 83. 


Quand Meme, group, 71. 

Queen of the Camp, The, 117. 


Ra-en-Woser, King, statuette, 17. 
Rainy Day in Pont Aven, 132. 
Rameses II, King, statue, IS. 
Raphael, 111. 

Rauch, Christian D., 72. 

Ream, Cadurcis P., 134. 
Reconnaissance, The, 120. 

Record stones, Chaldean, 19 ; Sy- 
rian, 25. See Inscriptions. 
Redfield, Edward W., 134. 
Reims, sculpture from cathedral 
of, 88. 

Rembrandt, 109, 111 ; self-por- 
trait, 111. 

Returning from Market, 115. 
Reynolds, 'Wellington J., 82, 83, 
201; donor, 83; lent by, 201. 
Ribera, Josef, 192. 

Ribot, Thdodule, . 127. 

Richards, William T., 127. 
Richardson, Frederick, 154. 

Rico, Martin, 127. 

Rip. Willem Cornelius, 142. 
Ritschel, Wiiliam, 148. 

River Scheldt, near Antwerp, 
123. 

River View by Moonlight, 109. 
Robert, Hubert, 139. 

Rodin, Auguste, 71. 

Rodri.guez, G. L. S.. 163. 

Roelofs, Willem, 142. 

Rogers, Joseph M., donor. 134. 
Rogers, Randolph, 74. 

Rokes, Hendrik, 121, 196. 
Roman antiquities 182-184 ; 
sculpture, 47-61, 82, 83. 182, 
183. 

Romanesque ornament. 101. 
Root. John W., bust, 78. 


GENERAL INDEX 


217 


Rosenbaum, Joseph, donor, 181, 
184 ; lent by, 201. 

Rouen, sculpture from cathedral 
of, 89, 93. 

Rousseau, Theodore, 115, 127. 

Roybet, Ferdinand, 120, 139. 

Rubens, Peter Paul, 109. 

Rude, Frangois, 100. 

Rudolph, Bertha, donor, 135. 

Rudolph, Mrs. Pauline D., donor, 
135. 

Russet Year, The, 134. 

Russian paintings, 117, 128. 

Ruysdael, Jacob van, 108, 196. 

Ryerson, Martin A., donor, 72, 
103, 109, 133, 172, 174, 169, 
179, 181; lent by, 195-197, 
201 . 


Saftleven, Herman, 196. 

Saharet, 192. 

Saint Cecilia, so called, relief, 
63 ; bust, 63. 

Sainte-Croix at La CharitS, 
sculpture from church of, 86. 

St. fetienne, Limoges, sculpture 
from cathedral of, 92. 

St. Eutrope at Salntes, sculpture 
from church of, 86. 

S'aint-Gaudens, Augustus, 76. 

St. George, by Donatello, 62 ; by 
Colombe, 91. 

St. Germer, Oise, sculpture from 
chapel of, 89. 

Saint Gilles, sculpture from 
church of, 86. 

St. Helen, presenting her son in 
Heaven, 193. 

Saint Jean at Troyes, sculpture 
from church of, 92. 

St. John, by Donatello, 63 ; by 
Benedetto, 65. 

S'aint-Maclou, Rouen, sculpture 
from church of, 93, 94. 

S'aint-Marceaux, Rene de, 71. 

St. Mark’s, Interior of, 12 9. 

St. Martin at Brive, sculpture 
from church of, 86. 


St. Nicholas at Troyes, sculpture 
from church of, 93. 

St. Pierre at Moissac, sculpture 
from church of, 86. 

St. Trophime at Arles, sculpture 
from church of, 86. 

St. Urbain, Troyes, sculpture 
from church of, 90. 

S'akfLkawea, statue, 81. 

Salammbo, statue, 70. 

Salome, 192. 

Sansovino, 66, 102. 

Saracenic wood carving, 83 ; or- 
nament, 101. 

Sarcophagus from Sidon, 41. 

Sardanapalus I, statue, 20. 

Sargent, John S., 191. 

Sargon, King, stele of, 21. 

Sasuke, Nomikawa, 189 ; donor, 
189. 

Satyr, Marsyas, 43 ; playing 
flute, 57 ; on tripod, 58 ; tor- 
so, 181 ; bearded head, 182. 

Scammon, Mrs. John Y. por- 
trait, 140; bequest of, 140. 

Scandinavian sculpture, 73. 

Scarabs, 180. 

Schelden, Paul van, 103. 

Schneider, George, donor, 181. 

S'chreyer, Adolf, 115, 119, 128. 

Schryer, Mrs. E. M., lent by, 199. 

Scopas, 39. 

Scott, Mrs. J. W., lent by, 200. 

Scudder, Janet, 81. 

Seals : Chaldean and Babylon- 
ian, 19 ; Persian, 22 ; Assyr- 
ian, 22 ; Egyptian scarabs, 
180; various, 190. 

Security, statue, 70. 

S'eilenos, with infant Dionysos, 
42 ; statuettes, 56, 57 ; head, 
182. 

Seipp. William C., donor. 72. 

S'eisen, 144. 

Selene, horse of, 35 : see Eos, 44. 

Seleukos I, bust, 54. 

Seneca, so called, bust, 55. 

Senjirli, Hittite sculpture from, 
23-24. 


218 


THE ART INSTITUTE OF CHICAGO 


Sentinel, The, 124. 

Severus, bust, 53. 

Shabaka, King, head, 18. 
Shalmaneser II, obelisk of, 19. 
Sharak, 167. 

Shaw, Annie Cornelia, 134. 

Shaw, Byam, 198. 

Shaw, Howard, donor, 85. 

Shaw, Mrs. T. A., donor, 135. 
Sheikh-el-Beled, statue, 17. 
Sheldon, D., Henry, donor, 186. 
Shibuya, 189. 

Shirlaw, Walter, 134, 193 ; self- 
portrait, 134. 

Shop-girls, 148. 

Shrine, Japanese, 175, 188. 
Shulz, Adolf R., 195. 

Shumman, 167. 

Shuncho, 167. 

Sibyl, by Ghiberti, 62. 

Silence of the Night, The, 135. 
Simon, Lucien, 140. 

Simone, Scipione, 142. 

Singer, Mrs. C. J., donor, 132, 
133. 

Sisley, Alfred, 197. 

Sleep and Death, statue, 52. 
Smith, Byron L., donor, 108, 133. 
Smith, Mrs. George T., donor, 
188. 

Smith, Joseph Lindon, 134. 
Smith, Mrs. Perry H., donor, 67. 
Snayers, Pieter, 192. 

Snowdrop, The, statue, 73. 
Socrates, bust, 40. 

Solari, Tullio, 84. 

Solitude. 137. 

Song and a Bottle, A, 127. 

Song of the Lark, The, 112. 
Sophocles, statue, 40. 

Sophocles, The Young, statue, 78. 
Sorgh, Hendrik M., 121, 196. 
Sorolla y Bastida, J., l40. 
Sosen, 144. 

Sosibios, vase of, 48. 

Spanish paintings, 110, 114, 124, 
125, 127, 129, 140, 192, 197. 
Sparhawk-Jones, Elizabeth, 148. 
Sphinx, Egyptian, 17. 


Spinario, statue, 31. r 

Spinola, Marquis, portrait, 109; 
Sprague, Albert A., donor, 133. 
Sprague, Mrs. A. A., donor, 185, j 
186, 189. ; 

Spring, 115. i: 

Spring, Alfons, 128. j 

Springtime and Love, 117. ■ 

Squirrel Boy, The, statue, 199. 

St. See Saint. 

Stacey, Anna L., 195. , 

Stacpoole, F., 164. 

Steen, Jan, 108. 

Stevens. Alfred, 118. 

Stickney Collection of Prints, 
161. 

Stickney, Mrs. E. S., donor, 74; 
Stickney Bequest, 135, 136. 

138, 139, 154, 161. 

Stone Age, Man of the, statue. 

69. 

Storm in Umbria, 128. 

Stoss, Veit, 72. 

Strassburg Cathedral sculpture, 

83. 

Street Scene in Naples, 113. 
Stuart, Gilbert, 191. 

Stuck Franz von, 72, 192. 

Sullivan, Louis H., 77. 

Sunlight, 146. 

Swedish paintings, 118, 140, 195; 

sculpture, 73. j 

Swift, Edward F., lent by, 197. : 

Swing, Prof. David, bust, 79. | 

Sword guards, 170, 171. I 

Sylvia, 147. 

SjTnons, Gardner, 134. 148. 
Synagogue, The, statue, 83. 

Sj'rian sculpture, casts, 25. 


Tanbi, 144. 

Tangei-sel. 144. 

Tanner, Henry O., 135. 
Tapestries, 187. 

Tatti. Jacopo. 66, 102. 

Taylor. Mrs. S. C.. donor, 138. 
Teniers, David, the Younger, lOS, 
196. 


GENERAL INDEX 


219 


Terburg, Gerard, 109, 186. 
Terra-cotta figurines, 184. 
Tete-a-tete, The, 116. 

Tetsuzan, 144. 

Teucer, statue, 73. 

Textiles, 187. 

Thaleia, statue, 46. 

Thomas Orchestra Association, 
donor, 100. 

Theotokopoulos, 110. 

Thompson, Harry, 137. 
Thompson, Ellen K. B., lent by, 
191. 

Thompson, Mary Harris, bust, 
77. 

Thorn Extractor, statue, 31. 
Thornycroft, Walter H., 73. 
Thorvaldsen, Bertel, 73. 

Thoueris, statuette, 18. 

Ti, reliefs from tomb of, 17. 
Tiberius, busts, 49. 

Tiepolo, Giovanni, 193. 

Tilden, Douglas, 79 ; donor, 79. 
Tilton, Lucretia J., bequest of, 
132. 

Timotheos, 40. 

Tobias and the Angel, 112. 
Toilet, The, 130. 

Top of the Hill and Beyond, 134. 
Torrigiano, Pietro, 102. 
Toshimitsu, 167. 

Toulon, City Hall, portal of, 96. 
Towering Trees, 147. 

Toyohiro, 167. 

Toyokuni, 167, 168. 

Trajan, arch of 50, 51 ; por- 

traits, 50. 

Treasures of the Sea, 118. 

Trial of Pierrot, The, 117. 
Tripod, leg of, 48 ; Bacchic, 58. 
Triquetti, Henri de, 103. 

Troilus and Cressida, 135. 
Trouvain, Antoine, 164. 

Troyon, Constant, 115, 120, 142. 
Trumpeter, The, 120. 

Truth, 198. 

Twilight, 124. 

Two Disciples at the Tomb, The. 
135. 


Two Sisters, Valencia, 140. 
Tyson, Mrs. Russell, donor, 100. 


Uihlein, Edward G., donor, 72. 
Utamaro, 168. 


Valentine, P. A., lent by, 198. 

Van. See names to which this 
word is separably prefixed. 

Van Dyck, Anthony, 110. 

Vanderpoel, John H., 154. 

Van der Weyden, Harry, 149. 

Van Goyen, Jan, 195. 

Vedder, Elihu, 128. 

Velde, Adriaen van de, 107. 

Vely, Anatole, 119. 

Venetian Bead Stringers, 191. 

Venus, Towneley, 39 ; Genatrix, 
32, 181 ; Pudica, 47 ; ds’Medici, 
47 ; statuettes, 56, 57 ; by 

Canova, 67 ; by Thorvaldsen, 
73. See Aphrodite. 

Verboeckhoven, Eugene, 119, 192. 

Vermeer, painting after, 192. 

Verrocchio, Andrea del, 64, 84. 

Versailles, Chateau de, sculp- 
ture, 97. 

Verschuur, Wouterous, 120, 128. 

Verus, Lucius, bust, 53. 

Veyrassat, Jules J., 128. 

Vilbert, Jehan Georges, 117, 128. 

Victory, by Paionios, 32 ; re- 
liefs, 36, 50 : by E. Longman, 
80 ; French, 95. See Nike. 

Vidette, The, 119. 

Viles, James, donor, 185. 

Vintage, The, 127. 

Vinton, Frederick P., 195. 

Virgin, statues, 88, 94, 96 (Vir- 
gin of Grief) : reliefs, 188, 
189. See Madonna. 

Vischer, Peter, 72. 

Vitellius, bust, 50. 

Volk, Leonard W., 74, 199 ; 

donor, 74. 

Voltaire, statue, 68. 


220 


THE ART INSTITUTE OF CHICAGO 


Von Frantzius, Fritz, donor, 72, 
190 ; lent by, 192. 

Vonnoh, Bessie Potter, 80. 

Votive reliefs, 38, 48. 

Vrolyk, J. M., 143. 


Wacker, Charles H., donor, 72, 
79, 133. 

Wadsworth Frank, 195. 
Wahlberg, Alfred L., 118. 
Walker, Mary M., lent by es- 
tate of, 201. 

Walker, Nellie, 200 ; lent by, 200. 
Walker, W. B., donor, 133. 
Walker, William S., donor, 188. 
Waller, Robert A., donor, 181. 
Ward, John Q. A., 74; donor, 74. 
Ward, Mrs. Coonley, donor, 189. 
Washburne, Elihu B., bust, 199. 
Washington, George, bust, 70. 
Water-Carrier, The, 139. 
Water-colors, 117, 141-145. 
Watermill, The, 109. 

Watson, Margaret S., donor, 75. 
Waugh, Frederick J., 149. 

Webb, Charles Meer, 128. 
Wedgwood, 185, 186, 200. 

Weeks, Edwin L., 129. 

Weeping Philosopher, The, 192. 
Weir, J. Alden, 149. 
Weissenbruch, J. H., 143. 

Wendt, William, 135, 149. 

West, Benjamin, 135, 149. 

When all the World is Young, 
149. 

Whistler, J. A. McNeill, 135, 149. 
White, Catherine M., bequest of, 
132, 134. 

Whittier, John G.. bust, 79. 
Wille, Johann Georg, 164. 


Willing, H. J., fund, 131. 
Willner, W. M,. fund, 130, 134. 
Wingless Victory, temple of, 36. 
Winter Sun, The, 148. 

Woman in Cray, A, 136. 

Women of the Ouled Nayls, 114. 
Woodcarving, Dutch, 201; Egyp- 
tian, 179; English, 190; Flem- 
ish, 103 ; French, 103, 187 ; 

Gothic, 187, 190; Japanese, 

175, 176, 178; Saracenic, 83; 
Spanish, 187 ; furniture, 187, 
201 ; paddle 190. 

World’s Columbian Exposition, 
donor, 78. 

Wrestlers, group, 45. 

Wrestler’s Challenge, The, 118. 
Wyant, Alexander H., 129. 


Yale and Towne Manufacturing 
Co., donor, 77. 

Yerkes, Charles T., donor, 109. 

Young Duchess, The, 118. 

Young, Mrs. Ella Flagg, por- 
trait, 192. 

Young Woman in Black, 147. 

Zeeman, 108. 

Zeno, bust, 55. 

Zeus, heads, from OljTnpia, 26; 
from Melos, 40 ; from Otricolf 
41 ; relief, 46. 

Zeus altar at Pergamon, reliefs, 
44 ; capital and base of col- 
umn from, 101. 

Zeus temple at Oljmipia, 32. 

Ziem, FOlix, 140. 

Zimmerman, Ernst, 117. 

Zorg, Hendrik M., 121. 

Zorn, .A.nders L., 140, 195. 




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No. 307 FLOWER GIRL IN HOLLAND-GEORGE HITCHCOCK Page 132 






No. 346 THE MORNING MOON-ALFRED EAST Page 136 







No. 399 


PORTRAIT OF MANET-FANTIN-LATOUR 


Page 1 38 






No. 412 


THE MENDICANT-MANET 


Page 138 





< „ No. 428 


THE OLD TEMPLE— HUBERT ROBERT 


Page 1 3^ 






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No 504 APPLE BLOSSOMS-LOUIS BETTS Page 146 







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No. 513 YOUNG WOMAN IN BLACK- ROBERT HENRI Page 147 





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No. 517 


ICE-BOUND-WILLARD U METCALF 


Page 148 





No. 321 the winter SUN-GARDNER SYMONS Page 148 




No. 527 


IN THE STUDIO- WHISTLER 


Page 149 




LA POMPE NOTRE-DAME— CHARLES MERYON Page 161 














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